Pendez-le par les pieds

Watching this "western" is certainly a unique experience. The plot revolves around the return of a Spanish princess from America to her native country Spain. To help her she enlists the aid of a reluctant hero (Tony Anthony).

It takes them only a minit of music and a dotted line on a map to reach their destination. Where they are just in time to witness a battle between the moors en the vikings. The vikings being the bad guys kidnap the princess immediately afterwards. The rest of the story involves a villainess hunchback who compares himself to Richard III, a treasure guarded by magic, an inbred member of the royal family and an aggressive vikingking.

With a combination of all these elements one can only laugh. Tony Anthony fails as a Clint Eastwood impersonator but that makes the movie only funnier. And it is a funny movie although the fun is mostly unintentional. Also one must admire a movie that tries so hard to be special.

Once again, Tony Anthony (one of the least charismatic spaghetti western cowboys of the genre) rides the range.... though this time in Spain... and encountering Vikings (!) and Moors(!) It's played somewhat straight, though there are some broad attempts at humor (such as a embarrassingly unfunny gay character.) There are some impressive visuals, clearly showing this movie wasn't cheap - kind of surprising when you consider the spaghetti western was considered all but dead by European producers at the time. But despite the money spent, and the absolute goofiness of the premise, it's just as dull as Anthony's other spaghetti westerns. It's just another part of the mystery as to why Anthony managed to be so popular in Europe.

The fourth and last entry in an unknown and insignificant film series revolving around the rather annoying Tony Anthony as "The Stranger". Like the rest of the world, I haven't seen the previous three films, so I don't know if it's a trademark of the series, but "Get Mean" is a mixture of the genres: comedy, adventure and western. Well, actually, it's an attempt to mix genres but not a very successful one. It's not funny, not adventurous and a pretty miserable excuse for a western. The Stranger is "chosen" to escort a Spanish princess back to her homeland, but there he becomes entangled in a battle between Barbarians and Moors. During a lot of far-fetched and uninteresting twists, he also turns black (!) and must battle gay backstabbers and Shakespeare-obsessed Vikings. "Get Mean" is pretty boring and often comes across as amateur theater, complete with lousy costumes, bad make-up, tame action but an overload of stupid dialogues, and incompetent extras hectically running around in the background. Ferdinando Baldi's movies are always quite inept, but usually also very entertaining ("Blindman", "Just a Damned Soldier", ...). This is my least favorite film of his.

This is an extremely bizarre movie that is still a great deal of fun. A cowboy delivers a beautiful princess to Spain for $1,000 and the promise of more. However, it is a strange Spain full of medieval Vandals and Moors fighting with swords, muskets and cannons. There are magical elements to the story that makes things even more outlandish. At one point the cowboy starts howling like a wolf. Later on, he turns black. It is still great fun to watch. Tony Anthony, once again, takes on incredible odds, and still wins!

This curious very late spaghetti western really goes out on a conceptual limb, sending Tony Anthony's rascally Wild West "Stranger" across the Atlantic with a Spanish princess. In Europe he somehow gets mixed up with both Elizabethan-era Spaniards and Viking-style "barbarians," while another character seems to parody Shakespeare's Richard III.

It's goofy stuff that has been compared to "Army of Darkness," and does bear a superficial resemblance in its goofy quasi-historical incongruities. But while the movie does have a sense of humor, it's pretty crude--rather than absurdist, which would much better suit this out-there concept. It's also particularly hard now to take the simpering old-school screaming-queen stereotype played by the star's brother.

Anthony's sort of proto-Lebowski wiseacre carries things to an extent, and the film has an impressive scale at times, particularly since the Euro western genre was way past its commercial peak in 1975. But the direction by a mostly undistinguished toiler in Italian B movies (he did make a handful of decent giallos, straight-faced spaghettis and other genre entries) doesn't rise to the occasion, and beyond its premise nor does the script. This is one of those enterprises that sounds so deliciously nutty it can hardly go wrong...until you actually watch it, and realize it's not nearly as much fun as it sounded.

I've seen contrary information on the film's commercial fate, some indicating it ran into distribution problems, others indicating it made $10 million (which would have been a lot then, and seems highly improbable). I suspect the truth is that it didn't do well, because apparently Anthony had hoped to kick off a whole new series of "Stranger" films. Instead, he never made another--which suggests financiers didn't want to take the risk.