Les héritiers

Really stolid potboiler, scene chewing sessions abound. The ONLY thing that set with apart from other 70's dross in the final episodes was the interaction between Nolte and Bill Smith's Falconetti, one of the great TV villains ever.

This was not meant to be a mini-series, but a series.

The original RMPM was groundbreaking television and the reason why so many restaurants are closed on Mondays even today. Monday nights were "Rich Man Poor Man night", and people stayed home to watch the mini-series since very few people had VCRs back then, and recording shows was not a common option.

After the mini-series, the producers saw an opportunity for a steady stream of cash from an open-ended series. They offered Peter Strauss more money than he thought he would ever be able to make in his life, which he of course accepted. They made the same offer to Susie Blakely, but she declined because she believed she was destined for movie stardom. She did accept to appear in the two-hour pilot on the condition that her character be killed off in the first hour!

The ratings of Book II were consistently good but not great. Production costs were very high since they had hired the very best writing talent and had them working around the clock. By the middle of the first season, it was becoming obvious that the ratings were simply not strong enough to justify the costs. The audience missed Julie Prescott / Susie Blakely and just couldn't get used to Maggie Porter / Susan Sullivan. Bringing back Kay Lenz as Kate Jordache and making her part of a love traingle with Rudy didn't lift the ratings. So they wrapped up the story toward the end of the season 1 and repackaged the whole thing as a second mini-series.

The legacy of Book II, though, was that it became a template for prime time soap operas. Dallas premiered a year later, and they were off to the races.

Interestingly, there was a plan for a Book III with major production redesign. This one would be more of a police drama vs. Soap opera. Rudy will have survived the gunfight with Falconetti, but he leaves the senate to become the Director of the CIA. The show was supposed to be about him leading an agency to battle terrorism. All networks hated the concept and refused to pick it up. But the creators hung on to the idea and made it into a TV movie called Under Siege a decade later. Peter Strauss returns but legally they were not allowed to make any references to RMPM since ABC owned the rights and the TV movie was produced by NBC. That said, the character that Strauss plays is clearly Rudy Jordache, by another name. That TV movie was meant as a pilot for a new show which was never made.

Hi there fans of Rich Man Poor Man.I managed to purchase Book 2 and I must admit that watching it, I became increasingly sadder and sadder.I felt so sorry for Rudy and his family as nothing goes their way and Estep, Falconetti and co triumph.I just couldn't watch the episodes from 17 onwards.Blows after blows, I felt so involved, it was like I took all these blows.I generally like reality to transpire in films and can't say that I am a big fan of happy endings,but what's happening here is too much.It's even darker than book 1 by comparison.I mean, Rudy is such a nice guy and despite the love of 3 special women, career and money he cuts such a lonely, dramatic figure.There seems to be So I must admit that I have only one curiosity ( I know what happens between Rudy-Falconetti at the end)does Rudy manage to get back at Estep even in a small way.Please let me know.Thanks. PS It would be such a relief to know that Estep gets some punishment that would probably give me enough courage to go thru the episodes which I couldn't previously watch thru sheer frustration. . .I was also thinking that maybe if Roots wasn't running at the same time this show would have continued.Who will ever know?

While RICH MAN, POOR MAN BOOK II is no RICH MAN, POOR MAN being impossible to replace Nick Nolte after he dies in the original's climax, it's a pretty great sequel, mostly thanks to William Smith as crazy villain Anthony Falconetti who, while shaping-up and tearing-down the last four episodes of the first venture, is now a continuously formidable presence, not only stealing scenes but destroying anyone and anything in his wake...

And this time the POOR MAN is twofold... Since there's no luckless boxer/sailor Nolte to contrast returning star and now sole headliner Peter Strauss as ambitious, sometimes idealistic Senator/businessman Rudy Jordache, Nolte's beloved son, Wesley (Gregg Henry) and con artist Billy (James Carroll Jordan), neglected son of Bill Bixby and Susan Blakely (the latter providing merely a cameo), both take the POOR spot in different ways...

Wesley's broke despite being taken in by his RICH uncle while Billy fights to make it big in the music industry, so he's basically the young climber version of Peter Strauss while Wesley, blond and muscular like dad, takes Nolte's hapless workingman route, almost having an affair with tough, stubborn yet incredibly cute girl-next-door/union man's daughter Penny Peyser... until Billy gets in quicker and ignites an addictive whirlwind romance/love triangle...

But there are so many characters to cover, including a resilient, quick-witted Susan Sullivan as Rudy's girlfriend lawyer (particularly during D. C. hearings straight from THE GODFATHER II including crooked senator G. D. Spradlin and Peter Donat), whose daughter Kimberly Beck is a flirtatious teenager smitten with Wesley when, by the 11th hour, all the characters wind up in Sin City Vegas to square-off against the show's two polar opposite antagonists...

Besides Falconetti is an extremely callous yet still somewhat charming/monopolizing billionaire Peter Haskell as Charles Estep, who Strauss's Rudy is after and whose wife, the beautiful Laraine Stephens, holds a game-changing secret...

But the most fun's had with Billy and his up-and-down dealings running then co-owning a once-great record company (owned by endearingly grouchy gambler Sorrell Booke); he basically sells his soul to protect a fickle and spoiled, knockout version of Janis Joplin in Cassie Yates, taking the otherwise womanizer on a proverbial ride...

Meanwhile, William Smith's powerfully methodical method-acting is what really stands out, shaking the dust off particular moments where the original series' edgy (semi-historical) drama becomes kitschy melodrama; he's busy too, fighting off Nolte's vengeful partner Herbert Jefferson Jr., and, also returning is Kay Lenz, Nolte's sexy little widow, this time a goofy/silly laughing girl in a contrived affair with Strauss...

And yet, despite the soap operatic tropes and romantic distractions, like any good televised serial, the characters and situations leave viewers salivating for the next episode... while Peter Strauss is even more intense and dogged, likable, sympathetic and hardcore in the leading role (providing more than a few fantastic monologue-lectures)... making both RICH MAN, POOR MAN shows a "binge-watch" experience far before there was such a thing.

The gripping sequel to the award-winning television mini-series 'Rich Man, Poor Man' stands the test of time, and also is a stand alone representation of a well-produced piece of drama. Peter Strauss returns in fine form as Senator Rudy Jordache (the original 'Rich Man' of the title) as the story continues to chronicle his life, career and family. The story proceeds to 1968 and is transfixed to this period of time as opposed to relaying the action over a period of years as per the mini- series. The introduction of Rudy's nephew, Wesley and stepson, Billy adds a new entertaining dimension to the elements over 22 episodes. The series features some very good acting performances in support which includes Susan Blakely, Van Johnson, Ray Milland, Peter Haskell, Susan Sullivan, John Anderson and Kay Lenz. However, it is the portrayal of the psychotic 'Falconetti' by William Smith that illuminates the on- screen chills in his ongoing vendetta with anything connected with the name 'Jordache'. The young guns of the cast also shine with notable turns from Gregg Henry, James Carroll-Jordan, Penny Peyser and Kimberly Beck. The series received two Emmy-Award nominations and upon viewing the cliff-hanging courtroom scenes in Washington it's not difficult to understand why, as Rudy attempts to bring to justice the corrupt billionaire, Charles Estep; the dramatics are wonderfully executed. 'Rich Man, Poor Man - Book II' was never going to hit the heights of the classic status of the preceding mini-series, but it has achieved popular worldwide recognition as a welcome, and most enjoyable, sequel of a great story.