Les chasseurs de scalps

The Scalphunters was the first of two films Sydney Pollack directed with Burt Lancaster. In fact according to a recent biography of Lancaster, Burt was literally trying Pollack out on this western before giving him an opportunity to direct the very expensive Castle Keep for him the following year. Personally I think The Scalphunters is a far better film.

It's a rollicking good mixture of comedy with some very serious themes involved. It's also the last time Lancaster did any really athletic roles as he was 55 when making The Scalphunters. We all bow to old age at some point.

Sydney Pollack actually started his association with Burt Lancaster on the set of The Young Savages where he was an acting coach to some of the street kids who were playing gang members. It was his first introduction into motion pictures, he had previously directed and acted in a number of television productions.

Burt is fur trapper Joe Bass who gets an offer from the Kiowa Indians he can't refuse. They'll relieve him of his year's trappings in beaver pelts and he'll get an educated house slave in Ossie Davis. Davis seems born to be a slave, he escapes it from the south, then he's captured by the Comanches who then trade him to the Kiowas and then he's forced on Lancaster.

Lancaster is planning to get his pelts back, but a murderous gang of Scalphunters beat him to it and massacre almost the whole band and take Lancaster's furs along with horses and scalps that bring a good bounty. Burt's Joe Bass is not exactly a boy scout, but this crowd truly nauseates him.

The Scalphunters are headed by Telly Savalas and his cigar smoking refugee from a bordello of a woman, Shelley Winters. Winters has the best performance in the film, this is her third film with Lancaster with whom she had a self documented fling back in the day. Later on Davis gets captured by The Scalphunters and he has to use his wits to survive among them. But they're going to Mexico where slavery has been abolished.

The laughs are mixed in with some serious racial issues all around. Lancaster can't quite accept Davis as an equal, Davis is perfectly willing to go along with The Scalphunters and their genocidal war on the Indians if he'll obtain his freedom through them. And Savalas and his crowd are as mean a bunch as you'll ever see in a film, yet some of the funniest bits in the film involve Winters and Savalas.

The Scalphunters is a really funny western that if you think about it teaches some good lessons we could all use.

Trapper Joe Bass (Burt Lancaster) is intercepted by Two Crows and his braves. He is forced to trade all of his furs for an educated slave named Joseph Lee (Ossie Davis). Lee had escaped from Louisiana and captured by one tribe after another. Bass has no use for him as he pursues Two Crows. They track down the Indians and find them attacked by a group of white scalp hunters led by the ruthless Jim Howie (Telly Savalas). The governments are paying $25 for every Indian scalp; men, women, or children. Miss Kate (Shelley Winters) is tired of living on the road with Howie and can't wait to be a Lady in Mexico.

It's a comedic action western. It has its fun. It has its drama. As a buddy western, I would have liked Lancaster and Davis to stay together. I had expected them to run into Two Crows soon after the introduction of the Scalphunters. That's a fun relationship that deserves more time. Sometimes, the comedy is too light. All in all, this is what it is and it's a pretty good western from Sydney Pollack.

Light Western comedy about the particular relationship between a fur trapper and a highly polish slave , including a colour-coded cultural confrontation . It's an entertaining story with a touch of peculiarity , some great characters , a colorful cinematography , an amazing music and is funny enough . Solid western with interesting events , violent fights , emotions , humor , thrills and spectacular outdoors . Forced to trade his valuable furs for a well-educated escaped slave (Ossie Davis) , a rugged trapper (Burt Lancaster) vows to recover the pelts from the Indians and later the renegades that killed them . As the pair forms an uneasy alliance , as when the pelts are in turn and result to be appropriated , they set off in pursuit a band of cutthroats led by a cynic bandit (Telly Savalas) . The trapper will stop at nothing to take back what's his .

An amusing enough liberal comedy western that has its fun moments , entertainment , action and some violence . Enjoyable as well as amiable screenplay by William Norton , it is exciting enough and glosses both the interdependence among protagonists and their racial antagonism . This plot about a peculiar conflict between a rough , illiterate trapper and a cultured slave is well worked through a chronic circular premise . Very good acting by the great Burt Lancaster as a fur trapper who sets out in pursuit the robbers . Sympathetic Ossie Davis as Joseph Lee , a slave who helps Lancaster to fight enemies and retrieve the pelts . Perfect Telly Savalas as leader of a gang of Scalphunters who has appropriated the furs . Secondary cast is frankly nice such as Shelley Winters as Kate , Dabney Coleman as Jed , Dan Vadis as Yuma , Armando Silvestre as Two Crows and the Lancaster's best friend , Nick Cravat , as Yancy . Splendid cinematography in Panavision and glimmer Technicolor by Duke Callagham and Richard Moore as is reflected on spectacular outdoors filmed in sighting , gorgeous natural landscapes. As it was shot on location in wonderful natural parks from Durango , Mexico . Lively and rousing musical score by the maestro Elmer Bernstein composing one of his best soundtrack .

Professionally produced by a great production company formed by Arnold Laven , Jules Levy and Arthur Gardner . The first Levy-Gardner-Laven movie was 1952's "Without Warning"'; in the decades since, they have produced and directed dozens of additional features and especially Westerns . They are experts on Western genre as cinema as television as they produced and directed several TV series including "The Rifleman," "Law of the Plainsman," , "The Big Valley" . The motion picture was well directed by the recently deceased Sidney Pollack with a thankfully light hand . Sydney was an excellent director , producer and secondary actor with several hits on all kind of genres as ¨The Interpreter¨ , ¨The firm¨ , ¨Out of Africa¨ , ¨Tootsie¨, ¨Yakuza¨ and directed two magnificent Westerns , ¨Jeremiah Johnson¨ and this ¨Scalphunters¨ . Rating : Good , better than average and worthwhile watching . The flick will appeal to Burt Lancaster fans and Western buffs .

In the late 1960's and the early 1970's the United States was deeply embroiled in Viet Nam with all it's ramifications. It was so far from "the best of times" that it was difficult to laugh at much. Also this was the period where the Western film fell out of style. It was unfortunate timing for several excellent movies, "The Scalphunters" among them. If this movie were released tomorrow it would become an unqualified hit.

Burt Lancaster is at his cynical best, poking fun at everything the Hollywood Western and Burt Lancaster ever imagined themselves to be. Ossie Davis performs the nearly impossible task of playing a highly intelligent black slave on the lam without loosing perspective on the comic genius of the script. Tully Savallas plays the odious (And we suspect odorous) oaf with style and dignity (if that's possible) and Shelley Winters does the same for his female counterpart. And the Indians, the long-suffering, patient, bemused Indians dutifully dying and then returning to fight again just as often as the miraculous movie 6-shooters can get off 20 rounds or so.

In command of all this chaos is the unmistakably sure and steady hand of Sidny Pollick with his comic genius to rely on and a smart, literate script to form the framework. Perhaps this movie should be titled "'The Crimson Pirate' meets 'Toostie'".

If you've got a sense of humor and are able to suspend you disbelief for a couple of hours or so, "The Scalphunters" will give you a good evenings entertainment. If you enjoy it, try "There was a Crooked Man" with Henry Fonda and Kurt Douglas.

Wildly entertaining western romp with the still athletic Lancaster (as a frontier trapper) and Davis (as runaway slave) reluctantly teamed against a band of bandits led by Savalas. I noticed this pic as good time fun during a TV showing as a kid, way way before the nice DVD version, and still have fond memories of an easygoing adventure. Lancaster is exuberant in this, despite being well into his middle-aged years; he still comes across as someone who can outfight any man and rassle a grizzly bear on the side. He also presents an iconoclastic character here, supremely content onto himself, with not much use for civilization OR anarchy (represented by the barbaric bandits). Just leave him to do his own thing; if you don't, you're in for a fight - don't matter who you are, as Savalas and his band find out.

Savalas is great as the bandit leader, dangerous blow-hard that he is; though not too intelligent, he's still a lot smarter than the other idiots under his rule (including a bearded Dabney Coleman in an early role). His main squeeze is the cigar-chomping floozy Shelley Winters, hamming it up as much as the otherwise all-male cast. Davis, in an odd contrast, comes across as the most sophisticated of the whole bunch, despite supposedly being a slave his entire life; he also proves to be the most duplicitous; he's not simply honorable and disappoints Lancaster more than once. Maybe director Pollack was sneaking in some commentary on the outmoded superior standing of the white race by this point, though I think it was wishful thinking that Davis could get away with as much as he does here in the 19th century. In all, the actors prove to be good hams to the very end.