NOTE IMDb
7,4/10
46 k
MA NOTE
Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Frances Taylor
- Maid
- (as Frances Davis)
Danielle De Metz
- Stella D'Angelo
- (as Danielle de Metz)
Herbert Ellis
- Director
- (as Herb Ellis)
Avis à la une
I'm sorry, but if you don't laugh, until you cry or your sides ache, at something, hell, at everything in this movie then you'd better check yourself for a pulse. The first four or five times I viewed The Party, I did just that. This is a gut aching, side splitting, fall on the floor, laugh a minute comedy, from start to finish! The scene where the Cornish game hen 'flies' across the dinner table and lands on the tiara of one of the party 'goers' is literally one of the funniest scenes of all time. And it's not just the outrageously funny bumbling physical comedy of Peter Sellers. There is also a subtleness with which Sellers portrays his Indian character that is very visible in his many facial expressions as well as with the 'body language' he uses, that's just as funny. If you even like comedy just a little, you'll love this movie. I give it 4 stars, to infinity!
What can you say about Peter Sellers? From the Goon Show, through the Ealing comedies, the Pink Panther films, up to Being There, he was consistently brilliant! Kubrick knew it, Blake Edwards knew it, and this movie does a lot to prove it to everyone else. Instead of making his stereotype just a vehicle for laughs, he brings out the pathos and beauty inherent in alienation..instead of using scripted antique gags as an invitation to walk through the role, he transcends each tired joke with impeccable timing and facial expressions. Even the silly sixties situations don't ruin the comedy here, as they did in Alice B. Toklas. In my opinion, this one is timeless, and should be seen by anyone who has a sense of humor.
`The Party' is one of the few comedies that I can watch repeatedly and still enjoy, to a great extent due to the charm of the character Peter Sellers creates. Hrundi V. Bakshi urgently needs to be appropriate and polite (he absolutely CANNOT be impolite), but his natural curiosity and unfamiliarity with his surroundings wreak havoc. He's really quite an admirable fellow, though. He's unfailingly considerate and reasonable, but brave and resourceful when coming to the aid of another, as in the case of producer C.S. Divot's (Gavin MacLeod) exploitation of Michelle Monet (Claudine Longet). I find it hard to accept the notion that the characterization is racist, as some contend, unless you consider the very act of a white person playing an Indian in dark makeup racist. It can't be denied that many westerners find the accent amusing (see Baboo in `Seinfeld,' or Apu in `The Simpsons'). Still, Sellers' characterization of Bakshi is no stereotype, and I don't feel that his portrayal brings discredit to anyone.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
This film has to be regarded as a hilarious one-man-act by Peter Sellers. I saw it on its first run UK cinema release in 1969 and I've seen it at least a dozen times since. I would gladly watch it another dozen times; it always makes me laugh. The supporting cast perform adequately but Peter Sellers does all the work. He is simply one of the all-time greatest masters of great comedy timing. I was surprised to read so many negative comments on this site in association with this film. I can only surmise that they have come from a younger generation who have had their sense of humour surgically removed due to a force fed diet of unamusing US sitcoms. If you can't laugh at this film you must be birdie-num-num!
Blake Edwards, Henry Mancini and Peter Sellers team up again and it's a winner.
A Hindustani meets the high society of Hollywood, the chaos is programmed and the laughs hit hard.
A culture clash comedy from 1968 by the great Blake Edwards with a hilarious Peter Sellers in one of his funniest roles as Hrundi V. Bakshi.
It's still so much fun to watch this movie with its fine slapstick scenes and timinig, masterful camera work and perfect soundtrack by Henry Mancini.
The first 2/3rd of the movie are great, at the end in the final 1/3rd it loses some of its pace.
A great comedy. Always a good watch.
Highly recommended.
A Hindustani meets the high society of Hollywood, the chaos is programmed and the laughs hit hard.
A culture clash comedy from 1968 by the great Blake Edwards with a hilarious Peter Sellers in one of his funniest roles as Hrundi V. Bakshi.
It's still so much fun to watch this movie with its fine slapstick scenes and timinig, masterful camera work and perfect soundtrack by Henry Mancini.
The first 2/3rd of the movie are great, at the end in the final 1/3rd it loses some of its pace.
A great comedy. Always a good watch.
Highly recommended.
Le saviez-vous
- AnecdotesThis film was improvised from a 56-page outline. Each scene was shot in sequence and built upon the previous scene. To aid in this experiment, the film's producers had a video-camera tube attached to the Panavision camera and connected to an Ampex studio videotape machine, allowing the actors and crew to review what they had just filmed. According to a contemporary article in Daily Variety this was one of the first productions to use a video camera in this manner. This eliminated the time and expense of developing the film and showing the "rushes" the following day. The cost of this new technology was $1100 per day, but director Blake Edwards said the system saved the production many times that amount by avoiding costly resets and re-shoots on following days.
- GaffesAt the dinner party, Hrundi's red wine glass disappears and reappears.
- Citations
C. S. Divot: Who do you think you are?
Hrundi V. Bakshi: In India, we don't think who we are. We know who we are.
- ConnexionsEdited into Männerherzen... und die ganz ganz große Liebe (2011)
- Bandes originalesNothing to Lose
Lyrics by Don Black
Music by Henry Mancini
Performed by Claudine Longet (uncredited)
[Michele sings the song at the party]
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Party
- Lieux de tournage
- 9271 Robin Drive, Los Angeles, Californie, États-Unis(Mr. Clutterbuck's House)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 900 000 $US (estimé)
- Montant brut mondial
- 10 786 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant