Trauma

I've been a big fan of this movie for years, ever since I was about 12. And I've watched as time and time again people have complained about this movie, and I just didn't get it. Now I'm grown up and I see the flaws, but I still don't care. I love Oliver Reed and Karen Black and don't think it could have been acted better. Watching her grow more an more attached to the house is very interesting. The best part I thought was when she surprises her son who drops a crystal bowl that smashes on the floor, and she kneels there, holding the fragments in her hands, sobbing hysterically, almost like a child had died. The boy, Lee Montgomery, I've never had a problem with. The kid from the Shining, now HE was annoying. hehe. And above all, I LOVE how the movie ends. Although it's predictable, it was VERY welcome. Movies with sad, creepy endings that leave you with a shiver always work for me.

A lot of horror movies rely simply on sudden jolts of sound to make you jump. I recently watched Friday the Thirteenth (2009) and it was literally all it had. Which is fine, no one can deny it gets the job done. The problem with it is that the movies become inseparable and which one is scarier can only be judged really on which made you jump the most.

Burnt Offerings instead creates an atmosphere. It creates it masterfully through character decisions and great use of music. There was a stage early on when I realized nothing eventful had even happened as yet and despite this my heart was pounding. Sure enough a moment later some frightening action took place and I realized for the first time in a long time a horror movie had alerted my sub-conscience and not my mind. These days in horror movies it's far too easy to predict when the event is coming (it's generally when the filmmaker is trying to make you think NOTHING is coming).

Burnt Offerings is more than watchable in this day and age. The lines are nowhere near as cheesy sounding as a lot of other pre-1980 films make them sound today and the acting, whilst not perfect, is anything but bad. The suspense will have your heart pounding and it's all building up to something so terrifying it deserves far more recognition among horror buffs. Not to be missed.

Talky, but unusual and creepy haunted house movie concerns an ordinary family from the city who rent a country estate for the summer--at a suspiciously low price! A bit confusing at first, but whenever something bad happens (like the father cutting his thumb on the champagne bottle) something good immediately takes its place (the kid switching on what was previously a dead light bulb). The house absorbs the good (the sacrificial new family's spirit and energy) while its inhabitants wither away, physically or mentally. Bette Davis' Aunt Elizabeth ages suddenly (with frighteningly effective make-up), and Anthony James as the chauffeur who haunts Oliver Reed's head is a scary, freaky presence. Karen Black is even odder than usual: I'm not certain whether her not-quite-there expression is what was intended for the role of Marion, but she does something very gutsy for an actress, making herself into a gargoyle (only in her final scene does she overdo it). Superior to the source novel by Robert Marasco, "Burnt Offerings" (the title taken from a biblical reference) is a well-directed slice of the macabre. *** from ****

I'm a kid of the 70's before all the CGI special FX. And this is still an old school fav of mine. I love spooky Karen Black. I always had an affinity for large creepy houses, especially when they become one of the characters in the movie. This is another 70's slow burn in the haunted house genre that more than likely helped fuel my NIGHT TERRORS and SLEEP WALKING issues. Still holds up decent for it's age, but if your looking for a GORE FEST, move on, cause this won't fill your cup. If you like psychological Gothic style horror then check it out.

I saw Burnt Offerings at a local last run theatre in '76 when I was about 12 and it scared the hell out of me. It is a film that proves you don't need gallons of gore and cheap jump scares to be an effective horror film.

It's been a long time since I've seen it but I will never forget several key moments in the story that left a lingering effect after leaving the theatre,namely the creepy chauffeur with his dark sunglasses and a demented smile fixed on his face. Every time he appeared on screen my spine just stiffened. He speaks not a line of dialogue (at least to the best of my memory) but he is as nightmarish as any mask-wearing mad slasher. The reaction of Oliver Reed perfectly captured my own sitting that theatre. For a PG-rated film it is quite scary. It's a slow burn, building gradually as the family slowly succumbs to the evil of the house. It is never explicitly stated what the source of the evil is and is really about how it is working on each family member,especially the Oliver Reed character. There is one particular scene (I will not spoil it here) involving Reed, his mother played by Bette Davis, and the chauffeur that had me clutching the arm rest of my chair. It is a film that should be rediscovered by horror fans. It might lack all the tropes of modern horror films but it is all for the better. Be patient and let the story unfold and adjust to the pace....it is worth the effort.