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Ajouter une intrigue dans votre langueAn all-female motorcycle gang, called 'The Maneaters' hold motorcycle races, as well as terrorize the residents of a small Florida town, and clash off against an all-male rival gang of hot-r... Tout lireAn all-female motorcycle gang, called 'The Maneaters' hold motorcycle races, as well as terrorize the residents of a small Florida town, and clash off against an all-male rival gang of hot-riders.An all-female motorcycle gang, called 'The Maneaters' hold motorcycle races, as well as terrorize the residents of a small Florida town, and clash off against an all-male rival gang of hot-riders.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Jody Pennock
- Terry
- (as Ruby Tuesday)
Avis à la une
She-Devils on Wheels was. to say the least, disappointing. The title leads you to believe that these female bikers called the Man-Eaters, are hard, fist swingin', booze drinkin' chicks! Nope. They really bland when you see them. Maybe for that time in the 60's, they were something crazy. But when you do a movie about biker women who are supposed to be really tough, why hold back and make it realistic? I think that Hershel Gordon Lewis really held back. There were some good gory moments, the fight scene between the Man-Eaters and the hot roders was pretty good. I just think that these chicks should have been more hard-core. There must have been a tougher gang of biker-chicks that Lewis could have made a movie about.
The theme tune of this classic was appropriated by the Cramps (who also did a version of Faster Pussycat Kill Kill) - although I like the originals better.
This film comes under the "so bad it's good" category - odd, half-mumbled dialogue (apparently they were trying to get a mainstream rating so the actors had to fumble the swearing) and only a minimum of nudity. The actresses were bikers first and actresses second - and I think it shows. They can all ride bikes at least. The two leads - Betty (Queenie) and Pat (Whitey) are great anyway. The concept of the "stud-line" is very amusing - and everyone at least seems to be enjoying themselves. Check out Queenie's leopard skin waistcoat and silver go-go boots. I got this film on DVD under the Something Weird label in the Virgin Mega Store New York (Times Square) - there were loads of copies in the cult section - This film is due for a massive revival. The DVD version has commentary from Herschell Gordon Lewis, as well as the groovy trailer, and a weird short film about biker gangs, where a straight-as-they-come narrator hilariously attempts to use hep dialogue "these cats are really cool.." etc and the biker member gives a long incoherently rambling narrative about what it means to be in the gang. Recommended!
This film comes under the "so bad it's good" category - odd, half-mumbled dialogue (apparently they were trying to get a mainstream rating so the actors had to fumble the swearing) and only a minimum of nudity. The actresses were bikers first and actresses second - and I think it shows. They can all ride bikes at least. The two leads - Betty (Queenie) and Pat (Whitey) are great anyway. The concept of the "stud-line" is very amusing - and everyone at least seems to be enjoying themselves. Check out Queenie's leopard skin waistcoat and silver go-go boots. I got this film on DVD under the Something Weird label in the Virgin Mega Store New York (Times Square) - there were loads of copies in the cult section - This film is due for a massive revival. The DVD version has commentary from Herschell Gordon Lewis, as well as the groovy trailer, and a weird short film about biker gangs, where a straight-as-they-come narrator hilariously attempts to use hep dialogue "these cats are really cool.." etc and the biker member gives a long incoherently rambling narrative about what it means to be in the gang. Recommended!
Master exploitation filmmaker Herschell Gordon Lewis tries his hand at the biker genre that really took off the following year with "Easy Rider". Here he gets fair results, with a screenplay credited to his then-wife, Allison Louise Downe. It functions more as a series of bits than a real story, and overall it's kind of mild. Those people expecting the fireworks produced by his renowned gore films will be disappointed.
The Man-Eaters, the all-female motorcycle gang depicted in this non-epic, are never terribly threatening or much of a danger to society. Mostly they love to recite poetry, help themselves to an assortment of studs, and race. One of their number is Karen (Christie Wagner), who joined a while back despite the objections of her boyfriend Ted (Rodney Bedell). Their "mascot" is a sweet faced, upbeat gal named Honey Pot (Nancy Lee Noble). And the official leader of the gang is the swaggering Queen (Betty Connell). They cause trouble for themselves when they rumble with a male gang led by Joe-Boy (John Weymer).
We do see the aftermath of some rather nasty violence, but the only hilarious bit of gruesomeness comes from a decapitation near the end. The movie offers some fun, but it never reaches the lunatic heights of HGLs' best known work. This viewer can see why some trash lovers - even those who are fans of HGL - might consider it boring.
The acting is pretty rough and amateurish, but the performers are entertaining enough to watch anyway. Connell does have some charisma, and corpulent Pat Poston some screen presence.
This is lesser HGL, but even lesser HGL is not completely without entertainment value.
Six out of 10.
The Man-Eaters, the all-female motorcycle gang depicted in this non-epic, are never terribly threatening or much of a danger to society. Mostly they love to recite poetry, help themselves to an assortment of studs, and race. One of their number is Karen (Christie Wagner), who joined a while back despite the objections of her boyfriend Ted (Rodney Bedell). Their "mascot" is a sweet faced, upbeat gal named Honey Pot (Nancy Lee Noble). And the official leader of the gang is the swaggering Queen (Betty Connell). They cause trouble for themselves when they rumble with a male gang led by Joe-Boy (John Weymer).
We do see the aftermath of some rather nasty violence, but the only hilarious bit of gruesomeness comes from a decapitation near the end. The movie offers some fun, but it never reaches the lunatic heights of HGLs' best known work. This viewer can see why some trash lovers - even those who are fans of HGL - might consider it boring.
The acting is pretty rough and amateurish, but the performers are entertaining enough to watch anyway. Connell does have some charisma, and corpulent Pat Poston some screen presence.
This is lesser HGL, but even lesser HGL is not completely without entertainment value.
Six out of 10.
Classic she-exploitation. What can I say about a film where girls lick blood off each other and kiss as initiation rites into a biker cult? Men are beaten, dragged behind bikes, f*#$ed, and decapitated. Good acting from a few of the leads. Terrible script with no story provides opportunities for humor and visceral violence. No nudity.
Not as gory as other Lewis films, but more fun than most.
Not as gory as other Lewis films, but more fun than most.
Look, I'm not saying that Herschell Gordon Lewis should have just "stuck to what he knew", and just do nothing but gore flicks, because Moonshine Mountain was awesome, and This Stuff'll Kill Ya was also quite good, and, well, come to think of it, that's pretty much all I have to say about Lewis's non-gore. However, it seems I have just committed myself to a review of She-Devils On Wheels...*sigh*... OK, fine.
This is what I'm talking about. She-Devils On Wheels is a prime example of the 60's gore flick without the gore. And then, what are we left with? That's right. Just boring a pile of blah blah blah. Yes, I realize that this film, and films like Just For The Hell Of It is apart of its own genre, separate from gore. Yet, exactly what that genre is, escapes me.
The first thing I hate about this movie is the man-eaters theme song from the beginning. Fingernails on a chalkboard. The second thing I hated was the fat, loud chick. There's nothing I hate more than someone who thinks they can push others around just because they're fat. As if somehow all that fat makes them super-strong. I don't know, maybe it's like that for chicks. After that, I really hated on that pointlessly-PG orgy, or whatever that was supposed to be. Enough rambling. I gotta tell you what it's about sooner or later.
The Man-Eaters (shouldn't they be called the She-Devls?), a motorcycle gang, are an ornery bunch of gals, just lookin' for trouble. When these chicks aren't terrorizing the locals, they're usually out somewhere holding motorcycle races, to determine who gets first dibs on any available men, although, none of them really think too highly of men. And yes, this is where these so-called orgies come in. But there ain't much huggin' and kissin' when a rival all-male gang starts some trouble. Good thing these gals got the fat one on their side... Wait, nevermind.
Herschell Gordon Lewis once said that he sees filmmaking as a business, and pitys anyone who sees it as an art-form. Now, I'm not exactly sure how that is relevant to this anti-She-Devil review, but those words do sorta sound like they came from a man who makes incredibly boring movies (from time to time). It seems like Herschell was kinda trying to go semi-mainstream. Unfortunately he wouldn't learn his lesson so easily, as for the next few years, the non-gore would greatly out-weigh the gore. It's OK, because The Wizard of Gore was amazing.
I would suggest pairing this up with something awesome like Werewolves On Wheels, but perhaps one movie would be enough, because this movie sucks, and there's Just no way around it. Sorry, H.G., it hurts to say such harsh things about a film that you are so obviously proud of. And you should be, sir, because She-Devil's On Wheels is more than most of us accomplish. So, as usual, my rating of a Lewis film will be more than fair, considering Lewis is the man and all. But I really hate this movie. I really, really do. 6/10
This is what I'm talking about. She-Devils On Wheels is a prime example of the 60's gore flick without the gore. And then, what are we left with? That's right. Just boring a pile of blah blah blah. Yes, I realize that this film, and films like Just For The Hell Of It is apart of its own genre, separate from gore. Yet, exactly what that genre is, escapes me.
The first thing I hate about this movie is the man-eaters theme song from the beginning. Fingernails on a chalkboard. The second thing I hated was the fat, loud chick. There's nothing I hate more than someone who thinks they can push others around just because they're fat. As if somehow all that fat makes them super-strong. I don't know, maybe it's like that for chicks. After that, I really hated on that pointlessly-PG orgy, or whatever that was supposed to be. Enough rambling. I gotta tell you what it's about sooner or later.
The Man-Eaters (shouldn't they be called the She-Devls?), a motorcycle gang, are an ornery bunch of gals, just lookin' for trouble. When these chicks aren't terrorizing the locals, they're usually out somewhere holding motorcycle races, to determine who gets first dibs on any available men, although, none of them really think too highly of men. And yes, this is where these so-called orgies come in. But there ain't much huggin' and kissin' when a rival all-male gang starts some trouble. Good thing these gals got the fat one on their side... Wait, nevermind.
Herschell Gordon Lewis once said that he sees filmmaking as a business, and pitys anyone who sees it as an art-form. Now, I'm not exactly sure how that is relevant to this anti-She-Devil review, but those words do sorta sound like they came from a man who makes incredibly boring movies (from time to time). It seems like Herschell was kinda trying to go semi-mainstream. Unfortunately he wouldn't learn his lesson so easily, as for the next few years, the non-gore would greatly out-weigh the gore. It's OK, because The Wizard of Gore was amazing.
I would suggest pairing this up with something awesome like Werewolves On Wheels, but perhaps one movie would be enough, because this movie sucks, and there's Just no way around it. Sorry, H.G., it hurts to say such harsh things about a film that you are so obviously proud of. And you should be, sir, because She-Devil's On Wheels is more than most of us accomplish. So, as usual, my rating of a Lewis film will be more than fair, considering Lewis is the man and all. But I really hate this movie. I really, really do. 6/10
Le saviez-vous
- AnecdotesIncluded in a 1990 VHS series hosted by Joe Bob Briggs (John Bloom) titled "The Sleaziest Movies in the History of the World."
- Crédits fousAfter the end credits, a title card with "The End" is shown. However, a few seconds later, more text fades in around the words "The End", with the screen now saying that "Whoever Calls This The End Doesn't Know The Man-Eaters". After that, we see a post-credits scene showing the Man-Eaters driving down the road, with Queen having rejoined the gang. Queen and another gang member stop and get off their bikes, and address the camera directly by reciting a short rhyming poem before driving away:
"Can we ride a little faster? Said the leader to the pack. There's a fuzz right behind us And he's breathing down our backs. The cops are looking for us Everywhere we go Waiting for one wrong move, and into the jail we go. We don't owe nobody nothin', And we don't make no deals. We're swinging chicks on motors, And we're Man-Eaters on wheels."
- ConnexionsEdited into Sleazemania! (1985)
- Bandes originalesGet Off The Road
Words by Herschell Gordon Lewis (as Sheldon Seymour)
Music by Robert Lewis
Performed by The Faded Blue (uncredited)
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- How long is She-Devils on Wheels?Alimenté par Alexa
Détails
Box-office
- Budget
- 50 000 $US (estimé)
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By what name was She-Devils on Wheels (1968) officially released in Canada in English?
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