Winnie l'ourson dans le vent

This is the second of the four Winnie the Pooh featurettes. Not only this is enjoyable, but it's also memorable and successful. This probably had the most songs in one short film, and all of them are really memorable. What also made me happy about this film is that although I didn't know this little fact until about a few years ago, It won the 1968 Academy Award for Best Cartoon Short! I am very happy for Winnie the Pooh to win this award. The score is also memorable, too. What didn't satisfy me was that it didn't include the Winnie the Pooh theme song. Does anyone know why? Anyway, in conclusion, Walt Disney died during the production of this short and the Academy Award was given posthumous. So see it for him if you haven't already, because I'm very sure he would've liked it.

I always like Winnie The Pooh movies,but I really like the older Winnie The Pooh movies.I like the background art and the songs are great!I like the way the story goes because one thing leads to another. I would recommend this movie to children ages 5+ and I would recommend it for a family movie.This movie has the original voices of Winnie The Pooh and Tigger.It is a great film and it made me sing along and laugh.If you like Winnie The Pooh I would recommend this one! because it's full of fun adventures for the whole family to enjoy. It may be an older movie but it is a great one! Actually I prefer the older Winnie The Pooh movies,but I like all the Winnie The Pooh movies!

By that, I mean that I absolutely love all the Pooh vignettes, with or without Tigger. But Tigger, marvellously voiced by Paul Winchell, absolutely hilarious he was, was so memorable in this vignette that I can't help mention him.

The vignette has a great story, the animation is wonderful, and the songs are highly memorable. I loved the songs, every one of them memorable in every way.

Especially the Heffalumps and Woozles song, that did scare me as a child, but now it is very entertaining. The voice acting is terrific from all involved, Sebastian Cabot as the narrator shines particularly.

Overall, a hugely entertaining gem, flawless from the start, but Tigger's presence elevates it to a greater level. 10/10 Bethany Cox

Winnie the Pooh and the Blustery Day was the second part of the 1977 release of The Many Adventures of Winnie the Pooh. 'Many Adventures' was probably more crucial to me than I'll ever remember since it was the first film I ever saw, over and over, before I could even speak. Looking back on it, as well as on the film, I realized this entry had the biggest effect on me- it had lots of humor (and some of it still funny, if only in the 'cute' sense), everlasting themes, splendid songs, and Tigger too. But more than anything else I think what was most fascinating about this entry (and possibly what the Academy saw in it to give the film an Oscar) was the dream sequence. I can't really be sure of it, yet on a recent viewing I realized much of what goes into that dream of Helfflumps and Woozles is akin to surrealism (another example could be of the Pink Elephant sequence in Dumbo). For young children it is perhaps the most frightening and intense sequence of the film as a whole (a couple of images from it stayed with me through the years), and that gives it the edge to appeal to older audiences. While I would usually recommend The Many Adventures, if one just wants to see part of the film, this is the one to see. A+ (as much for quality as for nostalgia)

Winnie the Pooh has always been a favorite of mine. The original stories are in the realm of the Mary Poppins stories, i.e., difficult to translate to film. In this instance, Disney has managed to transfer the charm of the Pooh stories intact to the screen. Winnie is simply adorable as an animated character, and Sterling Holloway gives him the perfect voice. All the other characters are voiced with perfection, too, especially Tigger, who makes his debut in this short film. Tigger almost steals the show from Pooh; when he's onscreen, you don't notice anything else. Sebastian Cabot adds just the right touch as the narrator.

The entire film has the feel of the pink elephant sequence in Dumbo; inspired, creative and unforgettable. During the storm, pages from the book blow away as the wind rises, rain washes text down the page and away into a stream, etc. Everyone should love this adaptation; Disney soon cranked Pooh out as a series, and it got tedious and sloppy. But this early effort is a real masterpiece.