Will Penny, le solitaire

If any western that I have seen feels authentic to the old west it is "Will Penny". The Inyo County, California locations are wonderful and the cowboys at work scenes are refreshingly honest.

The basic storyline serves as a template to work more on character development and the cast (full of western stalwarts) do not disappoint.

Charlton Heston as Will Penny is on great form as the vulnerable, middle aged man of the plains. He is a little backward but unfailingly truthful and decent. He and his friends "Blue" and "Dutchy" represent the best principles of old west comradeship and his approach to Mrs Allen and her son "H.G" shows with tenderness what he has craved to have all his life but knows it is too late to embrace.

I found Donald Pleasence a bit over the top as the evil "Preacher Quint", but his portrayal is entertaining if nothing else. Ben Johnson, Slim Pickens and Lee majors all do a good job in support and Joan Hackett is completely convincing as the lone mother in search of a better life.

Very much a film for those viewers who like to experience, feel and be touched by a well written story and its characters.

Peckinpah's flamboyant 'The Wild Bunch' and Leone's innovative spaghetti westerns of the 1960s are among my all time favourites, but the stir they created overshadowed some gems that are now unfairly overlooked - Brando's 'One-Eyed Jacks', and Monte Hellman's 'Ride In The Whirlwind' and 'The Shooting' immediately spring to mind. Those three movies all have strong cult followings (just ask Quentin Tarantino!), but for some reason the same can't be said for 'Will Penny'. I don't know why, as it's one of the best westerns I've ever seen. Charlton Heston is of course, a MOVIE STAR and also a controversial figure because of his politics, but sometimes people seem to forget that he could be a damn fine actor when he tried. I think 'Will Penny' is his best performance. Heston plays a low key character, an aging cowboy who is tired of his life but believes it is all he can do. Maybe this is the main reason why 'Will Penny' has been forgotten. He's basically a decent guy, not a larger than life John Wayne hero, or a Clint Eastwood anti-hero. Heston regards Tom Gries' script as one of the finest he's ever read, and I must agree with him. Gries was a TV veteran but this was his big break as a motion picture director. Despite the talent he showed he never became a name director, though he worked steadily until his death in the mid-70s, and was responsible for a few well known films including the Manson movie 'Helter Skelter'. Heston is surrounded by an impeccable supporting cast. His two buddies are played by a young Lee Majors and Anthony Zerbe ('Cool Hand Luke', 'The Omega Man'). Joan Hackett is very good as the woman squatter Penny befriends (her on screen son is played by Tom Gries real life son, who is also excellent). Donald Pleasence is fantastic fun as a crazed preacher, and he and his eldest son (played by Bruce Dern, one of my all time favourite actors) make terrific villains (Dern is always a terrific villain!). Western legends Ben Johnson and Slim Pickens play a ranch foreman and a cook respectively, and then there's character actors galore - G.D. Spradlin, Clifton James, William Schallert, Luke Askew, Matt Clark, Roy Jenson. Off the top of my head, it's difficult to think of a 1960s western with a more impressive cast. 'Will Penny' is a movie crying out to be rediscovered! I highly recommend it to western fans.

The tough, lonely life of the cattle drover (as it really was) is briefly related in the ideal opening scene of Tom Gries' "Will Penny" with an aching Charlton Heston compelled, at the end of an exhausting cattle drive, to take a humble winter job in the cold bleak hillside... His turbulent, crude, oppressive - virtually celibate existence - is marvelously exposed by Gries...

Heston portrays with honesty and sensitivity, a middle-aged cowhand "free and easy" who ignores everything about farming... He is a lonely rider who takes his bath eight or nine times a year, and mends his own clothes... He is a "good steady hand" concerned for Mrs. Allen and her son but "bad scared before, and bad sorry after." He is also a helpless man with uncertain future, a sincere cowboy extremely sensitive...

"Will Penny" is an extraordinary film... Not only does it feature Heston's most sincere and sensitive performance, it has a fine supporting cast and is one of the most adult Western scripts ever written...

Joan Hackett portrays Mrs. Allen with strength and dignity, never collapsing beneath the strain of her tribulations...

Donald Pleasance is the most dastardly villain to grace the screen in many long years... He is mean, unkind, and slightly insane... Bruce Dern is equally effective as one of his sons, the psychotic who "handles a knife just fine."

Realistically spared, "Will Penny" is a straightforward and honest film, a sincere attempt to recreate the Old West, and, more important, the "mighty good men" who lived therein...

Not many people think of WILL PENNY when they think of the great westerns, but it certainly deserves to be remembered. A simple tale of an aging cowboy (Charlton Heston) being nursed back to health by a woman (Joan Hackett), and then having to protect her and her young son (Jon Gries, son of the director) from the slimy characters who left him to die, the film is headlined by a wonderful, understated performance from screen veteran Heston, undoubtedly one of his finest. Joan Hackett also gives a great, if somehow delicate, performance. Donald Pleasence is a delight as always as the sadistic Preacher Quint, and there's good support from Lee Majors (in his major film role), Anthony Zerbe and Ben Johnson (both of whom, sadly, never really get to do much), character actor Slim Pickens in a small role, and Bruce Dern in one of his countless villain parts. And Gries is good as the boy.

The cinematography is beautiful, especially once the story moves to the snow-covered terrain where much of the film plays out. A little slow at first, but the pacing soon picks up and moves nicely. My only complaint is that the film's score is at times overbearing and distracting, but not enough to ruin the enjoyment of the film. All together, a fine little gem of a movie that should be remembered if AFI ever does a 100 Greatest Westerns special.

Charlton Heston stars as Will Penny, an ageing cowpuncher down on his luck and practically broke. After finding a spot of work down on the Flat Iron, Penny falls foul of some outlaws led by maniacal preacher Quint {Donald Pleasence}. They rob him and leave him for dead but he manages to find his way to a lineman's cabin where he is cared for by Catherine {Joan Hackett}, who is heading west with her young son to be reunited with her husband. Here Penny comes to learn things about himself, as does Catherine, but their relationship is not the only thing of concern to them. For Quint and his brood are coming back to finish what they started.

As widely reported these days, this was one of Heston's favourite roles. Which is not hard to believe since it is one of his finest and most earnest performances from what was a long and successful career. Directed and written by Tom Gries {who refused to sell the rights to his story unless he could direct}, Will Penny is an understated Western {Re;cowboy movie for those that need to distinguish the two} that shines because it relies on strength of story over histrionics and a pandering to the norm. This is no ode to the wild west, a time of gunslingers fighting it out and riding off into the sunset with the dame. This is the nitty gritty west, where cowboys are actually that, cowboys, working with beef so that they can afford to eat and perhaps enjoy a jar of throat stripper by way of a reward for their graft.

It's also refreshing to find a romance within the genre that is believable and not thrust upon us like some form of necessity. The relationship, and in fact the three family dynamic at the core of the film, is expertly written, not rushed or underdeveloped, and, crucially, not hurt by the bold and correct ending that Gries delivers. Hackett gives a lovely subtle turn opposite Heston, in a role that was turned down by a host of prominent female actresses at the time. Fine support comes from Pleasence {rightly overacting the role}, Ben Johnson, Lee Majors, Bruce Dern, Anthony Zerbe and Slim Pickens. While Lucien Ballard's cinematography is lucid and adds splendour to the moving story. I can't say that David Raksin's score totally works, since it at times feels like it belongs in some Universal Pictures creature feature! But it's a minor issue in what is an elegant Western that deserves, no, demands, to be sought out by more people. 8/10