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Ajouter une intrigue dans votre langueAn old-line Mother Superior is challenged by a modern young nun when they take the girls of St. Francis Academy on a bus trip across the United States.An old-line Mother Superior is challenged by a modern young nun when they take the girls of St. Francis Academy on a bus trip across the United States.An old-line Mother Superior is challenged by a modern young nun when they take the girls of St. Francis Academy on a bus trip across the United States.
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Old fashion Mother Superior (Rosalind Russell) is struggling to change with the times. Sister George (Stella Stevens) is the young rebellious nun. They take the girls of St. Francis Academy on a cross-country bus trip.
This is a sequel to the 1966 movie with Rosalind Russell returning. Hayley Mills didn't return. This one is missing her star power. Stella Stevens is perfectly fine, but not the same thing. Among the girls, I do recognize Susan Saint James despite her very short hair do. She is supposed to be the new Hayley Mills although that's asking a lot. With this one, they are trying to tap into the counter-culture and the changing times. The comedy is rather tame with some boy-crazy teen drama. The biker gang section is trying to do some interesting darkness. Milton Berle makes a short appearance as a John Ford type character. There are some interesting stops along the way, but it's not adding up to anything bigger.
This is a sequel to the 1966 movie with Rosalind Russell returning. Hayley Mills didn't return. This one is missing her star power. Stella Stevens is perfectly fine, but not the same thing. Among the girls, I do recognize Susan Saint James despite her very short hair do. She is supposed to be the new Hayley Mills although that's asking a lot. With this one, they are trying to tap into the counter-culture and the changing times. The comedy is rather tame with some boy-crazy teen drama. The biker gang section is trying to do some interesting darkness. Milton Berle makes a short appearance as a John Ford type character. There are some interesting stops along the way, but it's not adding up to anything bigger.
hay everyone! I've seen this movie and it's pretty good for a 1960 movie.Also my dad was in the movie.In The part where everyone is dancing to the band at the dance,My dad is the bass player wearing the red sweater( I think it was red)Well anyway,it's a cool movie.
Columbia and Roz Russell had a huge hit in Trouble With Angels and this film is the sequel. While Roz Russell's peers had to do horror films to stay in the public eye, Roz -along with Kate Hepburn and Lucille Ball-remained top of he bill movie stars. Ms. Russell repeats her role as Mother Superior and this film is cast with a lot of great character actors including Mary Wickes and Milton Berle. I am pleased this film casts the Catholic religion in a positive light, and why not? Ms. Russell was a devout Church going Catholic.
Ms.Russell is likely the most glaring example of a major star and actress that never won an Oscar.
Stella Stevens appears as a young modern thinking nun sometimes at odds with Mother Superior. Ms. Stevens is to me the most under appreciated star I have ever seen pass thru Hollywood with a gallery of great performances where she played Hookers, Tramps, Drug Addicts and also delightful in comedy such as this one and a two movies with Dean Martin, The Silencers and How To Save A Marriage and Ruin Your Life. A lovely actress, who somehow never reached the true levels of super-stardom Ms. Stevens deserved and I feel earned. I suggest film students study Stevens work in Synanon, The Silencers, The Ballad of Cable Hogue, The Nutty Professor, The Poisedon Adventure, et al. A great actress who let her work speak for itself. In Stevens' heyday Stella Stevens worked with Gene Hackman, Roz Russell, Glenn Ford, Dean Martin, Jerry Lewis, Elvis Presley, Jeffrey Hunter, and film makers such as Hal Wallis, and Sam Peckinpah. I wish Stella Stevens had worked with Billy Wilder who would have surely gotten an Oscar nomination for this fine Actress.
Ms.Russell is likely the most glaring example of a major star and actress that never won an Oscar.
Stella Stevens appears as a young modern thinking nun sometimes at odds with Mother Superior. Ms. Stevens is to me the most under appreciated star I have ever seen pass thru Hollywood with a gallery of great performances where she played Hookers, Tramps, Drug Addicts and also delightful in comedy such as this one and a two movies with Dean Martin, The Silencers and How To Save A Marriage and Ruin Your Life. A lovely actress, who somehow never reached the true levels of super-stardom Ms. Stevens deserved and I feel earned. I suggest film students study Stevens work in Synanon, The Silencers, The Ballad of Cable Hogue, The Nutty Professor, The Poisedon Adventure, et al. A great actress who let her work speak for itself. In Stevens' heyday Stella Stevens worked with Gene Hackman, Roz Russell, Glenn Ford, Dean Martin, Jerry Lewis, Elvis Presley, Jeffrey Hunter, and film makers such as Hal Wallis, and Sam Peckinpah. I wish Stella Stevens had worked with Billy Wilder who would have surely gotten an Oscar nomination for this fine Actress.
My family and I always loved this movie. Since I am a Catholic school survivor I can relate to it. I was 7 years old when I first saw it at the drive in (remember drive ins?) and it always brings back good memories.
A clean wholesome movie and funny too! Whatever happened to clean and wholesome movies? Parts of this movie were filmed in Ambler Pennsylvania and the Castle in the movie is still there and it hasn't changed at all.
The plot of the movie was reflective of the times and the times represented change and the acceptance of change. This change was interwoven throughout the movie in the interactions and conflicting views between the modern sister George (Stella Stevens) and the old fashioned and reserved mother superior (Rosalind Russell). The moral of the story is: "A cloister can be a place but it can also be a state of mind."
Boyce and Hart (who wrote many hit songs for the Monkees) supplied the musical score which provided the groovy beat of the movie.
I loved Susan St James in this movie. She was such a bright young actress at the time. I loved the scene where she was caught riding on top of the bus. That scene was shot on a farm near my hometown.
I also appreciated the views of the Philadelphia art museum as well as city hall along with the center of the Ambler Pennsylvania town. Those views have changed over the years.
Those who were sent through the Catholic School system (voluntarily or not)will get a kick out of this movie.
You can buy the movie on Ebay and I think that a DVD version has been released.
A clean wholesome movie and funny too! Whatever happened to clean and wholesome movies? Parts of this movie were filmed in Ambler Pennsylvania and the Castle in the movie is still there and it hasn't changed at all.
The plot of the movie was reflective of the times and the times represented change and the acceptance of change. This change was interwoven throughout the movie in the interactions and conflicting views between the modern sister George (Stella Stevens) and the old fashioned and reserved mother superior (Rosalind Russell). The moral of the story is: "A cloister can be a place but it can also be a state of mind."
Boyce and Hart (who wrote many hit songs for the Monkees) supplied the musical score which provided the groovy beat of the movie.
I loved Susan St James in this movie. She was such a bright young actress at the time. I loved the scene where she was caught riding on top of the bus. That scene was shot on a farm near my hometown.
I also appreciated the views of the Philadelphia art museum as well as city hall along with the center of the Ambler Pennsylvania town. Those views have changed over the years.
Those who were sent through the Catholic School system (voluntarily or not)will get a kick out of this movie.
You can buy the movie on Ebay and I think that a DVD version has been released.
I prefer this movie to it's predecessor, because it is campy, nostalgic and has favorite actors like Rosalind Russell, Stella Stevens and Susan Saint James. I also went to parochial school in the seventies but enjoy the sixties references. Yes, this movie is a sequel, but evaluate it on it's own merits. I love the entire charming soundtrack by Lalo Schifrin and the title song lyrics and vocals by Boyce & Hart but am very disappointed that it is not available. I actually first saw it as a young adult in my church's school auditorium and found it highly amusing. It doesn't shock, create belly-laughs or extended philosophical pondering and if you are looking for those things, then choose another movie. One reviewer actually said that this plays like a "low-drawer Disney movie", to which I say absolutely not. The current Disney television shows and movies for kids often pander with extremely corny overacting, silly overused slang and idiotic dialogue. This movie does not take itself too seriously. It has dramatic moments but is NOT Shakespeare, SO MELLOW-OUT, YOU SQUARES! IT IS, HOWEVER, A LOT OF INNOCENT FUN.
Le saviez-vous
- AnecdotesThe budget for this movie was so small that there was not much money for additional music. That's why the theme song is played multiple times.
- GaffesWhen the school bus gets stuck on the railroad tracks, they are still in Pennsylvania. The train that passes on the tracks is a Santa Fe passenger train. Santa Fe passenger trains would not have run in Pennsylvania.
- Citations
[first lines]
Sister George: [carrying a sign, returning from a protest] Not a single arrest today, Mother!
Mother Superior: [sarcastically] Don't get discouraged, I'm sure you'll do better next time.
- Crédits fousIn the shot in front of the fun house at Dorney Park, a baby camel and a baby elephant pass across the screen. The first one has a banner draped over itself, saying "Where Angels Go" and the second one has one which reads "Trouble Follows".
- ConnexionsFollows Le dortoir des anges (1966)
- Bandes originalesWhere Angels Go, Trouble Follows
Written by Lalo Schifrin, Tommy Boyce and Bobby Hart
Recorded by Tommy Boyce and Bobby Hart
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