Emmanuelle et Françoise

It's funny to see George Eastman playing a 'hunk' here, a few years before he put on a few more pounds and became notorious for playing the likes of The Anthropophagous Beast and 'Big Ape' from 2019:After The Fall Of New York. This is a bit slow and it doesn't contain any truly disturbing scenes like Emmanuelle In America, but it is worth seeing. The premise is good and the ending is quite Poe-like, almost - quite a tragic tale. Performances are pretty lame, despite what someone else has said here, Eastman isn't very good really. Some funny sleaze set-pieces and the bit at the end with the racing cars has a big 'WTF?' factor, as they say on the internet... Excellent, ridiculous Italo-psych score and the club scene is hilarious too. Not one of Joe's best, but god damn he wasn't lazy with the work-rate was he?

In this (Reportedly a remake of a Greek film of the 60s) Joe D'Amato guilty pleasure, goes a beautiful mature agent woman Emanuelle (Rosemarie Lindt - exploiting only the famous name) making a plan against an evil, giant playboy (Habitual George Estman) for murder her sister Françoise of solitude. Is undeniably kinky and trashy, but the music, the photograpahy (Of D'Amato itself) and the composition makes more than worthwhile and it really works! Still, be sure this is not for every taste ... Is a D'Amato film, and one of his best.

With Patrizia Gori and Mary Kristal, in color by Luciano Vittori. Still a hard to get DVD overseas. Also known as Emanuelle's Revenge.

Prolific sleaze maestro, Joe D'Amato, directed this flick before the sexy Laura Gemser became the star of the series, and for that reason; we have Rosemarie Lindt, from cult flicks such as Salon Kitty and Who Saw Her Die, taking the lead role. This puts the film on the back foot from the beginning, as Lindt doesn't bring the same amount of sassiness to her role as Gemser does, and the film is a less memorable entry in the series for that reason. Actually; it would appear that Emanuelle's Revenge wasn't intended to be a part of the Emanuelle series, and only got the title due to it's director's affinity with it. The fact that it's alternate, and more fitting, title is 'Blood Vengeance' shows this clearly. Anyway, the plot is a little bit more involving than most porno flicks, as it plays out like a thriller. We follow a young woman called Emanuelle who gets her revenge on the man responsible for her sister's death by chaining him up in her basement and forcing him to watch her having sex.

The Emanuelle character is nothing like the one played by Laura Gemser, as the young lady here has a sadistic streak a mile wide. The ending alone, without what precedes it, shows this clearly enough! Despite being more of a thriller than most Emanuelle films; Emanuelle's Revenge still finds more than enough time for sex scenes. The entire film feels very low rent, and the sex sequences do too; they're not terrible, but they're also not very erotic, and the fact that most of the film is filled with these scenes doesn't do it many favours. Emanuelle's Revenge is sure to please fans of seventies Italian films, however, as it's dripping with the typical sleaze style, and this is helped by the music and cinematography. The acting isn't especially brilliant and the film suffers from poor dubbing as always. Not having seen much of the Emanuelle series, I can't really say how good this is compared to the others; but in its own right, it's not too bad. The thriller structure is good, and the way that the film is consistently sleazy is sure to please also.

Hardcore alpha male and playboy Carlo(George Eastman)rejects cruelly his girlfriend Francoise(Patrizia Gori)after years of abusing her innocence and prostituting her.Distressed girl commits suicide by jumping onto moving train.Francoise's sister Emanuelle(Rosemarie Lindt)sets out to seduce Carlo and perform bloody revenge on him.Carlo is chained in her house,drugged and sexually tortured.The climax is hysterically bloody and exploitative.I must say that I enjoyed this piece of filth from legendary Joe D'Amato.There is lesbian scene,rape,two insanely bloody meat-cleaver attacks plus totally twisted dinner party orgy which involves cannibalism and sexual violence.If you like trashy and exploitative cinema with no redeeming values give this ultra-sleaze a chance.8 meat-cleavers out of 10.

"Emanuelle e Françoise (Le sorelline)" is a 1975 Italian exploitation film that delivers on its promise of eroticism and controversy. Directed by Joe D'Amato, a master of the genre, the film is an unrestrained and unabashedly sleazy journey into the depths of human desire and the extremes of revenge.

The plot revolves around the titular characters, Emanuelle, a mature and seductive agent, and her sister Françoise, who find themselves entangled in a web of murder and intrigue. The story takes a twist when Emanuelle discovers that her sister has been murdered by an evil, playboy character, setting her on a path of vengeance.

The film is unapologetically explicit, featuring a steady stream of sexual content, including a three-way lesbian encounter, genital fondling, oral sex, and creative use of a wine bottle. The violence is also notable, with a detour into horror territory, adding a layer of unpredictability to the already titillating narrative.

While the cinematography and composition are commendable, with D'Amato's own photography enhancing the atmosphere, the real star of this film is its unhinged nature. The performances are delightfully over-the-top, with George Eastman's sweaty portrayal of the playboy villain being a standout. The score is also worth mentioning, described as "demented," it enhances the depravity on screen.

However, the film is not without its flaws. The late shift into horror may be jarring for some, and the story itself is uneven, feeling like a set-up for the sex and violence rather than a cohesive narrative. This is a common issue with fake Emanuelle movies, of which this is a part, and while it has its moments of brilliance, it also feels exploitative and trashy.

In conclusion, "Emanuelle e Françoise (Le sorelline)" is a film that embraces its B-movie status and leans into the excesses of the genre. It is a wild ride that will appeal to fans of Euro-trash cinema and exploitation revenge flicks. It may not be a masterpiece, but it leaves an impression for its unabashed embrace of sex, violence, and sibling revenge.