Grizzly, le monstre de la forêt

Grizzly was a good film the bear was pretty big and very violent too. Grizzly features big stars such as Christopher George, Andrew Prine and Richard Jackel. Most people in the mid-70's think Grizzly is a rip off of Jaws but I don't think it is that much. Grizzly has a lot of gore and blood and Robert O. Ragland's music make's the killings a lot more errier. I have seen Grizzly more than 6 times it is very good, but they DO NOT have grizzly on VHS,only DVD at the time. Director William Girdler also made Abby, and Project kill before he was killed in a crash while making a film in the Philipheens

Due to the year in which it was released, 1976's "Grizzly" seems to get summed up as a land-locked "Jaws" wanna-be, but people tend to forget that even before "Jaws," drive-ins were well stocked throughout the 1970s with a near endless series of killer animal/"nature takes revenge" flicks (i.e. "Squirm," "Frogs," "Night of the Lepus," etc.). So if anything "Grizzly" can merely be accused of having excellent timing, as it rode the coat-tails of "Jaws" to the tune of $39 million in box office and briefly held the title of most profitable independent movie (till it was unseated by the original "Halloween").

As for the movie itself, it's a fairly typical killer animal flick. A rogue Grizzly bear has suddenly begun tromping around a national park, munching on campers and back-packers, and the park's bad-ass head ranger (Christopher George) has to hunt it down and kill it, assisted by his two best friends, a naturalist (Richard Jaeckel) and a redneck chopper pilot. Due to its low budget nature, we don't see much of the actual bear till the film is three-quarters of the way finished, till then "attack" scenes are shown from the bear's eye view so all you see is a hairy paw reach from off camera and lots of growling on the soundtrack. Those attack scenes are still fairly brutal and gory (particularly when the bear goes after a young boy and his mother, and we see the poor kid thrown to the ground with his leg bitten off!), and when we finally do get to see the Grizzly in all his glory, he's a fearsome looking S.O.B. indeed. I won't reveal whether or not Ranger Smith (haha) manages to defeat Yogi Bear in their climactic battle, but I will say that it's the best scene in the movie, due to the total overkill weapon used by George's character.

Director William Girdler keeps the suspense level up and Christopher George is a suitable tough-guy hero, making "Grizzly" a decent night of schlocky-but-fun creature-feature entertainment, 1970s style.

Grizzly is directed by William Girdler, written by Harvey Flaxman & David Sheldon and stars Christopher George, Andrew Prine & Richard Jaeckel. Story sees a giant Grizzly Bear terrorise campers and hikers at a state park. The head park ranger sets about capturing and killing the beast but he's met with resistance from his superior and troubled by the number of glory hunting hunters who descend upon the park.

If you pardon the pun, Grizzly was a "monster" surprise hit of 1976. Made for a paltry $750,000, it went on to make over $39 million Worldwide. It may well be a "Jaws" coat tail hugging copycat (and it unashamedly is), but credit where credit is due, William Girdler & David Sheldon spotted an opening in the market and got in there in a blaze of blood, grue and roaring ferocity. It was also one of the first of a number of "Jaws" knock offs, and while it's silly at times, and beset with bad acting, it is, however, one of the most popular and fun cult horrors of the 1970s. Filmed on location in Clayton, Georgia, Girdler's movie knows exactly what it's about. Keeping it relatively free of extraneous and expositional filler, Girdler knows (and so does the cast) that the bear is the star of the show - well more to the point, that the bear shredding and chomping down on humans is the star of the show. And so it goes, the humans - except for our hero protagonist (George) & wise sage naturalist (Jaeckel) - are annoying and lining up to be either bear lunch or to be badly proved wrong. And what fun it is. It's the sort of film that scared us to death as kids, and now makes us smile as adults.

The film has proved popular enough over the years to warrant a double disc DVD release. A release that wouldn't be out of place for some critical Oscar winning darling I might add! Now available in a quite lovely anamorphic widescreen presentation (2.35:1), Girdler's (and cinematographer William Asman) shooting around Clayton is very pleasing on the eye. Sure some of the inexperience of the editing and lighting departments exists, and the budget restrictions are now even more evident (check out the blood), but Grizzly actually does look rather nice. The extra disc is chock full of goodies, with the "Jaws With Claws" featurette enjoyable and showing the makers to be very tongue in cheek about the whole thing. So, a must for B movie creature feature fans who don't mind a bit of camp on their cheese sandwich then. Those looking for an "Alien" or "Gorilla's In The Midst" obviously need not apply, so lets mark it as 6.5/10 for the film, and 7/10 for Shriek Show's smart 2 disc DVD package.

Generally after a movie comes out is when people , critics or whoever, begin making comparisons between it and other films.

If there happen to be any similarities at all then the film is labeled a rip-off and then sent off to the wonderful land of the back room shelf. This is one that I am glad stayed off the back room shelf, if anything, for nostalgic reasons.

Most film makers would tell you they were inspired by something whether it was "Spider Man" or "Black Narcissus" when they were a kid. It doesn't mean they directly ripped it off.

The story for "Grizzly" was written before "Jaws" came out, the writers didn't know each other, and though one might be able to draw parallels as far as the story goes it is not a "Jaws" rip-off. It's just that you have blood, guts and gore and so did Jaws which came out, theatrically, a year earlier.

One is on land and one is in the ocean...How exactly is that the same? No. The real rip-off movie of "Jaws" is the Italian movie "The Last Shark".

"Grizzly" came out in our nation's Bi-Centennial year. "Jaws" kept me out of the water and "Grizzly" kept me out of the woods for a LONG time. Even now though,31 years later, the film is still worth a look and it has some very interesting ideas represented and some very interesting camera shots and a couple of good scares.

Does it have a cheese factor? Of course, but overall it a pretty good low-budget flick which makes me think of guerrilla film-making and it makes the effort at trying to tell a good story..

I put it right in the middle of the scale and worth checking out depending on your own personal perception of what a monster movie should be .

Animal attacks are not uncommon things in the contemporary world. Humans can sometimes cross paths with a wild animal at the wrong time and place. Of course not all animals are intentionally setting out to harm individuals, but there are those moments where they had it coming. Whether it was due to their lack of awareness or just plain ignorance, certain animals should not be domesticated because it's just shouldn't be done. As explored in Steven Spielberg's ocean thriller Jaws (1975), the shark had proved to be a formidable force that should only be observed from far distances. It made a lot of people think twice about going back into the water. Smartly capitalizing on the fad and everyone's deepest fears, a producer by the name of Edward L. Montoro made this independent film focusing on a dangerous land animal. The animal of choice for this feature was the grizzly bear. So now instead of scaring the living life out of beach goers, Montoro wanted to make people fear their own backyard. Well done Mr. Montoro.

Although the film has its own credited screenwriters, the parallels between this movie and Jaws (1975) are all too familiar. Written by Harvey Flaxman and David Sheldon, the script has few differences in its story. Michael Kelly (Christopher George) is a ranger at the local park and the season for backpackers and hikers has just kicked in. To his dismay a couple of campers were mauled by a grizzly bear and now he's on the hunt with helicopter pilot Don Stober (Andrew Prine) and nature boy Arthur Scott (Richard Jaeckel). Breathing down Kelly's neck is park owner Charley Kittridge (Joe Dorsey), who wants the bear gotten rid of. See the similarities in how the events reflect what goes on in Jaws (1975)? The noticeable changes are that it deals with a bear instead of a shark and it's on land and not at sea. There are even scenes where after the campers are attacked, a posse of hunters go out to kill the bear themselves. Even Kittridge becomes greedy and becomes okay with having the publicity.

The minor changes within the story though deal with Christopher George's character. Unlike the main character of Jaws (1975), Mike Kelly is a single man who hasn't found the right woman in his life yet. Co-starring in this film is another actor by the name of Joan McCall playing Allison Corwin. She initially comes across like she could turn into Kelly's love interest but then goes nowhere. From the start Corwin explained to Kelly that she was trying to finish a project she was working on, but two thirds of the way through she completely vanishes from sight never to be heard from again. Something's a miss here. And McCall's character isn't the only one with an unfinished thread. There are a few others, and doesn't resolve much in the story. It's unbecoming that so much of the screenplay resembles another movie only to not completely take what they've learned and apply it correctly. Why bother introducing a character that adds nothing to anything?

The only true actors to come out unscathed is Christopher George and "Teddy" the bear actor. Although much of his other co-stars have been in several films like him, George is the only actor to try and make his role his own. Christopher George is probably best known for playing a role in the so-bad-it's-so-good film Pieces (1982). This feature would be his next best. The rest of the acting by Andrew Prine and Richard Jaeckel act passably but do not stand out from any other cast member. Andrew Prine would take a minor roll Ronald F. Maxwell's epic of Gettysburg (1993) and Richard Jaeckel would also play a minor role in the science fiction drama Starman (1984). For animal actors, "Teddy" the portrayed grizzly bear killer was quite a looker. In all honesty, the thought of having a real bear on scene was not thought to be likely. Apparently they did have a real bear on set though, and he is something to watch. There are some pretty serious injuries that are filmed too but the actual mauling isn't too believable.

The camera-work that goes with film is mostly doable. The only time it's too unconvincing is when the camera represents the animal attacks. The lens just moves too much to figure out everything. Other than that, the wide panning shots by William L. Asman are visually pleasing. The forest is a big place and the landscape is vast in its scope. The camera is also used as the eyes of the grizzly which has it pushing through brush so as to look like the viewer is the bear. That looks fairly accurate. Although Asman has done cinematography, his main credit is as a camera operator to films like The Rocketeer (1991) and Speed (1994). The music by Robert O. Ragland is also a supportive element to the film. It's by no means anywhere close to as recognizable as John Williams' music, but it has its moments. Sadly there's no main theme, which could've helped the movie greatly. Ragland also made the score to both The Fear (1995) and The Fear: Resurrection (1999). Hmmmmm okay.

As a calling to what could be said as the land version of Jaws (1975), this film fairs out alright but nothing truly great. Only a few actors work among the whole cast and the cinematography is the only good looking visual. The gore is average at best and the script is in a lot of ways very much the same to Jaws (1975). The music is decent but it's difficult to remember it.