Monty Python's Flying Circus ; Absurde, n'est-il pas?
Titre original : Monty Python's Flying Circus
- Série télévisée
- 1969–1974
- Tous publics
- 30min
Les sketches à la fois comiques et surréalistes de la troupe des Monty Python.Les sketches à la fois comiques et surréalistes de la troupe des Monty Python.Les sketches à la fois comiques et surréalistes de la troupe des Monty Python.
- Victoire aux 3 BAFTA Awards
- 4 victoires et 7 nominations au total
Parcourir les épisodes
Résumé
Reviewers say 'Monty Python's Flying Circus' is celebrated for its iconic sketches like "The Dead Parrot Sketch" and "The Ministry of Silly Walks," known for absurdity and clever wordplay. The show's unique humor, innovative Gilliam animations, and boundary-pushing comedy have had a lasting impact. Notable sketches include "The Argument Clinic" and "The Funniest Joke in the World," though some find the surreal style inconsistent or hard to follow.
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The original sketch comedy show that has a very deserved cult following.
It's... hilarious. It's... absurd. It's... very hard to describe, because it is so freakin' random! Almost every little sketch takes such bizarre twists and turns into something completely else that you'll literally never see it coming. Terry Gilliam's innovative, and equally absurd, animations are no different in their appearances between sketches. Often serving as transitions, but really this is just one side-splittingly funny compilation of sheer absurdity.
Poking fun at just about everything that you could possibly imagine - talk shows, courts, daily life, the Spanish Inquisistion, the military, etc... - and it is all put together in a way no less random. Skits end unexpectedly, some shots are used many times, random characters appear only to speak one line, and all that makes for what is quite possibly the best crafted presentation of absurdity and chaos ever made. 10/10
Not Rated and suitable for most viewers, but very cautious parents will undoubtedly object to the crude humor.
It's... hilarious. It's... absurd. It's... very hard to describe, because it is so freakin' random! Almost every little sketch takes such bizarre twists and turns into something completely else that you'll literally never see it coming. Terry Gilliam's innovative, and equally absurd, animations are no different in their appearances between sketches. Often serving as transitions, but really this is just one side-splittingly funny compilation of sheer absurdity.
Poking fun at just about everything that you could possibly imagine - talk shows, courts, daily life, the Spanish Inquisistion, the military, etc... - and it is all put together in a way no less random. Skits end unexpectedly, some shots are used many times, random characters appear only to speak one line, and all that makes for what is quite possibly the best crafted presentation of absurdity and chaos ever made. 10/10
Not Rated and suitable for most viewers, but very cautious parents will undoubtedly object to the crude humor.
Any episode of Monty Python will reduce one to fits of laughing that will produce bouts of tears that will render the viewer on the ground. Great physical comedy on all parts, but especially John Cleese in the Ministry of Silly Walks sketch, which is his least favorite sketch. Great writing that walks that fine line between genius and silly, and meshes the two. These guys also knew when and how to start end a sketch. Still funny thirty years later, wish the same could be said about Saturday Night Live. Too bad there wasn't some knight who could hit Lorne Michaels with a chicken.
10grantss
Brilliant, innovative comedy. Possibly the greatest comedy series of all time. Certainly the most influential, iconic and quoted.
Season 1 was great, but not their best. Still experimenting and finding their feet, it had some great sketches, but nothing as iconic as what was to come.
Season 2 was where they really hit their straps. Most of their well-known sketches are from Season 2: Piranha Brothers, Ministry of Silly Walks, The Bruces, Spam, The Spanish Inquisition, Scott of the Antarctic.
Season 3 was more of the same.
Season 4 was where they tapered off. John Cleese had left and the creativity just wasn't anywhere near the levels of Seasons 2 and 3. No wonder it was only 6 episodes.
Timeless comedy that has become embedded in culture. It's that big, brilliant and important.
Season 1 was great, but not their best. Still experimenting and finding their feet, it had some great sketches, but nothing as iconic as what was to come.
Season 2 was where they really hit their straps. Most of their well-known sketches are from Season 2: Piranha Brothers, Ministry of Silly Walks, The Bruces, Spam, The Spanish Inquisition, Scott of the Antarctic.
Season 3 was more of the same.
Season 4 was where they tapered off. John Cleese had left and the creativity just wasn't anywhere near the levels of Seasons 2 and 3. No wonder it was only 6 episodes.
Timeless comedy that has become embedded in culture. It's that big, brilliant and important.
A gentleman (John Cleese) enters a pet shop and wants to register a complaint that the parrot that he had bought from that very boutique just half an hour ago was in fact a 'dead parrot'. The owner (Michael Palin) tries to convince him that the Parrot, a Norwegian Blue, was not really dead and was just resting. The argument continues and gets sillier and sillier until an army colonel (Graham Chapman) pops out of nowhere and stops the sketch abruptly because it was getting very silly. If this kind of humor doesn't interest you, read no further and plan on watching something else. But if it does and if you have not seen Monty Pythons Flying Circus you haven't seen nothing yet.
Monty pythons pretty much invented and perfected their unique brand of humor which can be categorized as 'surreal'. One can argue that 'the Goon Show' was the archetype for Monty pythons, which is true, but then Monty Pythons took it to territories that had never been explored before. They created a world where you can get a government grant for silly walks or buy an argument in an argument clinic. A world in which a father and son could have the age old "romantic vs. a simple coal miner" argument, just that in this world the son is a regular coal miner whereas it's the father whose head is full of useless novels and poems. Just like the Beatles they took something and created something completely new out of it. The comparison is valid because Monty Pythons at their peak enjoyed the status of any of the rock stars in those days (including groupies) and the Beatles, George Harrison in particular, were their biggest promoters.
Terri Gillian's stream of consciousness art work is pretty bizarre and holds all the sketches together. John Cleese, Graham Chapman, Michael Palin, Eric Idle and Terry Jones play all the characters (including women's) themselves with dead seriousness. This is insane humor at it's brilliant best.
Monty pythons pretty much invented and perfected their unique brand of humor which can be categorized as 'surreal'. One can argue that 'the Goon Show' was the archetype for Monty pythons, which is true, but then Monty Pythons took it to territories that had never been explored before. They created a world where you can get a government grant for silly walks or buy an argument in an argument clinic. A world in which a father and son could have the age old "romantic vs. a simple coal miner" argument, just that in this world the son is a regular coal miner whereas it's the father whose head is full of useless novels and poems. Just like the Beatles they took something and created something completely new out of it. The comparison is valid because Monty Pythons at their peak enjoyed the status of any of the rock stars in those days (including groupies) and the Beatles, George Harrison in particular, were their biggest promoters.
Terri Gillian's stream of consciousness art work is pretty bizarre and holds all the sketches together. John Cleese, Graham Chapman, Michael Palin, Eric Idle and Terry Jones play all the characters (including women's) themselves with dead seriousness. This is insane humor at it's brilliant best.
Monty Python's Flying Circus is a show with great comedy. It's so weird anything could be done in it. Like selling an albatross, or having a knight hit you with a chicken... It's so hilarious, you'll drop right off. It's a very classic show for people with British taste. The movies were good... but it never made a benchmark like the TV series did. People... get off trashy Saturday Night Live and try "Something Completely Different"!
Le saviez-vous
- AnecdotesThe usual casting process for a sketch was that the lead role would be given to the member who came up with the idea. Sir Michael Palin has said that if he'd known the abuse he would have to tolerate as the "It's..." man, he never would have suggested the idea.
- GaffesThe Air Tube that operates Mr. Tree's mouth can be seen in the profile shot, when light starts glinting off it.
- Citations
BBC Announcer: We interrupt this program to annoy you and make things generally irritating.
- Crédits fousEpisode 41 Michael Ellis (1974) begins with the opening theme song, followed by a screen that says "THE END," followed by the end credits, and then the show begins. This was to allow the unusual ending of that particular episode which would have been ruined by the closing credits.
- Versions alternativesThe VHS and DVD releases by A&E contain the full-length versions of the shows. Several episodes run over 30 minutes, and were previously edited by PBS to fit into a 30 minute time slot.
- ConnexionsAlternate-language version of Monty Python's Fliegender Zirkus (1972)
- Bandes originalesThe Liberty Bell
(1893) (uncredited)
Music by John Philip Sousa
Performed by The Band of the Grenadier Guards
(opening theme music)
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