En route pour la gloire

An unusual film, it starts by depicting the harsh life that many had to live during the Depression era, but then about halfway through it takes a sharp turn to become a biography of a musician. This change is rather jarring, as it comes unexpected. It manages to paint the glumness and the poverty of the Depression era so well that the sudden change in story direction just about violates what has gone before. In fairness, it does give us an idea of what the protagonist went through and what motivated his career, but is there not too much time spent on it? There is relatively little in the way of story until the music side enters in. It is quite meandering, and full of characters that have no importance later on, there is cause to wonder whether it could have been compressed down. For the adventure genre that the film best fits into, it is also relatively unexciting. The film is rather awkwardly put together, and it could do with a few events removed, but there are still a lot of good points to it. The cinematography won the film an Academy Award, as did the adapted music soundtrack, and both these elements are good. Haskell Wexler has chosen some interesting angles to shoot the film from, and the songs are fitted into the material quite well. Overall it is a good film, but a difficult one too. It takes patience to get through, but there are some good things in the end.

Of all the five best picture nominees of 1976, "Bound for Glory" is the most difficult for most to remember. I mean it was the quiet film in a year which consisted of "Rocky", "Network", "All the President's Men" and "Taxi Driver". Woody Guthrie (David Carradine of "Kung Fu" fame) is suffering through the Dust Bowl of Pampa, Texas in 1936. There are no jobs, no crops and really no hope. Guthrie decides that the best way for him to do his part is to become a folk singer for the poorest peoples of Northern Texas and depression-era Oklahoma. What follows is a genuinely wonderful story which is all based upon the life of America's greatest folk singer. "Bound for Glory" is well-written, well-directed by the wonderful Hal Ashby and well-acted by David Carradine in the role of a lifetime. Melinda Dillon, Randy Quaid and Ronny Cox are among the other players, but this is Carradine's show from the word go. A wonderful, but truthfully somewhat forgotten masterpiece from the 1970s. 4.5 out of 5 stars.

"Bound For Glory" is a very involving and interesting movie in a hypnotic, slow-moving seventies kind of way. In fact, for the first 45 minutes I was watching it on cable TV, I had no idea why I was watching it. Nothing much was happening. The "story" was episodic and meandering. But I did watch the thing all the way through--all 2 and a half hours of it. In retrospect, I can now see some reasons why the film held me so. To begin with, the cinematography is beautiful and the music is wonderful. But mostly it was the acting, which is uniformly excellent in a naturalistic way that is rarely seen these days. I had the impression I was peeking in on real people and events, not on movie actors playing out a script. The biggest revelation, however, was David Carradine, who gives an amazing performance as Woody Guthrie. He's just living the part. I mean--what has the guy ever done before or since that even hinted at the fact that he could act so damn well? Nothing, that's what! Carradine's performance in "Bound for Glory" reminds me of two other, more recent performances in similar films: Ashley Judd in Victor Nunez's "Ruby in Paradise" and Peter Fonda in the role that gave him an Oscar nomination, "Ulee's Gold", also by Nunez.

In these films you can see the main character thinking, breathing--living. Not acting out some melodrama.

Another common thread runs between these three performances, too: none of these actors have been allowed to (or been able to?) do work anywhere near as good again. The post-"Ruby" Judd has gone on to major in spunky thriller heroines and Fonda has drifted back off the map to wherever he was before "Ulee."

But Carradine is the one who really breaks your heart. He has continued acting, like Judd. But the horrendous quality of his projects make you wish he'd disappeared back in to the vapor of obscurity, like Fonda. After watching "Bound For Glory", the sight of Carradine zombie-walking through an episode of "Kung Fu: the Legend Continues" or snarling like a brain-dead idiot in one of his European-made direct-to-video action cheapies is enough to make you cry. The massive talent he wasted.

Still, many actors never have even one moment of glory.

Is there any other musical figure in history who can be called as heroic as Woody Guthrie? The man was a musical genius, a visionary songwriter, and a great man, a man who never gave up on his dream, a man who gave up a lot of money so he could take his songs to the people, the people the songs were written by, and for, in the first place. Woody Guthrie was integrity personified, a great American hero. "Bound for Glory" is quite appropriately one of the greatest American films of all time, as well as one of the most criminally overlooked, despite two Academy Awards for cinematography and score, and four more nominations including 'Best Picture' (losing in that category to "Rocky").

Astonishingly accomplished cinematography from legend Haskell Wexler as well as some great editing and a stunning score in addition to Hal Ashby's (Harold and Maude) excellent direction make this a beautiful, haunting, and brilliant film. The performances carry the film, with David Carradine turning in what is surely his greatest ever performance, a stunning, passionate, beautiful portrayal of Guthrie which fully captures the man's spirit. Ronny Cox and Melinda Dillon are also superb in their roles. Ashby gets a sort of realism from his actors that is sorely missed today, and any other method of portrayal would make this film far less captivating and beautiful than it is. Screenwriter Robert Getchell adapts his script very well from Guthrie's autobiography, choosing the correct parts to tell. In many senses this feels less like a biopic and more like a story about working class America. Maybe that's why this is probably the greatest biopic of all time.

In terms of technical accomplishment, this is easily among the top 100 films of all time. It's a great American film about a great American hero. It tells the story of not only Guthrie, but also those who surrounded him and the people he sung to. It's a beautiful, emotional, and arresting film that is surely essential viewing. One of the most criminally overlooked films of all time.

A resounding 10/10

BOUND FOR GLORY compassionately portrays that Woody Guthrie's gift to mankind was about being at life's mercy, deliberately staying on a par with everyday people -- not just understanding and speaking for them, but being them and speaking for himself.

BOUND FOR GLORY had the courage to abstain from the bigger-than-life formula for Hollywood success, and never hurried its pace to placate a predictably impatient audience. The scenes, and David Carradine morphing into Woody Guthrie, took whatever time was needed to ripen into the enriching story of inherent human value, undeniable personal dignity, and the insidious soul-starving quality of greed that this masterpiece movie tells.

Ronny Cox, Melinda Dillon, Gail Strickland, Randy Quaid, and David Carradine all delivered academy award worthy performances. No saints, no heroes, no cavalry to the rescue; just actors tenderly disappearing into heart capturing characters who are disturbingly vulnerable, familiar, ordinary, and profound.