Les Déportées de la section spéciale SS

"Deported Women of the SS Special Section" sure provides plenty of sordid details for those who adore the grim, gritty, and nasty side of B cinema. The thing is, it's going to require a fair bit of patience on their part, as this movie is *very* slowly paced.

The story deals with a variety of Jewish women taken prisoner during WWII and taken to a Nazi prison where they're subjected to the expected tortures. There's not much more story than that, except for the longing that ultra creepy camp commandant Herr Erner (John Steiner) expresses for leading lady Tania Nobel (Lina Polito).

There's some melodrama to get through, in between the exploitative moments, accompanied by plaintive music by the talented Stelvio Cipriani. But don't worry, voyeurs, you'll be more than happy with the constant parade of bare female flesh. In loving close-up, no less. We even get to witness as women are repeatedly (and slowly) shaved down below. Of course, there are shower scenes, and lesbian love making scenes. (There's even one male homosexual encounter.) And in addition to all of the female nudity, there's a brief glimpse of the male anatomy as well.

The acting is commendably straight faced. Polito is lovely but rather aloof. Erna Schurer co-stars as Kapo Helga; Solvi Stubing has a great role as a guard. The gorgeous Stefania D'Amario (of Fulci's "Zombie") plays Angela, and Rik Battaglia plays Dr. Schubert. The standout in the cast is clearly Steiner, offering a deliciously depraved performance. This is one kinky guy.

If you just can't get enough of this genre, this movie should prove to be satisfactory. Certainly the Italians were particularly adept masters at this kind of exploitation.

Seven out of 10.

For some odd reason I decided to give Deported Women of the SS Special Section a go today and was reasonably pleased. Noticing only one other user comment I felt compelled to give my opinion as well.

The story is fairly easy. A group of women are being held captive in a Nazi prison. Nazi prisons are (as we have all learned in films like Ilsa, She Wolf of the SS and others) is not a happy place. Fortunately you can always take a long soapy shower with your fellow inmates; and they do! I didn't expect much from this one so I became pleasantly surprised. The violence is pretty tame, but the razor blade on a cork in the vagina made me raise an eyebrow as our kinky commandant was about to realize love really can hurt. There's a decent amount of nudity with one of the highlights being the pubic hair shaving, take your time.

Deported Women does remind me to some extent of Salò, although it tends to focus less on the cynical ideology (as most of its kind) giving the whole film a more campy tone. Fine by me. It tries to be a bad boy, but not THAT bad.

In the end I have to say that even though the running time of almost 97 minutes feels a bit too long, the nudity, the violence and the crazy commandant managed to keep me entertained. You could do a lot worse.

Falling somewhere between the camp excesses of the Ilsa movies and the grim nastiness of Last Orgy of the Third Reich, Deported Women of the SS Special Section is one of the more enjoyable (not sure if that's the right word to describe a film about war atrocities, but hey ho!) examples of the sleazy sub-genre commonly known as Nazisploitation.

With pretty good production values (for a film of this type), and an uncomplicated story that manages to tick most of the 'concentration-camp cinema' boxes (humiliation and degradation of the prisoners, multiple shower scenes, torture, lesbianism, rape, and murder), director Rino Di Silvestro ensures that fans of this kind of fare don't go disappointed.

Deported Women begins with a group of female prisoners being transported by train to a castle-turned-prison. Once at their destination, the women are processed, examined, shaved (each lady is given a 'Hollywood' free of charge!), and sorted into various groups: some are kept for experimentation; others become 'field whores'; the best looking are saved for the Joy Division—the prostitution wing of the camp.

Amongst these new arrivals is Tania Nobel (Lina Polito), a disgraced aristocrat who, before the war, was an object of lust for the nasty camp commandant Herr Erner (John Steiner, who excels as a maniacal tyrant who makes Caligula look sane by comparison). However, rather than reciprocate Erner's advances, Tania chose to run off with her partisan lover instead—a move which has left the Nazi with mixed feelings about the girl he once tried to woo: poor confused Herr Erner doesn't know whether to punish Tania, or attempt to win her affections.

So he does both.

After locking her in solitary confinement (for trying to escape) and threatening to make her suffer, he does an about-turn, and invites her to dinner, where he tries to impress her by forcing two of his subordinates (a couple of sadistic bitches who regularly abuse the prisoners) to give him a spot of fellatio. Needless to say, Erner's shocking display of power doesn't have the desired effect (perhaps a bunch of flowers and some fancy chocolates would've been a better way to go).

Eventually, Tania tires of Herr Erner's advances and attempts to end her life by starving herself. Admitted to the infirmary, Tania is nursed back to health by a kindly doctor, who, taking pity on his pretty patient, informs her of a secret tunnel that runs beneath the castle. Tania makes plans to escape, along with her fellow prisoners. But first, she has a score to settle with Herr Erner.

Deported Women starts off rather slow, and, to be honest, at first I thought it would be a real chore to sit through in one sitting. But as things progressed, the film got way sleazier and much more trashy, and by the end, I was pleased that I had stayed the distance. Amongst the dubious delights on display are the prolonged scene of hair removal (from all areas of the prisoner), a lesbian 'rape' that turns into a hilarious cat-fight between two of the guards, and a jaw-dropping moment where a frustrated Herr Erner finds temporary sexual release by buggering his henchman Doberman (Giorgio Cerioni).

And best of all is Tania's final act of revenge: she places razors in a cork, pops it up her cooch, and offers herself to the randy commandant... ouch!

The female body is a work of art, why would anyone want to see a movie where it is not treated well? I guess I'm wondering why entire sub-genres that are little more than a series of female torture and humiliation scenes are so popular (maybe we can be optimistic and say most viewers are just waiting for the 10-minute payback at the end?), but this is a discussion for another time, another place. There are certainly a lot of (often naked, usually beautiful, always natural) female bodies in "Deported Women of the SS Special Section", and the film itself is rather tamer than expected. In fact, for all the atrocities contained herein, the nastiest scene may be the one where the heroine licks the hairy leg of a fat middle-aged man! No no, the nastiest is probably what happens to that same man a little later (other reviews have already mentioned it)....Writer-director Rino Di Silvestro is better as the latter: the direction is almost arty at times (though the DVD transfer is rather murky), but the script is disjointed. As the prison camp's commander, John Steiner chews the scenery up and spits it out, contrasting with Lina Polito's quiet, dignified presence as his object of obsession. The film has its moments, but it is still recommended only to exploitation fanatics. (*1/2)

NOW we're scraping the bottom of the barrel, as the Nazisploitation genre kicks into gear with a film that's both offensive and snooze inducing, featuring a career low from John Steiner. His terrible acting in fact is the only thing that will keep you awake.

A bunch of women are taken to a special camp to join Ian Curtis and Peter Hook in Joy Division. There's the usual bunch of aggressive lesbians who all want a piece of this and that and aren't averse to having a cat fight in order to find out who is the top carpet muncher on camp. Meanwhile (and I'm struggling here as the plot just sort of ties all the usual exploitation crap together) John Steiner is the guy and charge and he's delighted to find that his ex-girlfriend is one of the prisoners. That's not so lucky for her mind you, ending up in a Nazi camp with an irate ex in charge. Revenge porn kind of pales in comparison.

The relentless barrage of crap in this film involves Steiner trying to get his ex to fall in love with him which invariably leads to her getting beaten and tortured, being forced to witness sex acts (YOU WILL VIEW MY SPECTACLE - Steiner screams), gets it on with a camp guard to make Steiner jealous (whom he bums in the funniest scene in the film), while the other inmates are beaten, showered, glowered at, ogled, tortured and murdered, all done in a rather cheap fashion which causes the viewer to start nodding off.

What was Steiner thinking? Things come to a head when Big John ends up getting little John torn to shreds with a fanny/razor blade combo. What a pile of crap. I'm only watching it because when I set out to watch all these films I figured I'd see how low things got in the Italian film industry. The answer is: very low. Who was this film aimed at? All those escaped Nazis in South America?

And there you have it: My review of The Departed: US Special Edition