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La déesse des sables

Titre original : The Vengeance of She
  • 1968
  • Tous publics
  • 1h 41min
NOTE IMDb
4,6/10
1,1 k
MA NOTE
La déesse des sables (1968)
Trailer for this tale of a goddess queen and a lost world
Lire trailer2:22
1 Video
28 photos
AventureFantaisie

Une jeune femme sème la mort autour d'elle: elle est irrésistiblement attirée par un prêtre immortel qui la prend pour la réincarnation de sa bien-aimée.Une jeune femme sème la mort autour d'elle: elle est irrésistiblement attirée par un prêtre immortel qui la prend pour la réincarnation de sa bien-aimée.Une jeune femme sème la mort autour d'elle: elle est irrésistiblement attirée par un prêtre immortel qui la prend pour la réincarnation de sa bien-aimée.

  • Réalisation
    • Cliff Owen
  • Scénario
    • Peter O'Donnell
    • H. Rider Haggard
  • Casting principal
    • John Richardson
    • Olga Schoberová
    • Edward Judd
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    1,1 k
    MA NOTE
    • Réalisation
      • Cliff Owen
    • Scénario
      • Peter O'Donnell
      • H. Rider Haggard
    • Casting principal
      • John Richardson
      • Olga Schoberová
      • Edward Judd
    • 26avis d'utilisateurs
    • 26avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Vengeance of She
    Trailer 2:22
    The Vengeance of She

    Photos28

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    Rôles principaux24

    Modifier
    John Richardson
    John Richardson
    • Killikrates
    Olga Schoberová
    Olga Schoberová
    • Carol
    • (as Olinka Berova)
    • …
    Edward Judd
    Edward Judd
    • Philip
    Colin Blakely
    Colin Blakely
    • George
    Jill Melford
    • Sheila
    George Sewell
    George Sewell
    • Captain Harry Walker
    André Morell
    André Morell
    • Kassim
    Noel Willman
    Noel Willman
    • Za-Tor
    Derek Godfrey
    • Men-Hari
    Danièle Noël
    • Sharna
    • (as Daniele Noel)
    Gerald Lawson
    • The Seer
    Derrick Sherwin
    • No. 1
    William Lyon Brown
    • Magus
    Charles O'Rourke
    • Servant
    Zohra Sehgal
    Zohra Sehgal
    • Putri
    • (as Zohra Segal)
    Christine Pockett
    • Dancer
    Dervis Ward
    • Lorry Driver
    Maurice Connor
    • Cultist
    • (non crédité)
    • Réalisation
      • Cliff Owen
    • Scénario
      • Peter O'Donnell
      • H. Rider Haggard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    4,61.1K
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    Avis à la une

    manman

    A real (funny) Hammer classic

    As the cover/poster of the film probably tells you, it cannot be taken completely seriously. It is full of silly sets, utterly bad taste skimpy dresses, bad acting and funny horror effects. The story, of course is something anyone could come up with in 20 minutes. Most enjoyable if you like "bad" films.
    4BA_Harrison

    She who must be drooled over.

    Three years after their reasonably entertaining version of H. Rider Haggard's classic adventure 'She', Hammer Studios produced a sequel, 'The Vengeance of She'. Lacking the star power of the original (Ursula Andress, Peter Cushing and Bernard Cribbens are noticeable by their absence), the film is a dreary retread of events from the earlier movie, albeit with the roles reversed: this time around, it is the immortal Killikrates (John Richardson) who is pining for his long-dead love Ayeesha.

    Convincing Killikrates that his soul-mate has finally been reborn in the form of a stunning European blonde named Carol (Olinka Berova), power-hungry occultist Men-Hari (Derek Godfrey) strikes a deal with the lovelorn leader: if he can successfully lure Carol to the lost African city of Kuma (using his powerful black magic), then he must be granted permission to pass through the sacred blue flame that would bring him immortality (and give him a pop at taking over the world!).

    Compelled to travel to Africa by the voices in her head, the confused Carol is joined on her journey by Philip (Edward Judd), a concerned psychiatrist who is determined to ensure the beautiful young woman's safety.

    On arriving at Kuma, and discovering the real reasons behind Carol's mysterious calling, Philip sets out to stop the poor girl from being brainwashed into believing she is Ayeesha, and prevent Men-hari from achieving his nefarious goal.

    'The Vengeance of She' starts promisingly enough, with the sex-kittenish, mini-skirted Berova (think along the lines of Bardot, and you won't be far wrong) making quite an impression as she walks through the French countryside (accompanied by a haunting theme song), but it soon descends into a messy mish-mash of boring mystical mumbo-jumbo, lacklustre adventure, and unconvincing melodrama.

    Director Cliff Owen wisely makes the most of Berova's awesome physical attributes to try and distract his audience, having her slip into clingy white robes that give viewers a tantalising glimpse of her marvellous milky puddings (please note: my workmate Phil wanted me to use that phrase in one of my comments), but even with endless gratuitous lingering shots of her semi-clad form, the film still winds up as something of a snooze-fest.
    4richardchatten

    The Party Crasher

    Despite the title She Who Must Be Obeyed spends much more time receiving it than dishing it out in the unusual Hammer production which unlike most of their exotic melodramas has a contemporary setting and left the relatively cosy surroundings in the woodlands around Bray for the more exotic setting of Almeria in Andalusia, where troubled Scandinavian Olinka Berova - usually incognito in big hair and a very small skirt - disrupts a gathering of eurotrash on board a luxury yacht.

    Scripted by Peter O'Donnell of Modesty Blaise fame it benefits from attractive photography by location specialist Wolfgang Suschitzky; while Hammer shows its once customary enterprising choice of composer in its mournful saxophone solo by Tubby Hughes.
    5utgard14

    "I hear the beat of dark wings..."

    Sequel to Hammer's version of She is actually more interesting than that film, at least to me. I loved the 1935 version of H. Rider Haggard's She. But the Hammer version did little for me. I found it very dull with only Ursula Andress' beauty to recommend it. This sequel is hardly a masterpiece but has enough going for it that it surpasses the previous film. The opening with the corny song playing while hitchhiking Carol (Olga Schoberova) is cornered by a rapist then saved by something mysterious is a moody start to things. The film keeps up that mood as the girl swims out to a yacht and hops aboard. She's being compelled towards Kuma, the lost city from the last film. Turns out Ayesha (again, from She) is attempting to possess the girl. As they make it closer to Kuma, the movie becomes a lot less interesting.

    Olga Schoberova is beautiful but brings little to the part other than that. The scenes of her having nightmares screaming out "Ayeeeesha!" will give most viewers giggle fits. Still, she's not as wooden as Andress. Derek Godfrey is the bad guy but there's nothing bad about those awesome eyebrows. Edward Judd and John Richardson are solid. The great Andre Morrell has a small part as a man who helps Carol. Like She, this is pretty dry stuff. Worth watching for a nice score, atmospheric touches, and for Olga's beauty.
    3jamesraeburn2003

    "Fairly adequate sequel to She - but unconvincingly written."

    *POSSIBLE SPOILER*

    A beautiful young Scandanavian girl called Carol (Olinka Berova) is lured to the city of Kuma by the immortal Killikrates (John Richardson) and Men-Hari (Derek Godfrey) who convinces Killikrates that she is the reincarnation of his lost love, Queen Ayesha, who died years ago. Killikrates intends to give Carol the secret of immortality so that he can live with her forever and restore her power over the city. Meanwhile, he has also promised Men-Hari the secret for bringing him back his old lover.

    The basic premise provides a fairly adequate sequel to Hammer's successful adaptation of H. Rider Haggard's 'She' (1965), which was something of a curates egg in itself (see separate review). The main problem here is that the Peter O' Donnell script is unconvincing in that one ludicrous situation hardly runs smoothly into another. There is also some unbelievably inept dialogue like when the heroes are chasing after a desert peasant who is on horseback in a Land Rover but they still have difficulty keeping up with him. I bet the British Motor Corporation would have been horrified because that wouldn't have been good publicity for their versatile off road vehicles! With the exception of Edward Judd's performance as the English doctor who is in love with Carol, a good cast is working well below it's capabilities, even though it includes Andre Morell who was superb as Dr Watson in Hammer's 'The Hound Of The Baskervilles' (1959). The film is made watchable by the direction of Cliff Owen who displays his skill at narrative pacing (his work partly redeemed the otherwise unfunny Morecombe & Wise vehicle 'That Riviera Touch'). In summary this film failed to repeat the success of it's predecessor.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      After director Cliff Owen injured his back so badly that he was unable to work, producer Aida Young was forced to step in and direct the final few days of the film's location shoot.
    • Gaffes
      Men-Hari is clearly wearing contact lenses.
    • Citations

      Sheila: Trouble?

      George: Nothing I can't run away from. That's why I'm rich. I know when to run.

    • Connexions
      Edited into Une messe pour Dracula (1970)
    • Bandes originales
      Kassim's Chant
      (uncredited)

      Written by Philip Martell

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    FAQ

    • How long is The Vengeance of She?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 octobre 1969 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La vengeance de She
    • Lieux de tournage
      • Almería, Andalucía, Espagne
    • Sociétés de production
      • Hammer Films
      • Seven Arts Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 41 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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