La Maison aux fenêtres qui rient

The restorer Stefano (Lino Capolicchio) is hired by the Mayor Solmi (Bob Tonelli) of a small village nearby Ferrara to restore a painting of St. Sebastian, made by the mentally disturbed painter Buono Legnani in the local church. Stefano was recommended by his friend, Dr. Antonio Mazza (Giulio Pizzirani), and he learns that Legnani was known as "The Painter of the Agony", since he used to paint near-death people. Further, he was presumed dead many years ago but his body has never been found.

Stefano works in the church, where he meets the weirdo Lidio (Pietro Brambilla), and he has one night stand with the local nymphomaniac teacher (Vanna Busoni) that is leaving the village. Meanwhile Antonio investigates the life of Buono Legnani and tells Stefano that he had found a dark secret about the painter and the villagers. However, Antonio dies before meeting Stefano and the police conclude that he committed suicide.

Stefano is intrigued by the mystery surrounds Legnani and decides to investigate more about the deranged painter. However, he in evicted of his hotel room and Lidio brings him to the isolated house of a paraplegic woman (Pina Borione) where he lives. Meanwhile, he meets the teacher's substitute Francesca (Francesca Marciano) and they have a love affair. Francesca moves to Stefano's room and they are affected by the strange atmosphere of the place.

When the restoration is damaged by acid, Stefano decides to leave the village with Francesca. However, he meets the alcoholic driver Coppola (Gianni Cavina) that decides to disclose to him the secret of the house of the laughing windows. But now it seems to be too late to move out of the mysterious village.

"La Casa Dalle Finestre Che Ridono" is a dark film developed in a creepy nightmarish atmosphere and visibly inspired in "The Wicker Man". The lead character seems to be trapped in his morbid curiosity of discovering the hidden secret of the village and never leaves the spot. Like many Europeans movies, the plot has many open questions, maybe with the intention of discussing them among friends or in forums and board like the one in IMDb. After watching the film, it is worthwhile reading the interpretations of other Users to improve yours or find some missing detail. Last but not the least, the beauty of Francesca Marciano is really impressive. My vote is eight.

Title (Brazil): "A Casa com Janelas Sorridentes" ("The House with Laughing Windows")

'No nudity and very little gore, and consequently, no suspense'. Quite apart from not knowing how commas work, the previous reviewer also appears to have been off sick from Idiot Film School the day they covered 'Suspense'.

This is a curiosity, sure, and won't be to everyone's taste, but I wouldn't dismiss it as a potboiler because it doesn't reach the dizzy artistic heights of Nightmare on Elm Street IV. The film effectively builds up a sense of dread through the central character's isolation and growing unease in a bleak village surrounded by featureless salt marshes. The supporting cast are thoroughly creepy from the garrulous dwarf mayor through to the pale beauty who mysteriously hooks up with the hero but who seems to know more than she is letting on. There are some touches of unsettling imagery that evoke David Lynch; the snails in the fridge, the blood red car and motorcycle and the house of the laughing windows itself. The camera-work adds to the whole, peering from darkened rooms and from behind creaking shutters - there is rarely a moment when you feel the hero is safe.

Sharing some of the mood of Don't Look Now (as indicated by Barry Norman below), the film also bears comparison with The Wicker Man, dealing with the same theme of an innocent slowly discovering the horrifying secrets of a community consumed by evil.

The film is not a categorical giallo as it is often suggested as being, but rather it's more of a entry into the Gothic horror canon, with a incredibly strong sense of mystery that keeps the viewer intrigued even when the pacing becomes sluggish. The film is not exploitative (as most giallo films are) but mature, intelligent, and effective. Indeed, there is no nudity and little violence is present as the picture's primary focus is its complex, labyrinthine mystery that truly surprises the viewer with its unexpected turns of the plot. The film is also heavy on atmosphere, artfully directed by the award-winning Pupi Avati (of "The Story of Boys and Girls" and "Incantato" fame), which really intensifies the mystery, making it not only it spellbinding by also horrific and terrifying at times(especially near the end). The debits I perceive is that the narrative is a tad drawn out and some of the characters aren't as developed as one would hope, but the mystery is so good that it's easily to look past all these minor quibbles. Highly recommended to those who liked slow-burning Gothic mysteries such as "Don't look Now".

After 35 years of anonymity, I want to state that I was asked by the director, Pupi Avati, and his brother Antonio to model for the painting. It took place one May day outside of Rome, and I was paid 35,000 lire (about $50) to have them photograph me for eventual conversion into a painting. I show up at the seven-second mark at the beginning of the film, and I know it's me, not only because I have two slides from the shoot, but because the scars on my knees were faithfully recreated by the (uncredited) artist.

I have been attempting to get listed in the credits here on IMDb and would appreciate any advice as to how I can move from an anonymous role to seeing my name in the cast list. It's not much...though it would go a long way to realizing my dream of being in the movies.

"The House With Laughing Windows" is a very European film. Unlike the gialli of, say, Argento, this film is not 'Americanized' at all. It reminds me more of films like "Don't Torture a Duckling" in that it takes place out in a small town in the Italian countryside. It adds to the ambiance and I really like that.

The plot is very slow-moving. I'm not even sure if I'd call this film a giallo, but reading other reviews on here, it seems that it is in fact classified as such. It was hard for me to watch this for the first hour or so. I was wondering when it was going to pick up. Not many people get killed. But, I stuck with it and I recommend doing so. If you can stick with it, the ending is freakin' awesome. I was shocked by it; it really delivers. And it gets nice and bloody too. I had no idea who the killer was, and by the time I found out, my head was spinning from the progression of the final few scenes. It ends abruptly and it feels great. It more than made up for the sluggishness of the first 2/3 of the film. It's not unlike many of the newer Asian films in that regard: it moves very slow but the last few minutes are like a twisting train wreck.

In short, I recommend this film to those of you who have patience and enjoy Italian horror.

8 out of 10, kids.