NOTE IMDb
8,3/10
9,1 k
MA NOTE
L'aristocratie russe se prépare à l'invasion française à la veille de 1812.L'aristocratie russe se prépare à l'invasion française à la veille de 1812.L'aristocratie russe se prépare à l'invasion française à la veille de 1812.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 5 victoires et 3 nominations au total
Boris Zakhava
- Field Marshal Kutuzov
- (as B. Zakhava)
Anatoli Ktorov
- Prince Nikolai Andreevich Bolkonsky
- (as A. Ktorov)
Anastasiya Vertinskaya
- Princess Lise Bolkonskaya
- (as A. Vertinskaya)
Antonina Shuranova
- Princess Maria Bolkonskaya
- (as A. Shuranova)
Irina Skobtseva
- Hélène Bezukhova
- (as I. Skobtseva)
Boris Smirnov
- Prince Vasili Kuragin
- (as B. Smirnov)
Vasiliy Lanovoy
- Anatol Kuragin
- (as V. Lanovoy)
Irina Gubanova
- Sonia Rostova
- (as I. Gubanova)
Oleg Efremov
- Dolokhov
- (as O. Efremov)
Giuli Chokhonelidze
- Prince Bagration
- (as G. Chokhonelidze)
Vladislav Strzhelchik
- Emperor Napoleon Bonaparte
- (as V. Strzhelchik)
Avis à la une
If possible, this is a film to be seen before reading the book! When Count Leo Tolstoy wrote War and Peace he was at the height of his mental powers. Tolstoy's in-depth understanding of the Russian people is transmitted ably by the director of the film, Sergei Bondarchuk. Bondarchuk's stress on authenticity as manifested in clever cinematography is perhaps unequaled in modern film making.
One has the feeling to be involved in the battle scenes and also the more intimate drawing room sequences.
The foundations of War and Peace are largely to be found in Tolstoy's keen interest in history.
Bondarchuk said, "We have tried to involve the spectator in the events on the screen to make him experience what Tolstoy's characters experienced and the atmosphere in which they lived." This has been done admirably.
Dag Stomberg
One has the feeling to be involved in the battle scenes and also the more intimate drawing room sequences.
The foundations of War and Peace are largely to be found in Tolstoy's keen interest in history.
Bondarchuk said, "We have tried to involve the spectator in the events on the screen to make him experience what Tolstoy's characters experienced and the atmosphere in which they lived." This has been done admirably.
Dag Stomberg
I remember seeing this film without a break back in the 1970s in Greenwich Village. It's a grand work of art. The movie started around 9pm and ended 5:00 am. It was snowing outside. I felt we had all lived through the War with Napoleon, seeing Natasha grow (the movie took so long to make that the young actress visibly grew before our eyes), and confronting the issues of war and peace.
It was in Russian with English subtitles. That was better than the TV version some years later that was overdubbed. The feeling of the actors didn't come through in that broadcast.
The music was extraordinary. There was a certain waltz that intrigued me. Saw the other War and Peace with Audrey Hepburn that just could not compare to it. It was too lame.
Nothing in film today can compare to those battle scenes. Nowadays, such scenes are too computerized.
It was in Russian with English subtitles. That was better than the TV version some years later that was overdubbed. The feeling of the actors didn't come through in that broadcast.
The music was extraordinary. There was a certain waltz that intrigued me. Saw the other War and Peace with Audrey Hepburn that just could not compare to it. It was too lame.
Nothing in film today can compare to those battle scenes. Nowadays, such scenes are too computerized.
I have never read Tolstoy's novel, but I have seen several screen adaptations of it. This version far outshined the others, and it stands alone as one of the greatest films I have ever seen. It is filmed with a rich sort of beauty; it is very visually pleasing. Colors are bold and contrast is sometimes sharp. The camera lens sweeps forward, spins on its side, and waltzes along with the path of the characters. It is a very human portrayal. The camera is not a static periscope, but more like spying through the vision of a real person. Although it is quite a long movie, it never fails to keep my attention.
The best film ever made, ESPECIALLY when taking into account all the logistics - the Soviet Government as a film studio?? (sort of makes sense, after you picture Leonid Brezhnev as Louis B. Mayer), and the world's most infamous LONG novel turned into a megamotion picture.
It probably hasn't been seen in the US on a broad scale since ABC had the good sense to run it as a four part late-night special in early 1973 (anyone else remember)?
Not even subtitles - for those of us who are not true foreign film buffs, I mean - can hurt this film. Bondarchuk's amazing direction, as well as his acting, is breathtaking. The Russian people have been celebrated as lovers of great writing and the subject at hand, "War and Peace", becomes a poem at the conclusion.
Truly magnificent from every level - as a period piece, a psychological drama, a war movie, a love story, a history...Tolstoy would be universally acclaimed ahead of Shakespeare if he (Tolstoy) had the good sense to be from England...
Don't miss it. How the Soviet Government, at the height of the Cold War, could finance and produce a masterpiece like this is one of the great mysteries of the 20th century. Give Bondarchuk the credit.
It probably hasn't been seen in the US on a broad scale since ABC had the good sense to run it as a four part late-night special in early 1973 (anyone else remember)?
Not even subtitles - for those of us who are not true foreign film buffs, I mean - can hurt this film. Bondarchuk's amazing direction, as well as his acting, is breathtaking. The Russian people have been celebrated as lovers of great writing and the subject at hand, "War and Peace", becomes a poem at the conclusion.
Truly magnificent from every level - as a period piece, a psychological drama, a war movie, a love story, a history...Tolstoy would be universally acclaimed ahead of Shakespeare if he (Tolstoy) had the good sense to be from England...
Don't miss it. How the Soviet Government, at the height of the Cold War, could finance and produce a masterpiece like this is one of the great mysteries of the 20th century. Give Bondarchuk the credit.
Bondarchuk brings Tolstoy's enormous literary work to the screen with all the scope and pomposity that the Soviet film industry could muster in the sixties. It's a long, two-part movie that tries to give moviegoers as much of an experience as readers often get from the novel. It's generally successful in a clinical way. The production design and set pieces are delivered on a massive scale, with battle scenes that are basically re-enactments of history. There's enough creative casting to make most of the characters come alive, although much of the drama is wooden and stagey (just as in the book, I might add). All in all, this is probably the biggest visual spectacle ever put on film, even in the age of CGI (a fact which only makes the viewer more appreciative of the logistics involved in setting up a production as big as this). A colossal epic that gives true meaning to the term "years in the making with a cast of thousands!". Image/Rusico is presenting a definitive DVD version in the Sovscope widescreen ratio with the original 70mm six-track magoptical sound on four discs. That's around 7 hours of subtitles for those inclined to see this spectacle in it's purest form.
Le saviez-vous
- AnecdotesSergey Bondarchuk created meticulous recreations of battles of the Napoleonic Wars. The Battle of Borodino against the Napoleon's invasion is the largest battle scene ever filmed.
- GaffesWhen some of the characters are attending the opera, "L'incoronazione di Poppea" by Claudio Monteverdi is being performed. It premiered in Venice in 1642, but by the time that the story takes place (ca. 1807), it had been lost and all but forgotten. A score wasn't rediscovered until 1888, and the first modern performance was given in 1905. The anachronism is probably intentional since Monteverdi's tale of the destructiveness of erotic desire foreshadows the events immediately after that scene.
- Citations
Narrator: On 12th June, 1812, the forces of western Europe crossed the frontiers of Russia and war began. In other words, an event took place that was contrary to all human reason and human nature.
- Versions alternativesThere are three different versions: The American release, a 360 minute film in two parts (dubbed in English). The Russian release, a series of four films totaling 403 minutes (see also Vojna i mir I: Andrei Bolkonsky (1965), Vojna i mir II: Natasha Rostova (1966), Vojna i mir III: 1812 god (1967) and Vojna i mir IV: Pierre Bezukhov (1967)). Most reviews (including Leonard Maltin's) list this film's running time as 507 minutes; this is a mistake due to the longer lengths of 70mm prints.
- ConnexionsEdited from Guerre et paix I: le prince André (1965)
- Bandes originalesPrologue
(uncredited)
from "L'Incoronazione di Poppea"
Composed by Claudio Monteverdi
Written by Giovanni Francesco Busenello
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- How long is War and Peace?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La guerra y la paz
- Lieux de tournage
- Borodino, Moskovskaya oblast, Russie(scenes before the main battle with Napoleon)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 RUR (estimé)
- Montant brut aux États-Unis et au Canada
- 148 503 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 976 $US
- 17 févr. 2019
- Montant brut mondial
- 149 485 $US
- Durée
- 6h 33min(393 min)
- Couleur
- Rapport de forme
- 2.20 : 1
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