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La cicatrice

Titre original : Blizna
  • 1976
  • Tous publics
  • 1h 46min
NOTE IMDb
6,6/10
2,3 k
MA NOTE
La cicatrice (1976)
When a political decision is made as to the location of a new large chemical factory, Stefan Bednarz is put in charge of it. This honest communist party man has to confront the local community opposing the construction.
Lire trailer1:07
1 Video
8 photos
Drama

Ajouter une intrigue dans votre langueWhen a political decision is made as to the location of a new large chemical factory, Stefan Bednarz is put in charge of it. This honest communist party man has to confront the local communi... Tout lireWhen a political decision is made as to the location of a new large chemical factory, Stefan Bednarz is put in charge of it. This honest communist party man has to confront the local community opposing the construction.When a political decision is made as to the location of a new large chemical factory, Stefan Bednarz is put in charge of it. This honest communist party man has to confront the local community opposing the construction.

  • Réalisation
    • Krzysztof Kieslowski
  • Scénario
    • Krzysztof Kieslowski
    • Romuald Karas
  • Casting principal
    • Franciszek Pieczka
    • Mariusz Dmochowski
    • Jerzy Stuhr
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    2,3 k
    MA NOTE
    • Réalisation
      • Krzysztof Kieslowski
    • Scénario
      • Krzysztof Kieslowski
      • Romuald Karas
    • Casting principal
      • Franciszek Pieczka
      • Mariusz Dmochowski
      • Jerzy Stuhr
    • 9avis d'utilisateurs
    • 17avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 1:07
    Official Trailer

    Photos7

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux29

    Modifier
    Franciszek Pieczka
    Franciszek Pieczka
    • Stefan Bednarz
    Mariusz Dmochowski
    Mariusz Dmochowski
    • Boleslaw
    Jerzy Stuhr
    Jerzy Stuhr
    • Jurek
    Jan Skotnicki
    • Stanislaw Lech
    Stanislaw Igar
    Stanislaw Igar
    • Minister
    Stanislaw Michalski
    Stanislaw Michalski
    • Ministry Employee
    Michal Tarkowski
    Michal Tarkowski
    • Michal Galecki
    Andrzej Skupien
    • City Council Member
    Halina Winiarska
    Halina Winiarska
    • Stefan's Wife
    Joanna Orzeszkowska
    Joanna Orzeszkowska
    • Eva Bednarz
    Jadwiga Bryniarska
      Agnieszka Holland
      Agnieszka Holland
      • Hania
      • (as A. Holland)
      Malgorzata Lesniewska
      • Malgosia
      • (as M. Lesniewska)
      Asja Lamtiugina
      Asja Lamtiugina
      • Olecko Resident
      • (as A. Lamtiugina)
      Ryszard Bacciarelli
      Ryszard Bacciarelli
      • Architect
      • (as R. Bacciarelli)
      Franciszek Barfuss
        Bohdan Ejmont
        Bohdan Ejmont
        • Participant at the Chairman's Meeting
        • (as B. Ejmont)
        Henryk Hunko
        Henryk Hunko
        • Olecko Resident
        • (as H. Hunko)
        • Réalisation
          • Krzysztof Kieslowski
        • Scénario
          • Krzysztof Kieslowski
          • Romuald Karas
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs9

        6,62.3K
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        Avis à la une

        10FilmCriticLalitRao

        Poignant tale of a simple man trapped under a hard to follow system.

        Scar is a brave film which takes its time to settle nicely in viewers' minds.It starts in a highly official manner and later develops into a family tragedy.In Scar the best thing to watch is the manner in which all the elements of human weaknesses are portrayed.Helpless characters not being able to come out of their shell is an accepted trait of Kieslowski's films and it is very much evident in The Scar too as its leading player Bednarz is trapped from all sides.He can neither free himself from family pressures coming from his wife and daughter nor from his job under a communist regime.It would be wrong to judge this film's characters based on their actions but it would nevertheless not be wrong to claim that they are victims of unfortunate circumstances as they are being trapped under a system in which change is slow to come and consensus is really reached.For all those interested in Polish cinema they are some very good glimpses of 2 of the most outstanding figures of Polish cinema : a young Agnieszka Holland as an actress and Jerzy Stuhr as a young communist party worker.
        6mossgrymk

        the scar

        I cannot think of another film that so violates the founding principal of Cinema 101...show, do not tell...as consistently and completely as does this dull, bleak Polish offering from Kryztof Kieslowski. Just one long, uninvolving scene after another of Communist Party apartachik Stefan Bednarz wrestling with his conscience while being told of worker discontent at the nitrate factory he runs. At no point do we actually see the bad work place conditions that are causing the problems with which Bednarz, to mention nothing of the workers, who remain largely faceless, nameless and voiceless, is struggling. What we do see, repetitively and wearyingly, are shots of Bednarz grimacing, sighing, and looking bereft and forlorn as he smokes (did I mention this is a Polish film?) and drinks and gazes inward which may work in a novel or a play but is not gonna cut it on film. Oh, and the stuff with Bednarz and his daughter, where Kieslowski is trying to go mainstream, is like The Socialist Lifetime Channel. C plus.
        8ArtVandelayImporterExporter

        A timeless look at The System

        Nominally, this is a movie about a quaint town in Poland where the local communist party hack lobbies to bring a chemical factory to town.

        He uses dubious photos of impoverished locals to convince his fellow local party flunkies that the town desperately needs jobs. Then he brings in the regional party hacks for lobbying, and has a bunch of locals stand outside the offices to show their support for the factory (it's implied they were actually told it was a demonstration AGAINST the factory).

        And on it goes like this, with our main character being appointed from out of town, against his wife's wishes, to head up the project.

        The project bulldozes a forest. The party flunkies condescend to the locals, with their social and ecological concerns. Our main character expresses his misgivings. But at no time does the project - a nitrate factory - ever slow down. It's all in service of The Party, you see.

        The amazing this is, however, is that the theme of this movie transcends its time and place.

        Think about Your Town, where the local billionaire sports team owner paid off the local town council so he could bulldoze a few downtown city blocks, get a new arena/stadium built at taxpayers' expense, and then spread the manure of ''revitalization" to sell the concept to the locals.

        Billionaire gets richer. Councillors put their kids through college. Contractors get rich. Tradesmen get jobs for a couple of years. Poor people stay poor. And the town is left to clean up the social and ecological long-term damage.

        Today, towns and states rush to built light rail transit projects. Rinse and repeat.

        There's no ranting and raving or pounding of fists. No car chases or gun play. Just a man trying to navigate his way through a system. The genius is that this system persists everywhere, across all ideologies.

        The director himself might have thought he'd made a bad film. Maybe in the immediate aftermath, with ambitions to do more polished work, he was justified in his self-criticism. But with the perspective of 50 years I'd say he turned out a timeless masterpiece. It makes anything cranked out by serial polemicist Michael Moore look like cheap home-made fluff by comparison.
        6boblipton

        Kieslowski May Not Have Liked This Movie, But I Did

        Engineer Franciszek Pieczka is deputed to take over the construction of a factory in a small city in Poland. Although there are problems with the plans, he sets to work with a will. Soon, however, he finds opposition from the locals whose lives are disrupted, or can't get jobs on the project. As the project haltingly advances, the opposition grows, and he finds himself in conflict with the Party and the unions.

        Krzysztof Kieslowski's first feature often has a documentary feel to it, but it's more of a character study. Pieczka is a technocrat, someone who knows how to get things done in terms of taking plans and allocating resources, but cannot factor in the personalities and conflicts of people into his equations. His relationship with his wife is a long-distance one; with his daughter, a criticized one. Although Kieslowski was later dissatisfied with the movie as an artifact of "social realism", and blamed the script, Pieczka's performance makes it very watchable.
        6huopa

        Slowly progressing

        I only got the idea of this movie on the second time I saw it. It is actually like a documentary of a fictious character (or who knows he didn't exist) living in a socialist Poland who is being commissioned to conduct a new chemical factory. The movie shows quite realistic portrait of a man who tries to keep his values in order in the middle of all corruption and chaos of different social movements of the time. The movie doesn't go into any character's side actually, but tries to display the difficulties of the system and how an individual is powerless in many ways.

        The storytelling is very slow and at times a bit jumpy. The music scenes of the movie, that are very rare, are quite bizarre, almost eerie.

        I cannot recommend the movie to anyone who tend to fall asleep in slow dramas, but those who like other Kieslowsky films or documentaries of socialism, this is an interesting flick.

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        Histoire

        Modifier

        Le saviez-vous

        Modifier
        • Anecdotes
          First ever theatrical film directed by Krzysztof Kieslowski.
        • Citations

          Stefan Bednarz: That's no way to live. You have to figure out what you want.

          Stefan's Daughter: Is your life the way to live? A new job and home and friends every five years? I don't know. You've left Mom on her own. Is that a way to live?

        • Connexions
          Edited into La claque (1976)

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        FAQ15

        • How long is The Scar?Alimenté par Alexa

        Détails

        Modifier
        • Date de sortie
          • 18 juin 1997 (France)
        • Pays d’origine
          • Pologne
        • Langues
          • Polonais
          • Allemand
        • Aussi connu sous le nom de
          • The Scar
        • Lieux de tournage
          • Olecko, Warminsko-Mazurskie, Pologne
        • Sociétés de production
          • Przedsiebiorstwo Realizacji Filmów "Zespoly Filmowe"
          • Zespol Filmowy "Tor"
        • Voir plus de crédits d'entreprise sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          1 heure 46 minutes
        • Couleur
          • Color
        • Mixage
          • Mono
        • Rapport de forme
          • 1.66 : 1

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