C'est arrivé... entre midi et trois heures
Titre original : From Noon Till Three
- 1976
- Tous publics
- 1h 39min
NOTE IMDb
6,5/10
3,4 k
MA NOTE
Graham Dorsey fait un mauvais rêve, peut-être prémonitoire. Le bandit prévient donc ses compagnons qu'il ne participera pas au hold-up prévu le lendemain à midi. Dorsey fait halte chez Amand... Tout lireGraham Dorsey fait un mauvais rêve, peut-être prémonitoire. Le bandit prévient donc ses compagnons qu'il ne participera pas au hold-up prévu le lendemain à midi. Dorsey fait halte chez Amanda, une jolie veuve, qu'il ne tarde pas à séduire.Graham Dorsey fait un mauvais rêve, peut-être prémonitoire. Le bandit prévient donc ses compagnons qu'il ne participera pas au hold-up prévu le lendemain à midi. Dorsey fait halte chez Amanda, une jolie veuve, qu'il ne tarde pas à séduire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Douglas Fowley
- Buck Bowers
- (as Douglas V. Fowley)
Michael LeClair
- Cody Taylor
- (as Michael Le Clair)
Billy Beck
- Mental Patient
- (non crédité)
Alan Bergman
- Songwriter
- (non crédité)
Elmer Bernstein
- Songwriter
- (non crédité)
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After spending 3 unforgettable hours with an outlaw called Graham Dorsey, Charles Bronson, whose band commits a bank hold-up thwarted by villagers , a beautiful young widow, Jill Ireland, turns her love story - Romeo and Juliet alike- into a worldwide notorious book with several prints and she builds the mediocre Graham Dorsey into a western hero. As the town celebrates :Welcome to Gladstone City where Buck Bowers gang met their end and the romance of Graham and Amanda began. As the noisy city receives a lot of tourists and visitors and showing : Starbuck Mansion tour twice daily , 3 dummies with a poster captioning : where they were hung. And to see Graham Dorsey's grave: he valued friendship more than life , sleep gently sweet prince.
This is a change of pace character for Bronson in a spoof of western legend . Strange is certainly the word for this comedy action fantasy romance tale . The plot is plain and simple as Bronson has a brief romance with his real wife Jill Ireland who , believing him dead, fictionalizes their lives in a series of succssesful books, when he turns alive, no one, including Jill believes that he is the actual Dorsey and he is gradually driven crazy. No sypnosis could convey the flavour of a movie that almost creates its own genre and even might have done so with other classic Hollywood actors . Bronson gives an acceptable acting as the two-fisted gunslinger , though Charles adventure buffs may well not know what to make of this one . This is one of a number of westerns that Bronson played during the mid, late 60s and early seventies, as the famous Once upon a time the west by Sergio Leone, Red sun by Terence Young , Chato by Michael Winner , Nevada Express by Tom Gries , Valdez by John Sturges and White Buffalo by JL Thompson. And being finely acompanied by Jill Ireland who is nice as the gorgeous and sympathetic widow. Supporting cast is good with brief interpretations from Douglas Fowley, Don Red Barry, Elmer Bernstein himself and Anne Ramsey.
Enjoyable and sensitive musical scoreby the classy maestro Elmer Bernstein. Adequate and appropriate production design by Robert Clatworthy, an expert designer who worked in Psycho, Ship of fools, Touch of evil, Guess who is coming to dinner, The incredible shrinking man, The parent trap, among others. The motion picture was weak but professionally directed by Frank D Gilroy. He was a craftsman who wrote and directed a few films such as The gig, Jinxed, Once in Paris, Desperate characters, The subject was roses , The gallant hours and Fastest gun alive. Rating :acceptable and passable 6/10
This is a change of pace character for Bronson in a spoof of western legend . Strange is certainly the word for this comedy action fantasy romance tale . The plot is plain and simple as Bronson has a brief romance with his real wife Jill Ireland who , believing him dead, fictionalizes their lives in a series of succssesful books, when he turns alive, no one, including Jill believes that he is the actual Dorsey and he is gradually driven crazy. No sypnosis could convey the flavour of a movie that almost creates its own genre and even might have done so with other classic Hollywood actors . Bronson gives an acceptable acting as the two-fisted gunslinger , though Charles adventure buffs may well not know what to make of this one . This is one of a number of westerns that Bronson played during the mid, late 60s and early seventies, as the famous Once upon a time the west by Sergio Leone, Red sun by Terence Young , Chato by Michael Winner , Nevada Express by Tom Gries , Valdez by John Sturges and White Buffalo by JL Thompson. And being finely acompanied by Jill Ireland who is nice as the gorgeous and sympathetic widow. Supporting cast is good with brief interpretations from Douglas Fowley, Don Red Barry, Elmer Bernstein himself and Anne Ramsey.
Enjoyable and sensitive musical scoreby the classy maestro Elmer Bernstein. Adequate and appropriate production design by Robert Clatworthy, an expert designer who worked in Psycho, Ship of fools, Touch of evil, Guess who is coming to dinner, The incredible shrinking man, The parent trap, among others. The motion picture was weak but professionally directed by Frank D Gilroy. He was a craftsman who wrote and directed a few films such as The gig, Jinxed, Once in Paris, Desperate characters, The subject was roses , The gallant hours and Fastest gun alive. Rating :acceptable and passable 6/10
I'm shocked to learn that only 17 comments were written in the IMDb so far. I've seen this movie 20 years ago and for a second time last week. I still feel this is a great movie.
Full of inspiration and transpiration, with excellent script and directing, not to mention the great performance by the 2 leading actor and actress, both exhibiting masterpiece achievements for their professionalism.
It was a low cost production, but great film doesn't necessarily cost much. It's a complete waste of movie resource that so little people had seen this masterpiece.
Probably Bronson's only comedy, I strongly and unreservedly recommend it to anyone!
Full of inspiration and transpiration, with excellent script and directing, not to mention the great performance by the 2 leading actor and actress, both exhibiting masterpiece achievements for their professionalism.
It was a low cost production, but great film doesn't necessarily cost much. It's a complete waste of movie resource that so little people had seen this masterpiece.
Probably Bronson's only comedy, I strongly and unreservedly recommend it to anyone!
At the height of his stardom, Charles Bronson made this curious oddity. He stars as a bankrobber hiding out at a widow's residence and after a series of comical mishaps, fall in love with one another. This is probably Jill (Bronson's then real life wife) Ireland's best moment. She made a career doing a lot of second stringing in her husband's films but she comes into her own here in a believably sympathetic performance. As for Bronson, well he didn't do a lot of "cute" movies so it's nice to see him in something a little less nasty for a change. Also, he provides some impressive comic relief in his own inimitable, understated way. It is only hampered by some awfully wooden direction. Still, you could do a lot worse.
Never have I seen a Bronson flicker as bizarre as this gem. Here we have a outlaw who breezes into the life of a lonely, remote woman on the post civil war outback. Their relationship takes off like a ruptured duck, producing an outcome that only the likes of a taro card reader could predict. I loved the way this story played out as the action led from one stranger than fiction event to another. This led Bronson's character to lose the one thing more valuable to him than all the bank money he had ever desired and his lover to lose even more. This was a top notch Charles Bronson film, well written and played out, possibly the best thing I've seen him in yet. Thumbs up.
Charm is not a word you would associate Charles Bronson with, but he is chock full if it in this "romp." A group of bank robbers leave Charles Bronson at a widow's (Jill Ireland's) house because his horse goes lame. They vow to pick him up after the robbery in what they figure will be about three hours (thus the name of the movie). In those three hours Charles Bronson, after almost attacking Jill Ireland, decides to go for a sympathy play and has Jill Ireland, within 15 minutes making love to him to help him with his "impotency." While watching the movie, it makes you wonder how she held off for so long. If you want to see Charles Bronson half naked, with a physique of a man 20 years younger, making love - three times -- this is the movie for you. After he leaves, and is mistakenly thought killed, Jill Ireland writes a book about their three hour affair and the whole thing turns into a type of legend, which turns the town into a type of World's Fair exhibit. Charles Bronson ends up in jail for different reasons where he finds out that he has become a legend and of course ties to tell people that's he's that person, and if things weren't already crazy they get crazier. Charles Bronson is unrecognizable from the characters he played in practically all of his other movies. This movie shows his range as an actor and makes me sad he never got to display more of what he was actually capable of. Jill Ireland pulls off her character beautifully and also shows her range, something else we never got to see in her other movies. After thinking about the movie, I know why they did it. If you are channel surfing and see it, by all means watch it. I'm looking for it on DVD now. I want to buy it.
Le saviez-vous
- AnecdotesThe movie was a rare instance where the author of a novel (Frank D. Gilroy) directed the filmed adaptation of his book.
- GaffesWhen Amanda (Jill Ireland) has the confrontation with the villagers at her door, the sleeve of her dress disappears between frames leaving her with a bare arm.
- ConnexionsFeatured in 42nd Street Forever, Volume 3: Exploitation Explosion (2008)
- Bandes originalesHello and Goodbye
Lyrics by Alan Bergman & Marilyn Bergman
Music by Elmer Bernstein
Sung by Jill Ireland
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