Guerre et paix

The best film ever made, ESPECIALLY when taking into account all the logistics - the Soviet Government as a film studio?? (sort of makes sense, after you picture Leonid Brezhnev as Louis B. Mayer), and the world's most infamous LONG novel turned into a megamotion picture.

It probably hasn't been seen in the US on a broad scale since ABC had the good sense to run it as a four part late-night special in early 1973 (anyone else remember)?

Not even subtitles - for those of us who are not true foreign film buffs, I mean - can hurt this film. Bondarchuk's amazing direction, as well as his acting, is breathtaking. The Russian people have been celebrated as lovers of great writing and the subject at hand, "War and Peace", becomes a poem at the conclusion.

Truly magnificent from every level - as a period piece, a psychological drama, a war movie, a love story, a history...Tolstoy would be universally acclaimed ahead of Shakespeare if he (Tolstoy) had the good sense to be from England...

Don't miss it. How the Soviet Government, at the height of the Cold War, could finance and produce a masterpiece like this is one of the great mysteries of the 20th century. Give Bondarchuk the credit.

War and Peace, to many, is synonymous with a colossus of a book. The ultimate door-stopper. It is among the most complex and epic works of literature ever written. In 19th century Moscow and St-Petersburg, youths grow, make their mistakes… hearts are bound and then broken… and then the great war against Napoleon tears all these lives apart. Leo Tolstoy created intimate portrayals, compelling characters and epic action, telling the story of an entire country and an entire era effortlessly and elegantly. So if books are often difficult to adapt, this one should be completely impossible (witness the shallow King Vidor adaptation).

This film is the stuff of legends. Reportedly one of the most expensive productions ever created, Sergei Bondarchuk's "War and Peace" benefited from the Red Army's involvement and the Soviet Government's financing, and clocks in at about 7 hours. It is as faithful to its source as could be imaginable. In fact, it almost transcends its source.

Admirably cast (the angelic Liudmila Savelieva is ideal as Natasha Rostova and the director was unbelievably wise in casting himself as Pierre Besukhov), elegantly transcribed into a witty screenplay and enacted with class and conviction by its immense cast, "War and Peace" is not just a good adaptation. Its merits as a film are colossal. The cinematography defies any other film, particularly during the battle scenes: rejecting the painterly staticism of Barry Lyndon and the simple charging and distant shots of older films, the violence in Sergei Bondarchuk's epic mirrors that of Kingdom of Heaven (2005!!!), as the camera flies over a never-ending battlefield at full speed, glides aver frantic canons and divisions, crashes into mêlées and follows haunting stampedes of riderless horsemen (a potent metaphor for how the great leaders of the time lost all control over the conflict's proportions). All this without a pixel of CGI in sight (and all the better for it as it presents shots that the eye would simply refuse to believe if generated by a computer) The epic battle of before the sack of Moscow is so colossal and devastating, that even Napoleon looks confused at how to feel before the ocean of corpses sprawled before him. This is the greatest display of cinematic warfare ever committed to the screen. That the calmer scenes manage to sustain that level of excellence is a testament to how grandiose an effort this film is. The display of repressed emotions and overt tenderness are heart-breaking and many episodic scenes stand out magnificently, such as the wolf hunt, the opening balls (easily rivaling anything in "Il Gattopardo") and the duel. This is a film to which the fantastic "Dr Zhivago" feels like a small appetizer… Bondarchuk's "War and Peace" reaches beyond the book and in doing so successfully is one of the greatest motion pictures of all time. It is cinematic poetry and entertainment of the highest order. And to sum things up in an overused – but never more appropriate than here – they'll never make'em like this again.

I remember seeing this film without a break back in the 1970s in Greenwich Village. It's a grand work of art. The movie started around 9pm and ended 5:00 am. It was snowing outside. I felt we had all lived through the War with Napoleon, seeing Natasha grow (the movie took so long to make that the young actress visibly grew before our eyes), and confronting the issues of war and peace.

It was in Russian with English subtitles. That was better than the TV version some years later that was overdubbed. The feeling of the actors didn't come through in that broadcast.

The music was extraordinary. There was a certain waltz that intrigued me. Saw the other War and Peace with Audrey Hepburn that just could not compare to it. It was too lame.

Nothing in film today can compare to those battle scenes. Nowadays, such scenes are too computerized.

If you can find it, watch it.

Admittedly, the 7 hour plus running time is pretty daunting, but consider the source material. This film deservedly won the best foreign picture Oscar when it was finally released in the U.S. The fact that a Soviet film was able to garner such an award during the height of the Cold War is a testament to its greatness.

There are 3 intermissions to this, the Pangaea of all epic films, and each section draws the viewer in more than the last. The spectacle will blow your mind in a way that digital effects never will be able to do. To actually see the Red Army (and what looks like all of it) marching in costume over the expanse of miles into the distance will change any prior notions of spectacle you held. Ben-Hur, The Ten Commandments, whatever awed you before is chicken feed compared to the brutal grandeur of Bondarchuk's recreation of The War of 1812.

There are beautiful interludes of excellent acting amidst extremely costly sets--it's a shame I don't know Russian because those subtitles chew up a lot of exquisite scenery. The characters are fully developed, the direction is inspired (no run-of-the-mill static camera work in any of this).

They showed this in 70mm at The Egyptian Theatre in Hollywood last year. Before that it was 10 years without a screening in the U.S. We can't afford to let this shimmering prize of film history lapse. In a theatre, or if it is ever issued on DVD, this movie will deeply reward all those who watch it. There was nothing as grand as War & Peace before; there will be nothing on its scale ever again. Treasure this masterpiece...if you can find it.

If possible, this is a film to be seen before reading the book! When Count Leo Tolstoy wrote War and Peace he was at the height of his mental powers. Tolstoy's in-depth understanding of the Russian people is transmitted ably by the director of the film, Sergei Bondarchuk. Bondarchuk's stress on authenticity as manifested in clever cinematography is perhaps unequaled in modern film making.

One has the feeling to be involved in the battle scenes and also the more intimate drawing room sequences.

The foundations of War and Peace are largely to be found in Tolstoy's keen interest in history.

Bondarchuk said, "We have tried to involve the spectator in the events on the screen to make him experience what Tolstoy's characters experienced and the atmosphere in which they lived." This has been done admirably.

Dag Stomberg