Le rayon bleu

Here we are with yet ANOTHER fascinating and curious 'overlooked' obscurity from the 70's. It just never ceases to continuously amaze me how much originality and unique creativity came out of that decade. One overlooked film after another, the fact is, it was SUCH a creative and "pioneering" decade on SO many different levels, there literally was only so much room for the 'popular hits'. This was a curious film, funny, bizarre, crazy yet always interesting. A genuinely superb and eerie score by Charles Gross, which contributed much and deserves mention, as well as Zalmon Kings always interesting antics. King was an actor like no other, and this film is one like no other.

The plot of this movie features seemingly normal people going crazy and slaughtering their family and friends. The carnage is mostly off screen but there are some disturbing scenes. Zalman King is trying to find out what is happening as one of the casualties was a friend. When the first person goes crazy, their makeup- though minimal- is surprising and really creepy. In fact, if I saw someone who looked like that I would run away screaming. This movie was better than I expected and did not telegraph every single plot point ahead of time. It's got a typical 70s feel to it, but I like that. A good movie to watch with friends, but I'm telling you, when you see the first killer you will be unprepared for his creepiness - so don't watch it alone.

1976's "Blue Sunshine" was the second outing for writer-director Jeff Lieberman, following a solid success with AIP's release of "Squirm." Like Ken Wiederhorn, Lieberman hasn't gone on to direct that often (four horror features since), but by staying within the genre continues building the foundation for his growing cult. Unlike "Squirm," a straightforward tale of backwoods terror, "Blue Sunshine" is more of a thinking-man's picture, featuring a protagonist in Zalman King who always seems to be in the wrong place at the wrong time, behaving in the most guilty manner possible! It's certainly a challenge to warm up to a character described on screen as 'erratic,' but there are other compensations and mysteries that come together nicely for the fadeout. The title refers to a type of LSD available at Stanford circa 1967, and anyone known to have sampled it becoming irritable and homicidal after a decade's passing, preceded by their hair falling out. Among the cast, Robert Walden is a standout, funny even in a serious surgeon part, and Mark Goddard, enjoying a juicy screen role as a Senatorial candidate who knows more than he lets on. Ray Young ("Blood of Dracula's Castle") plays Goddard's bodyguard, smaller roles essayed by familiar faces such as Alice Ghostley, Stefan Gierasch, and Brion James (in one of his earliest films). Pittsburgh's Chiller Theater introduced me to "Blue Sunshine," which aired only once on Feb 12 1983, less than a year before its farewell broadcast.

Thriller about a drug called "Blue Sunshine". It seems a bunch of kids took it in college in 1966. Ten years later it starts to affect them. They have horrible headaches...then all their hair falls out...THEN they become homicidal maniacs! Jerry Zipkin (Zalman King) is unjustly accused of the murders. While on the run from the police him and his girlfriend Alicia (Deborah Winters) try to find out what's going on. And what does politician Ed Fleming (Mark Goddard) have to do with it?

Interesting premise but this movie does have some problems. King and Winters are just dreadful actors and have zero sexual chemistry between them; some of the dialogue is horrendous (and delivered badly); the plot has huge loopholes and where's the ending? Still, I did keep watching and found it pretty good.

The plot itself is interesting; there's some great acting from Goddard and Robert Walden (as a doctor); there are some suspenseful scenes; some very violent (and bloody) murders and lots of nice directorial touches by Jeff Lieberman (love the opening credits!). This got virtually no release in 1976 and is now (understandably) a cult film. Worth catching.

Some films have a way of sticking out that is inexplicable. Explaining the plot of this movie (hippies took bad acid in the 60's and the delayed effect 10 years later is making them all homicidal bald lunatics who go berserk and kill, and only one guy can stop it all but he's on the run) is NOT the way to point out the joys of this film experience that keep one returning for more. This can only be done in one way, listing the movie's virtues:

**a memorable, creepy and weird theme song **a high level of tension even though there's no "mystery" to be solved **Zalman King's loony and inappropriate "method" acting **homicidal bald lunatics who go berserk and kill **puppets of Frank Sinatra and Barbra Streisand **a man going insane in a '70's disco **a cameo by one of the witches from "Bewitched" **camp humor.

There's something really satisfying about watching a woman in a robe with a bald cap on chasing around ugly, bad acting little kids with a knife. There's something wonderful about Zalman King screaming and pounding his arms against a door frame for no known reason, then walking around going "Huff! Huff! Huff!" forever after. I love how a good chunk of time is spent on a fetish-y moment when King buys a gun and is taught how to use it. If you've seen this you know what I mean. Like...hunhhh? Or why does King's girlfriend enunciate her sentences wrong, she says "I wanna GO with you!" instead of what she means, "I wanna go WITH you." She's a terrible actress, this Deborah Sweeny, but she's so spunky and has such an interesting face I can't look away. The same with King--his intensity was better suited to raping schoolgirls in "Trip With The Teacher" or being hostile in "Galaxy Of Terror," and who encouraged his "acting choice" of constantly stuffing his hands in his pockets every few seconds? There's also very little logic, conclusions are reached too quickly and what in HELL is with the junkie in the park? It all just comes out of nowhere and leaves just as quickly...

...and that's why I love this movie. Anyone can make a solid mystery, this flick is a quirk-fest. When I was young watching this on t.v. the tension of the last 20 minutes about gave me a heart attack, now it's sleep-inducing. Movies have changed a bit since then, obviously, and this probably doesn't "work" anymore. But I return to it again and again, I'm glad they gave it a good DVD re-master and included that weird and wonderful soundtrack. Oh, and did I mention the PUPPETS??