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Les troupes de la colère

Titre original : Wild in the Streets
  • 1968
  • Tous publics
  • 1h 37min
NOTE IMDb
5,9/10
2,3 k
MA NOTE
Les troupes de la colère (1968)
ComédieDrameMusique

Ajouter une intrigue dans votre langueA young man gains significant political influence as the leader of a counterculture rock band with his rallying cry of voting rights for teenagers.A young man gains significant political influence as the leader of a counterculture rock band with his rallying cry of voting rights for teenagers.A young man gains significant political influence as the leader of a counterculture rock band with his rallying cry of voting rights for teenagers.

  • Réalisation
    • Barry Shear
  • Scénario
    • Robert Thom
  • Casting principal
    • Christopher Jones
    • Shelley Winters
    • Diane Varsi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    2,3 k
    MA NOTE
    • Réalisation
      • Barry Shear
    • Scénario
      • Robert Thom
    • Casting principal
      • Christopher Jones
      • Shelley Winters
      • Diane Varsi
    • 65avis d'utilisateurs
    • 33avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 3 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:41
    Official Trailer

    Photos36

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    Rôles principaux48

    Modifier
    Christopher Jones
    Christopher Jones
    • Max (Flatow) Frost
    Shelley Winters
    Shelley Winters
    • Mrs. Max Flatow (Frost)
    Diane Varsi
    Diane Varsi
    • Sally LeRoy
    Hal Holbrook
    Hal Holbrook
    • Senator Fergus
    Millie Perkins
    Millie Perkins
    • Mrs. Fergus
    Richard Pryor
    Richard Pryor
    • Stanley X
    Bert Freed
    Bert Freed
    • Max Jacob Flatow, Sr.
    Kevin Coughlin
    Kevin Coughlin
    • Billy Cage
    Larry Bishop
    Larry Bishop
    • The Hook
    May Ishihara
    • Fuji Elly
    Salli Sachse
    Salli Sachse
    • Hippie Mother
    Kellie Flanagan
    • Mary Fergus
    Don Wyndham
    Don Wyndham
    • Joseph Fergus
    Michael Margotta
    Michael Margotta
    • Jimmy Fergus
    Ed Begley
    Ed Begley
    • Senator Amos Allbright
    Martin Abrahams
    Martin Abrahams
    • Security Guard
    • (non crédité)
    Army Archerd
    Army Archerd
    • Army Archerd
    • (non crédité)
    Kenneth Banghart
    • Kenneth Banghart
    • (non crédité)
    • Réalisation
      • Barry Shear
    • Scénario
      • Robert Thom
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs65

    5,92.3K
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    Avis à la une

    6Mike_Yike

    Many Things Age Poorly

    I saw this movie in the theater a week or so after my junior year in high school. It was my first date where I was allowed to drive. The film received a lot of fanfare, aimed entirely at my generation. I went with high expectations and was of course disappointed. I think it was supposed to be some kind of Hollywood version of a social protest film, set in a slightly tongue-in-cheek spirit. It came off as just goofy. I thought it was goofy at the time, when I was 17 and almost anything designed especially for me I perceived as at least a little bit cool and hip. But not Wild In The Streets. Nope.

    Some folks might think it has acquired some kind of cheeky flavor to it that makes it a good film, you know, like Plan 9 From Outer Space is supposedly a good movie too. But nope, Wild In the Street is simply a below par film, and for that matter, so is Plan 9.
    8Quinoa1984

    is it wrong to read this (if only in retrospect) as a jaded satire on youth culture and politics?

    I was curious to read some reviews of Wild in the Streets from when it was released (i.e. Ebert's) to get an idea of what the movie was thought of at the time. There was a good line that nails what is probably at the core of the film, which is "the fascist potential of pop music," but it can be taken a step further to what the fascistic potential is of anyone who appeals to a section of the culture that can be galvanized. The movie wasn't well received- it was, granted, an AIP picture dumped on the masses as a hippie exploitation flick along the likes of Psych-Out- but now in looking back I wonder if the writer, Robert Thom (also responsible for the cult classic Death Race 2000) and director Barry Shear (mostly a TV director) were much ahead of their own audience. It skewers the old and politicians, yes, but it also skewers pop music and LSD and hedonism and even communism to a certain extent. It's a fun, absurdist nightmare 'trip' on what would happen if the "kids" took over, which leads eventually to the question: what happens when they're too old.

    Four sentence summary: Christopher Jones plays Max Frost, a pop star who had one of those shaky childhoods that led to a lot of acid and blowing up his parent's car. His band, a bunch of Monkeeys rip-offs (yes, that's right), are filled with a bunch of who's whos, like a 15 year old super-genius account and a black anthropologist played by Richard Pryor. At a political rally for a "youth" senator (Hal Holbrook) who wants the voting age lowered to 18, he comes up off the bat with a rallying song, "14 or fight" to lower the voting age to 14! And then everything soon spirals into a youth-controlled congress and presidency (think Mr. Smith Goes to Washington with over-ecstatic flower children), with all the "old" pulled into camps where they're doped on acid and given frocks to wear.

    Trippy, man, trippy. Contrary to what some have said, and perhaps I read more into it than was necessary or warranted, Wild in the Streets takes a hold of its principal subjects as something that is meant to be mocked mercilessly. While nowhere near the brilliance of Network, it does have the same kind of super jaded view of humanity below the surface. Everything becomes so exaggerated that the only conceivable way to take it is as a satire; if it is meant as a "serious" look at politics and the youth culture then only a few moments stand out (actually the "Shape of Things" song is ironically powerful in the context of where it comes which is right after a few students are shot at a rally - a foreshadowing to Kent State?), but on its terms of it being a nutty but oddly lucid spoof on the political scene then it works really well.

    If for nothing else the cast is a hoot: Shelley Winters hams it up as the star's mother who in one scene literally crashes through security gates to get to her son who really doesn't want anything to do with her, especially after she basically kills a kid with a car! Also big props to Hal Holbrook who takes the quasi William Holdon in Network role (the one "serious" guy amid the chaos) and Ed Begley as a crusty old politico who quickly gets run out to the old-folk farm singing in circles. Along with Pryor look out for Larry Bishop and Millie Perkins. It's not high art, but Wild in the Streets has some scenes that are excruciatingly funny (I was dying during the 25 year old "chick" speaking to congress about lowering all ages to run for office to 14), and there's even some good pointers made about the state of the nation. It's exploi-satire, baby!
    6epl

    This Film is A Time Warp Back to the 1960's.

    This film is a time warp of Los Angeles and the Sunset Strip in the 1960's. At first sigthing on the FLIX Channel I thought the actor was James Dean. Uncanny resemblance.

    Richard Pryor as the drummer in a rock band getting high on LSD with topless white chicks must of been mind blowing for teenagers then. I missed this film totally in 1968. My parents probably made sure of it.

    To see Daily Variety columnist Army Archerd, and the greatest lawyer in the nation at that time, Melvin Belli, playing themselves in a film with a whacked out Shelly Winters was just amazing.

    The real night time Sunset Strip cruising footage of 1968 was really "far-out man".
    6capone666

    The Vidiot Reviews...

    Wild in the Streets

    The problem with teenagers voting is that they loiter around the ballot box afterwards.

    However, the adolescents in this musical are more apt to through a dance party.

    Subversive since infancy, Max Frost (Christopher Jones) now fronts a successful rock group of astute teens (Richard Pryor, Kevin Coughlin, Diane Varsi) that Senator Fergus (Hal Holbrook) would like to partner with.

    But before he'll endorse the policymaker, Frost wants Fergus to lower the voting age to 14, or else Frost's fans will riot.

    Eventually, Frost uses LSD to win the US presidency and send everyone over 35 to internment camps.

    An outlandish cautionary tale about the social tensions affecting sixties youth, this cult classic may have some trippy ideas and seriously catching tunes, but its message of dissent is drowned out by all its bell-bottomed kitsch.

    Regardless, what good is the vote at 14 if you can't go binge drink afterwards?

    Yellow Light

    vidiotreviews.blogspot.ca
    7Sperry23

    Not great, but a slice of the 60's-as-we-wish-they-were

    Max Frost and his band want to run the country and with the help of their friends and some pharmacology, they take over the political structure of the USA. It's a reasonably well made cautionary tale of the late 60's. It briefly became a cult favorite and was said to have prompted then-mayor of Chicago, Richard Daily, to put guards around the city's water supply just prior to, and during the 1968 Democratic National Convention to prevent anarchists from "dosing" the water with psychedelics.

    The storyline is fairly slick for the time; how do a bunch of don't-trust-anyone-over-30 kids take over the country? There's a little romance, a little angst, a little rock music, and a lot of scenery-chewing and overacting by the "Major Stars" including Shelly Winters and Ed Begley. Hal Holbrook was able to keep it toned down.

    This was also one of the first major films the late Richard Prior appeared in. The other being Sid Cesar's "The Busy Body", released the same year.

    The psychedelic aspects of "Wild in the Streets" make it a great film to pair with Peter Fonda's "The Trip" for a 60's double feature flashback fest. Enjoy and never trust anyone under 30. heh.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Max Frost (Christopher Jones) asks Billy Cage (Kevin Coughlin) how long he thinks he is going to live and he replies, "Thirty, man." Coughlin was killed in a hit-and-run accident on January 19, 1976, only five weeks after his 30th birthday.
    • Gaffes
      When Jimmy Fergus meets his father, Senator Johnny Fergus, he says "...and when that special water comes in...". The decision to spike the Washington, D.C. drinking water supply with LSD was made in the scene following this one during Max's War Council, so this scene with Jimmy and his father was edited out of sync.
    • Citations

      [last lines]

      Boy: [facing toward the camera and the audience and breaking the fourth wall] We're gonna put everyone over 10 out of business!

    • Connexions
      Featured in Brady Bunch Home Movies (1995)
    • Bandes originales
      The Shape of Things to Come
      Written by Barry Mann and Cynthia Weil

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    FAQ17

    • How long is Wild in the Streets?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 octobre 1968 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • MGM
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Wild in the Streets
    • Lieux de tournage
      • Sunset Strip, West Hollywood, Californie, États-Unis
    • Société de production
      • American International Pictures (AIP)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37min(97 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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