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IMDbPro

Allegro non troppo

  • 1976
  • Tous publics
  • 1h 25min
NOTE IMDb
7,4/10
3,3 k
MA NOTE
Allegro non troppo (1976)
ComédieFantaisieMusiqueRomanceAnimationBurlesqueParodieSatire

Ajouter une intrigue dans votre langueThe film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply.The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply.The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply.

  • Réalisation
    • Bruno Bozzetto
  • Scénario
    • Bruno Bozzetto
    • Guido Manuli
    • Maurizio Nichetti
  • Casting principal
    • Maurizio Nichetti
    • Maurizio Micheli
    • Marialuisa Giovannini
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    3,3 k
    MA NOTE
    • Réalisation
      • Bruno Bozzetto
    • Scénario
      • Bruno Bozzetto
      • Guido Manuli
      • Maurizio Nichetti
    • Casting principal
      • Maurizio Nichetti
      • Maurizio Micheli
      • Marialuisa Giovannini
    • 49avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos42

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    Rôles principaux10

    Modifier
    Maurizio Nichetti
    Maurizio Nichetti
    • The Animator
    Maurizio Micheli
    • The Presenter
    Marialuisa Giovannini
    • The Cleaning Girl
    Néstor Garay
    • The Orchestra Master
    Mirella Falco
    • Non-Exercising Orchestra Member
    Osvaldo Salvi
    • Man in gorilla costume
    Jolanda Cappi
    • Fallen Orchestra Member
    Franca Mantelli
    • Dancing Orchestra Member
    Bruno Bozzetto
    • Man in Rocking Chair
    • (non crédité)
    Angela Finocchiaro
    Angela Finocchiaro
    • Orchestra's Member
    • (non crédité)
    • Réalisation
      • Bruno Bozzetto
    • Scénario
      • Bruno Bozzetto
      • Guido Manuli
      • Maurizio Nichetti
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs49

    7,43.3K
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    Avis à la une

    10cafesmitty

    An Overlooked Classical Masterpiece of Sight and Sound

    Many many years ago, I saw this film and I was absolutely transfixed. This film cannot helped BUT be compared to Fantasia due to the fact that they mention this themselves. But what sets this film apart is its absolutely brilliant interpretations, in animated form, of these wonderful classical pieces that don't get as much attention as the ones Fantasia made popular amongst the general public. And there is one classical piece, above all, that was so brilliantly interpreted that it STILL stands out as one of the most moving pieces ever to be put on screen and that is the "Valse Triste" segment set to the music of Sibelius. Don't get me wrong, Disney's "clean" animation of Fantasia is a wonderful film, but none of its segment moved me as much as Valse Triste. And I think it's free form, scrubby, its understated color use and none heavy handed animation fits BRILLIANTLY here. You don't feel you are watching an animation, you feel as you are watching a painter, with each stroke, visualize the musical note of this wonderful classical piece. You get to see the abandon cat go from fantasy, reality, fantasy, that you wish you could adopt the poor cartoon kitty. If you are a teacher of music, especially classical, get this film and show it to your students, if they are not moved, then nothing will move them. This is the type of stuff that stays with you for YEARS and I guarantee you will be the better for it.
    10suicidea

    simply perfect

    This very hard-to-find mix of animation, music and comedy is a real treat for those who can appreciate it. I recorded it from TV some years ago, and it's still one of the most valuable articles in my archive. Very clever use of in-between b/w passages, great classical music and animations of totally different styles, concepts and attitudes, but each so well-blended with the music and the whole picture that you hardly get distracted.

    I don't agree with the comparisons to Fantasia, this is something different. It deals with things (and uses imagery) that a Disney product would never dare, let alone in the days Fantasia was made.

    If you have the slightest admiration for art, and can stand movies without the standard hollywood cliches, grab this one (though that won't be easy) and you'll not be sorry. 10 / 10
    7raymond-15

    A light-hearted musical smorgasbord

    If you are feeling at all depressed or bored with psychological thrillers, this is just the film to brighten up your dark moments. It's not hilarious, it won't have you rolling about in hysterical laughter, but it will put a smile on your face and you may even manage a chortle or two. It's pure fantasy, the stuff that dreams are made of....Debussy, Dvorak, Ravel, Sibelius whose music forms the basis of this film would probably be amused at how their music has been interpreted.

    While the black and white scenes of the compere, the conductor, the orchestra and the cartoonist are amusing enough, they seem a bit forced in their attempt at humour (the cartoonist is no Charlie Chaplin) and the transition from black and white to colour is never very smooth. Even the sound level is not constant.

    Wherever did they get the old ladies to represent the orchestra? They looked as if they stepped straight out of a Fellini film. In a couple of farcical scenes one old girl while blowing a fanfare on her trumpet ran out of breath and fell over backwards. Another was knocked off the stage when she was struck by a cork propelled from an exploding bottle of champagne.

    While the film lacks the technical quality of Disney's Fantasia, it still has some amusing and original ideas. To the sound of Ravel's Bolero, we see some sludge at the bottom of a bottle give way to primitive life and then follows in rapid succession the origin of the various species of life on earth. Even Darwin would have been fascinated by this interpretation of his theory of evolution.

    Allegro Non Troppo is far more sexual than any of Disney's work. The faun is depicted as a lecherous old man, an interpretation never seen before in any of the great ballets. There are heart-tugging moments too, particularly to the beautiful music of Sibelius, when we see a starved cat searching for food, warmth and company amongst the ruins of a home.

    When one ponders over the number of hours the artists worked on this film, one can only admire their competence and artistry. See it at your first opportunity.
    7Bezenby

    Pisney's greatest film

    I stumbled upon this one by accident. This is a parody of the Disney film Fantasia, so much so that someone from Disney personally calls the narrator of the film to tell him it's been done before. The narrator then refers to a "Mr Gisney or Pisney or someone" calling. This film is not to be taken seriously. Plus, I've never seen Fantasia so I can't compare.

    The strange story is as follows: An angry conductor wishes to put on a show that ties classical music with animation, and employs an orchestra of old women to play at his show. He also has a captive animator whom he uses to provide the cartoons for the film. This all acts as a bridging element between the animated segments, while our narrator tries to give a bit of background to each piece.

    The first segment clues you in that the usual Italian obsession with naked women has not been forgotten in this film as we have an aging Satyr trying and failing to attract many of the nymphs frolicking about the landscape. Strangely beautiful, especially if you like trees made out of boobs, nipples everywhere, and a strangely poignant ending. I don't know what it means but it must mean something.

    I'm not going through every segment but the linking segments and animated segments run into each other and you see life evolve from the bottom of a coke bottle, a monkey escape into the theatre from the same segment, a man turn himself into a cartoon, a very sad piece involving a cat having flashbacks, and the narrator having to call someone in to provide an ending to the film.

    The whole thing is very tongue and cheek and, as a person who doesn't get Italian comedy, I found it actually funny too. The animation is great in certain bits too (especially the house the cat remembers recreating itself), and it's all rather moving and beautiful. Like a steak pie on a roller skate.
    8guillaumegervais

    An Italian movie inspired from Disney's Fantasia, but more adult-oriented.

    "Allegro Non Troppo" is truly a great movie. The storyline, although sample and maybe awkward, is very, very funny.

    Animations are good, too. The second and third ones are my personal favorite, but the finales are good, too! The storyline can be offending and crude, but that's all the point of it : it's like "Fantasia", from Walt Disney, as it said in the beginning of the movie, but actions made by characters are more adult-oriented (i.e. : sexual connotation).

    Everybody who loves bizarre movies, animations, and stuff like that should love this movie. It is also posing a critical eye over the modern society, one made of consummation and things like that.

    Definitely, a must-have!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Ward Kimball once called the "Bolero" sequence one of the greatest pieces of animation he had ever seen and would recommend it to students learning about the medium.
    • Gaffes
      Since this film is a parody AND a cartoon, it's arguable whether anything can be legitimately considered a goof. However, at the end of the film, when the director sends Franceschini down to the archives, each time he pulls a finale off the pile the same animation is reused all three times. The effect is that Franceschini takes the same stage each time, only to have it reappear when he goes back for the next.
    • Citations

      [last lines]

      The Orchestra Master: We're unemployed, then.

      The Presenter: Unemployed...until the next movie. I've already got an idea. A brand-new idea. We could do a love story.

      The Orchestra Master: A love story?

      The Presenter: But not the usual kind about men and women. Lots of men and lots of women.

      The Orchestra Master: Wife-swapping?

      The Presenter: No, not that same old stuff. Something different. I like asymmetry. Seven men and one woman.

      The Orchestra Master: That'll cost a lot.

      The Presenter: No, not at all. We'll get little tiny men and make the woman real tall. It'll be fantastic!

      The Orchestra Master: Sounds scary.

      The Presenter: What do you mean scary? Seven little workers, so you get the social context, too. A mine! They'll work in a min! I can see them now, singing happily.

      The Orchestra Master: Have you thought of a title?

      The Presenter: That'll be easy. Let's see..."Sleeping Beauty". Now keep it under your hat or some screenwriter hack might steal the idea. You can't trust anyone these days. He'll change the title, play up the sex. And give it some crazy name like "Snow White and the Seven Dwarfs. And then we'll be screwed.

    • Crédits fous
      L'orchestra rappresentata nel film non ha alcuna connessione con le orchestre sinfoniche che hanno realmente eseguito i brani musicali. [The orchestra represented in the film has no connection with the symphony orchestras who actually performed the music.]
    • Versions alternatives
      There are two cuts to be found on home video. A 1985 release by RCA/Columbia Home Video on VHS and LD is English dubbed and edited for content. These edits appear only within the live-action interludes, a full 10 minutes worth though - this version is 75min run time. Interesting what they chose to remove, considering that much of the animation itself could be seen by some as rather risqué and probably intended for an adult audience. The removed bits generally are those containing abuse by the conductor upon the orchestra and animator. This is the version that was theatrically released in the U.S.. The video transfer (both tape and LD) is somewhat green throughout, unlike the current version available from HomeVision on DVD and VHS which is the original Italian w/English subtitles and appears to be uncensored.
    • Connexions
      Featured in Le ciné-club de Radio-Canada: Film présenté: Allegro non troppo (1983)
    • Bandes originales
      Prélude à l'après-midi d'un faune
      Written by Claude Debussy

      Performed by the Berliner Philharmoniker (as Berlin Philharmonic Orchestra) conducted by Herbert von Karajan

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    FAQ

    • How long is Allegro non troppo?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 mars 1979 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Det våras med musik
    • Sociétés de production
      • Bruno Bozzetto Film
      • Ministero del Turismo e dello Spettacolo
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 25 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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