NOTE IMDb
7,4/10
46 k
MA NOTE
Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Frances Taylor
- Maid
- (as Frances Davis)
Danielle De Metz
- Stella D'Angelo
- (as Danielle de Metz)
Herbert Ellis
- Director
- (as Herb Ellis)
Avis à la une
Legendary Peter Sellers improvised his role using only Director Blake Edwards' 50 page film outline with no set scripted dialogue. Sellers is left to devise and improvise each scene. This required assembling a highly competent ensemble of supporting actors capable of keeping up with Peter, and they pulled it off very well. Larry David uses this same approach in his 'Curb Your Enthusiasm' in case you did not know.
The film's scenes were largely shot in sequence to preserve the comic flow, allowing Sellers to figure out what astoundingly destructive comic mess his character Hrundi Bakshi (the character being an actor brought in from India to lend authenticity to a period film) would innocently create next for his Hollywood producer boss while shooting the film on location, and the "big man" president of the studio, whose Beverly Hills VIP party Bakshi inadvertently gets an invite to attend.
Truly hilarious deadpanned slapstick scenes abound - one of the most memorable being the "Birdie Num Nums" bit.
This movie has captured an ever growing number of fans over the years, myself included.
One may be offended by the cliche' India culture stereotyping Sellers applies via his character's mannerisms and accent, but If you want to be compelled to laugh out-loud, this may be just the ticket.
The film's scenes were largely shot in sequence to preserve the comic flow, allowing Sellers to figure out what astoundingly destructive comic mess his character Hrundi Bakshi (the character being an actor brought in from India to lend authenticity to a period film) would innocently create next for his Hollywood producer boss while shooting the film on location, and the "big man" president of the studio, whose Beverly Hills VIP party Bakshi inadvertently gets an invite to attend.
Truly hilarious deadpanned slapstick scenes abound - one of the most memorable being the "Birdie Num Nums" bit.
This movie has captured an ever growing number of fans over the years, myself included.
One may be offended by the cliche' India culture stereotyping Sellers applies via his character's mannerisms and accent, but If you want to be compelled to laugh out-loud, this may be just the ticket.
What can you say about Peter Sellers? From the Goon Show, through the Ealing comedies, the Pink Panther films, up to Being There, he was consistently brilliant! Kubrick knew it, Blake Edwards knew it, and this movie does a lot to prove it to everyone else. Instead of making his stereotype just a vehicle for laughs, he brings out the pathos and beauty inherent in alienation..instead of using scripted antique gags as an invitation to walk through the role, he transcends each tired joke with impeccable timing and facial expressions. Even the silly sixties situations don't ruin the comedy here, as they did in Alice B. Toklas. In my opinion, this one is timeless, and should be seen by anyone who has a sense of humor.
This film has to be regarded as a hilarious one-man-act by Peter Sellers. I saw it on its first run UK cinema release in 1969 and I've seen it at least a dozen times since. I would gladly watch it another dozen times; it always makes me laugh. The supporting cast perform adequately but Peter Sellers does all the work. He is simply one of the all-time greatest masters of great comedy timing. I was surprised to read so many negative comments on this site in association with this film. I can only surmise that they have come from a younger generation who have had their sense of humour surgically removed due to a force fed diet of unamusing US sitcoms. If you can't laugh at this film you must be birdie-num-num!
The Party is not a harmless comedy. It's got a lot of sting in it, against snobbishness and contempt for your fellow man - or woman, for that matter. But above all, it's Peter Sellers who shows his talent here. How an earlier reviewer manages to call this 'a dud' is beyond me.
So the movie loses its pace a bit at the end - maybe trying to underline too much what a nice fellow Bakshi is. But there's a lot of great scenes - the army attack, the parrot, the dinner and that incredible toilet scene. The increasingly drunken waiter (a convincing performance, who is that actor?). And through it all, Bakshi wanders around with that eternal smile on his face.
Sellers manages to combine The Pink Panther's slapstick with a sympathetic character of more depth. Great humour!
So the movie loses its pace a bit at the end - maybe trying to underline too much what a nice fellow Bakshi is. But there's a lot of great scenes - the army attack, the parrot, the dinner and that incredible toilet scene. The increasingly drunken waiter (a convincing performance, who is that actor?). And through it all, Bakshi wanders around with that eternal smile on his face.
Sellers manages to combine The Pink Panther's slapstick with a sympathetic character of more depth. Great humour!
Finally, after months of searching, I find a copy of the DVD and I realize how truly worthwhile this search was! This film is hysterical! I've read that The Great Race is supposed to be Blake Edwards' tribute to Laurel & Hardy, but Hrundi V. Bakshi is Stan Laurel's hindustani soul mate. Probably Peter Sellers' single funniest performance ever! He's always well meaning and gracious, but just naive enough to cause chaos everywhere he goes. Much of the business about the wait staff is also straight out of the L&H book of comic situations. Though the ending involving a baby elephant looks to me as if they simply ran out of ideas, the rest of this movie more than makes up for it. Have another "Birdy Num Num".
Le saviez-vous
- AnecdotesThis film was improvised from a 56-page outline. Each scene was shot in sequence and built upon the previous scene. To aid in this experiment, the film's producers had a video-camera tube attached to the Panavision camera and connected to an Ampex studio videotape machine, allowing the actors and crew to review what they had just filmed. According to a contemporary article in Daily Variety this was one of the first productions to use a video camera in this manner. This eliminated the time and expense of developing the film and showing the "rushes" the following day. The cost of this new technology was $1100 per day, but director Blake Edwards said the system saved the production many times that amount by avoiding costly resets and re-shoots on following days.
- GaffesAt the dinner party, Hrundi's red wine glass disappears and reappears.
- Citations
C. S. Divot: Who do you think you are?
Hrundi V. Bakshi: In India, we don't think who we are. We know who we are.
- ConnexionsEdited into Männerherzen... und die ganz ganz große Liebe (2011)
- Bandes originalesNothing to Lose
Lyrics by Don Black
Music by Henry Mancini
Performed by Claudine Longet (uncredited)
[Michele sings the song at the party]
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Party
- Lieux de tournage
- 9271 Robin Drive, Los Angeles, Californie, États-Unis(Mr. Clutterbuck's House)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 900 000 $US (estimé)
- Montant brut mondial
- 10 786 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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