NOTE IMDb
6,5/10
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MA NOTE
Un délit scandaleux, au sein de la grande bourgeoisie turinoise, stimule un commissaire méridional dans une enquête délicate.Un délit scandaleux, au sein de la grande bourgeoisie turinoise, stimule un commissaire méridional dans une enquête délicate.Un délit scandaleux, au sein de la grande bourgeoisie turinoise, stimule un commissaire méridional dans une enquête délicate.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Fortunato Cecilia
- Nicosia
- (as Renato Cecilia)
Antonino Faà di Bruno
- Paolo Campi
- (as Antonino Faa' di Bruno)
Avis à la une
The story is taken from the Fruttero & Lucentini's book of the same title. Mysterious murders take place in Turin, Italy; victims are always people from the upper class. The movie is not a masterpiece. The solution of the cases is not well explained, the director goes too fast in showing us who the guilty is. The movie lacks some dramatical moments. Nevertheless, "La donna della domenica" is still an enjoyable movie. First, the cast is excellent: Marcello Mastroianni is very charming in the role of the elegant policeman Santamaria; Jacqueline Bisset too is delightful in the part of the snobbish lady; also Jean-Louis Trintignant works very well. Other Italian actors (with a long experience in the theatre and at the movies) complete the cast, for example Claudio Gora and Lina Volonghi. Luigi Comencini, one the inventors of the Italian comedy, directs this 1975 thriller with a lot of humor. And, as usual, the music of Ennio Morricone is fantastic (actually that's one of the highlights of the film).
A hidden gem of a comedy, The Sunday Woman is not what you think it is. A delightful cast of characters where everyone is innocent and guilty of something, the movie is full of hidden comedic moments with its unique storytelling and subtle jabs from each of its characters. The movie wins you over with several situations that do not attempt to be funny, but makes you laugh. Marcello Mastroianni leads an interesting cast of characters alongside a drop-dead gorgeous Jacqueline Bisset who entertains her audience for being both smart and sexy. Very key to detail, this movie is a great example of why you need to watch movies twice. The second time around, you will notice a lot of detail on what is happening with all the suspects.
Marcello's carefully folded pants next to his bed towards the end of the movie speaks volume to his character along with his unique personality as the Commissioner. Each character brings a theme to the story that needs to be dissected. It's this richness that makes this movie a winner.
Yes, the story is fun but the cast of characters is even better.
Marcello's carefully folded pants next to his bed towards the end of the movie speaks volume to his character along with his unique personality as the Commissioner. Each character brings a theme to the story that needs to be dissected. It's this richness that makes this movie a winner.
Yes, the story is fun but the cast of characters is even better.
Books are usually better than movies from books, one may say it's a universal truth. And Fruttero&Lucentini's novel is better indeed in this case, read it for proof. But - surprise, surprise! - no bad movie at all: a bunch of excellent actors and actresses, all at ease in their roles (especially Mrs. Lina Volonghi, a great actress whose kind Italy should regret) and the feeling they are all having fun while acting (see the hilarious scene with Mastroianni among a group of prostitutes in the police station). Just good for one of those boring Sunday afternoons in winter.
This movie surprised me with its lines and story that mixes an elaborate detective plot and the lightness of a light comedy. A truly colorful cast revolves around the murder of a very uninhibited and vulgar man who is killed with the right weapon for him. I will not spoilers though.
La "Donna della domenica" is definitely one of my favorite books and a great movie. Despite being built on a murder story, this movie is not a thriller. In fact, it is rather a comedy on the Torinese society, spanning from wanna-be-intellectuals to the rich and the beautiful, from rustic land owners to simple immigrants. And as a comedy, it is an exceptional one!
If you are looking for suspense or you are not familiar with Italian society, you should stay away from it. Also, I recommend that you need to understand Italian very well to appreciate this movie: I checked a bit the German version/subtitles, but at least 50% of the humor gets lost in the translation...
If you are looking for suspense or you are not familiar with Italian society, you should stay away from it. Also, I recommend that you need to understand Italian very well to appreciate this movie: I checked a bit the German version/subtitles, but at least 50% of the humor gets lost in the translation...
Le saviez-vous
- AnecdotesThe first 10 notes of the first and second lines, with the first 8 of the last line of the jaunty whistling theme in the score, along with their chord progressions, are identical to the chorus of the pop hit from the previous year, "Billy Don't be a Hero" by Murray & Callendar, but with the lines cut short.
- GaffesWhile Commissioner Santamaria and Anna Carla talk in the park, a microphone is repeatedly seen over the top of the camera.
- Citations
Commissioner Salvatore Santamaria: [to Anna Carla, in bed] Tabusso came clean at the precinct. You know what she said? "A pig and a pederast deserve nothing less."
- ConnexionsFeatured in V.I.P.-Schaukel: Épisode #6.3 (1976)
- Bandes originalesCentomila violoncelli
Written by Mario Casacci, Alberto Ciambricco, Leonardo Cortese
Performed by Italo Janne
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- How long is The Sunday Woman?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Sunday Woman
- Lieux de tournage
- 37 Via Cesare Balbo, Turin, Piémont, Italie(Garrone's home)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 49min(109 min)
- Mixage
- Rapport de forme
- 1.37 : 1
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