Hollywood Man

I saw Hollywood man in a censored version from mill creeks box set called suspense classics,i really wish i saw it uncensored because i hate movies that are chopped up,even for the language.anyway I'm a big fan of William Smith,since he played falconetti on the TV mini series rich man poor man a year before Hollywood man.well Mr Smith is making this biker flick but his studio boss wont front him the money to finish it,so he turns to a mobster for the money to finish it.but the mobsters use his house and property as collateral.and some psycho biker and his pals keep messing up his shoot so he has to go over budget.cult movie queen Mary Woronov plays Mr Smiths girlfriend and b movie Roger Corman regular:Don Stroud as his stuntman.there's plenty of action and violence even in this censored version.but i would'nt call this one of William Smiths best.but ill give it 6 out of 10.hopefully someone will release an uncut version.

I'm sorry. I don't care. The people in this film are tiresome and childish. The whole premise is ridiculous. The acting is bad. There is no real suspense. Everything about it is so unbelievable that it looks like whatever popped into someone's head was OK. I know. Money is power. Let's take the guy for everything he is worth. When push comes to shove, turn down the offer you get for help, even though you could then pay it back. The bad guys don't seem to have much reason; they're just bad. If vengeance is yours, don't get into the game. I appreciate that this wasn't an effort to make "Gone With The Wind," but it's a parody on exactly what it is trying to do. And not a very clever one. But it was their money.

First off I believe this precedes the movie "Stuntman" which has garnered a lot of cult appeal due to its exploration of the same themes. But with a distinctly grittier, more low-budget and ergo more authentic telling of the tale, H'wood Man turns out to be the superior effort. There are so many wonderful little facets to this movie: An unfortunately turgid, melodramatic theme song which is spliced into the last act at completely gratuitous and inappropriate moments; Mary Woronov as a leading lady (looking rather lissome and not at all Patti Smith'ed out); for villains, a cadre of losers with wonderful parallels to the kidnap-caper misfits in "The Candy Snatchers" -- particular kudos for the designated Tiffany Bolling-psychotic blonde in this grouping of trash ne'er-do-wells and score settlers; the sarcastic one-offs heard from various real-life crew stalwarts playing someone in an alternate universe just like themselves; topped off with a.stylized 70s downer ending a la Bonnie and Clyde. I could go on. Why this film is not considered an exploitation diamond in the rough i do not know, but for anyone with an appreciation for William Smith's acting career as a heavy this is an excellent watch.

Hi, I'm Ray Girardin. I wrote "Stoker" (which became "Hollywood Man") along with my friend Bill Smith in 1976. We wrote it mainly so we could do a movie together, and it worked out. He played the lead, Rafe Stoker, and I played the heavy, Harvey. There were problems along the way, as there always are with low-budget films, but we enjoyed doing it. If you've seen it, I'd welcome your comments, pro or con.

Sadistic William Smith vehicle stars Smith as the brawny B-movie actor Rafe Stoker, whose invested heavily in making a biker film, until he runs out of money. He seeks an injection of cash from shady characters who force him to sign away his possessions as collateral - then they hire a loser (Girardin) and his motley crew of misfits to disturb filming so they can collect.

There's some interest in seeing the "film about a film" theme unfold, with the behind-the-scenes type narrative fictionalising the trials of making a B-movie for next to nothing. The tone shifts considerably at midway, as Girardin's gang begin to affect the schedule, their crimes becoming increasingly more daring and deadly. Aside from Smith in the lead role, Mary Woronov is his supportive love-interest, Don Stroud as the easy-going stuntman and Tom Simcox as the no-nonsense lawman. Relative unknown Jude Farese almost steals the picture as the docile thug whose Buddy Hackett-like face belies his killer capability. Interestingly, Woronov co-starred in another "B-film about a B-film" in 1976 titled "Hollywood Boulevard", although the similarities end with her presence.

While the film begins in a relatively tame fashion, the violence escalates to full-blown R-rated status with beatings, murders and rape becoming commonplace, and an unexpected ending that will make some audiences gasp. The beach scene late in the movie where Girardin is emasculated by his disloyal gang leaves an impression, and despite its excess, is quite effective. If you're looking for something a bit different to your average biker film, and don't mind a bit of gratuitous violence, then "Hollywood Man" might fit the bill.