[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Black Emanuelle en Amérique

Titre original : Emanuelle in America
  • 1977
  • 16
  • 1h 20min
NOTE IMDb
5,2/10
2,1 k
MA NOTE
Black Emanuelle en Amérique (1977)
DrameHorreurMystère

Ajouter une intrigue dans votre langueHedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.

  • Réalisation
    • Joe D'Amato
  • Scénario
    • Maria Pia Fusco
    • Ottavio Alessi
    • Piero Vivarelli
  • Casting principal
    • Laura Gemser
    • Gabriele Tinti
    • Roger Browne
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    2,1 k
    MA NOTE
    • Réalisation
      • Joe D'Amato
    • Scénario
      • Maria Pia Fusco
      • Ottavio Alessi
      • Piero Vivarelli
    • Casting principal
      • Laura Gemser
      • Gabriele Tinti
      • Roger Browne
    • 51avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos39

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 35
    Voir l'affiche

    Rôles principaux36

    Modifier
    Laura Gemser
    Laura Gemser
    • Emanuelle
    Gabriele Tinti
    Gabriele Tinti
    • Alfredo Elvize, Duke of Mount Elba
    Roger Browne
    Roger Browne
    • The Senator
    Riccardo Salvino
    Riccardo Salvino
    • Bill
    Lars Bloch
    • Eric van Darren
    Paola Senatore
    Paola Senatore
    • Laura Elvize
    Maria Piera Regoli
    • Diana Smith
    Giulio Bianchi
    • Tony
    Efrem Appel
    • Joe
    Matilde Dall'Aglio
    • Woman Watching Snuff Movie
    Maria Renata Franco
    • Zodiac girl #2
    Giulio Massimini
    • Waiter at Venice Party
    Stefania Nocilli
    • Model Janet
    Carlo Foschi
    Bruno Alias
    • Party Guest in Venice
    • (non crédité)
    Fernando Arcangeli
    • Antonio Ramirez
    • (non crédité)
    Salvatore Baccaro
    Salvatore Baccaro
    • Charlie
    • (non crédité)
    Erminio Bianchi Fasani
    • Party Guest in Venice
    • (non crédité)
    • Réalisation
      • Joe D'Amato
    • Scénario
      • Maria Pia Fusco
      • Ottavio Alessi
      • Piero Vivarelli
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs51

    5,22.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    DJ Inferno

    Don´t believe the hype!!!

    After reading the reviews to this film and being a huge Joe D´Amato-fan since a long time my expectations were more than immense! The story is about beautiful reporter Emanuelle (played by D´Amato-darling Laura Gemser) who wants to write a sensational story about perverse sexual practicals of America´s high society. Meeting (and even more than that..!) an influential politician Emuanuelle finds a trail to the legendary/notorious snuff-movies where real humans are tortured and killed on film...

    A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.

    And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!

    If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
    fertilecelluloid

    Pleasant and pernicious

    If pernicious is a stronger word for ugly, then it applies here, but I'm not referring to the "snuff" footage sequence, I'm referring to the non-sex/non-horror scenes. They're so unbelievably boring and poorly acted that you could end up leaving the theatre (or living room) and missing out on the sleaze.

    The film's soundtrack is outstanding and captures the era wonderfully.

    As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.

    But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.

    Worth seeing once or twice. Or owning, if the inclination's there.
    Jens-28

    The sickiest of sick!

    The late smutpeddler, Joe D'amato, has released hundreds of disgustin' sleaze epics but the 100 min. uncut version of "Emanuelle In America" takes the cake. Horsemasturbation, hardcore porn, castrations and the most vile "snuff" images you ever will see on film. Canadian maverick David Cronenberg was actually inspired by this flick to make his masterpiece, "Videodrome". Forget "Salo", "Caligula", "Man Bites Dog", "Man Behind The Sun" and "Cannibal Holocust" cuz this one will eat your mind!
    Moshing Hoods

    When genres collide...

    EMANUELLE IN AMERICA is clearly a testament to the declining CineCitta film industry of this time. Exploitation film-makers were being forced to throw genres together in bizarre hybrids to try and cover as many commercial bases as possible.

    This film, without doubt, is the flat out WEIRDEST example of that I've ever seen. The first 50 minutes or so play like a typically flaccid D'Amato softcore sex movie, before kicking into high octane with hardcore bestiality footage, hardcore porn, and pretty grueling "snuff" footage (shot in a verite, hand-held and shaky style that reminds me of the latter half of CANNIBAL HOLOCAUST). None of it really fits together well within the narrative (particularly the XXX footage which is clearly spliced in from another film) and all the excessive stuff is quite brief. I don't really understand what the commercial motivation for the production of this film was, but that certainly interests me. The whole film has an air of not being complete, especially when you consider the bizarrely truncated ending.

    An interesting and VERY sleazy watch, but don't expect the rest of the film to be anything but appalling. D'Amato's straight horror (specifically BLUE OMEGA and ABSURD) do the job way more for me, and I usually love sleaze with all my grimy heart. Before anyone yells at me, the copy I own is the "fully uncut" Venezuelan print so I really don't think I'm missing anything here.
    3hippiedj

    Hooray for 1970's hairy pseudo-hardcore!

    Ah, that Joe D'Amato...you can't help but watch his films no matter how curiously interesting or just plain bad they are. If it weren't for the explicit versions, I think most folks would forget about them soon after viewing, unless just gawking at naked gals here and there in the guise of a "legitimate film" is your kind of thing. The BIG problem with Emanuelle In America is that it can't make up its mind if it wants to be mere exploitation or hardcore, as it bounces back and forth but never really completes those goals.

    Li'l Miss Sexpot herself Laura Gemser is "Miss Emanuelle" who will travel anywhere and subject herself to any danger in order to get an ultimate story to further her journalistic endeavors (her sneaking around and snapping pics reminded me a lot of later Charlie's Angels adventures). She joins a harem of sorts and fondles women and watches bestiality, mingles with horny aristocrats, gets an expose of a women's pleasure resort (ah, finally a bunch of naked men in a movie), and shmoozes with bad men behind a snuff film ring. Yes, a film like this DOES need lots of sex to keep it going, but it's strange how much of it doesn't show up until much later.

    When sex scenes start, they end abruptly like a bad tease. During the sex, lots of jumpcuts jar the viewer so that it's not easy to get any pleasure out of viewing it. When hardcore footage appears, it usually never "finishes" (okay, there's a lack of money shots). When there ARE money shots, the scene has zipped by so fast you wonder if you were supposed to get excited or think that folks finish sexual encounters within one minute or less. Sex scenes in films like this are usually intended to arouse, and these leave you somewhat confused.

    Here is where I DEFEND something about this film: Those people who are only turned on by shaved, squeaky-looking pretty people in porn should not be so harsh to those of us who actually like a bit of body hair on men, or if women aren't so artistically trimmed. I have a feeling that most are bitching about the "hairy men" because of the bearded guy in the hut (in the Tarzan fantasy sequence). If anything, his hirsute appearance enhanced the energy of the too-brief scene, and I'm sure there are plenty of folks that appreciated a natural-looking man instead of plastic pretty boys. As for the women, it's funny how so many "reviewers" are calling the actresses unattractive -- seems there are too many men out there that have ridiculously high standards for women. I didn't find these women unattractive; if anything they seemed real and still even out of the league that most of the drooling heterosexual viewers would ever get in real life. You know the kind, guys with beer guts who wear hats and t-shirts that say "No Fat Chicks" and think that all women are inherently bisexual. I say HOORAY for '70s hairy porn, let's have more of it!

    For me, instead of being creeped out by physically follicle-blessed men, I was creeped out by the sordid footage of the snuff films. Instead of a glimpse of one, we are subjected to several scenes of it, and it reminds me of those harsh slasher films that get women naked before they are dismembered. Are we supposed to be aroused by the nudity AND the physical violence at the same time? Otherwise, why so much of it in this film? I say fill out the other basic hardcore sex scenes more, and less of the poles and hooks being used as sexual torture. And to think David Cronenberg got his inspiration for "Videodrome" from this film.....eek!

    So, take a look at Emanuelle In America so you can say you saw it, and if you got a kick out it, then it's actually okay. I saw it as a curiosity that had to be done and over with. It just really felt like a longgggg tease to me, so that I had to dig into my stash of hairy '70s porn afterwards to feel satiated!

    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Mia Farrow in Rosemary's Baby (1968)
    Horreur
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The infamous snuff footage in this film inspired David Cronenberg to write "Videodrome"(1983).
    • Gaffes
      Gemini has an entirely different dubbing voice (and accent) in her two scenes.
    • Citations

      Emanuelle: Don't you think that a hot bath is nice as a lover's caress?

    • Versions alternatives
      A region-free USA DVD is available from Blue Underground. This version runs at over 100 minutes and is completely uncut, featuring all the hardcore footage and 'snuff' footage.
    • Connexions
      Featured in Loose Enz: The Venus Touch (1982)
    • Bandes originales
      Celebrate Myself
      Written by Nico Fidenco

      Performed by Armonium

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ1

    • What are the differences between the Softcore and Hardcore Version?

    Détails

    Modifier
    • Date de sortie
      • 1 septembre 1982 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Emanuelle negra en América
    • Lieux de tournage
      • New York Daily News Building - 42nd Street, Manhattan, Ville de New York, New York, États-Unis(Emanuelle meets with her editor)
    • Société de production
      • New Film Production S.r.l.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20min(80 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.