NOTE IMDb
7,4/10
46 k
MA NOTE
Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.Une erreur de transcription conduit à l'invitation d'une star du cinéma indien à une fête exclusive à Hollywood au lieu d'être renvoyé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Frances Taylor
- Maid
- (as Frances Davis)
Danielle De Metz
- Stella D'Angelo
- (as Danielle de Metz)
Herbert Ellis
- Director
- (as Herb Ellis)
Avis à la une
Is there a more iconic comedic prologue than The Party's, with Hrundi Bakshi (Peter Sellers, priceless), a bumbling actor involuntarily, repeatedly sabotaging some kind of schlocky adventure / period piece first by refusing to die, then by showing his wholly anachronistic watch and finally by blowing up the set while trying to tie his shoelaces? Because if there is, I can't think of one at the moment.
The movie belongs to veteran comedy director Blake Edwards and especially to Sellers, who provides an hilarious turn as Bakshi, a sweet, meek individual so clumsy and inclined to disaster, he is essentially the human version of a tornado. Material is droll, but at times so thin that with a lesser lead it would have collapsed - Sellers being who he is, the mere sight of him staring with awkward alarm at a toilet which refuses to stop flushing provokes laughter.
8,5/10
The movie belongs to veteran comedy director Blake Edwards and especially to Sellers, who provides an hilarious turn as Bakshi, a sweet, meek individual so clumsy and inclined to disaster, he is essentially the human version of a tornado. Material is droll, but at times so thin that with a lesser lead it would have collapsed - Sellers being who he is, the mere sight of him staring with awkward alarm at a toilet which refuses to stop flushing provokes laughter.
8,5/10
What can you say about Peter Sellers? From the Goon Show, through the Ealing comedies, the Pink Panther films, up to Being There, he was consistently brilliant! Kubrick knew it, Blake Edwards knew it, and this movie does a lot to prove it to everyone else. Instead of making his stereotype just a vehicle for laughs, he brings out the pathos and beauty inherent in alienation..instead of using scripted antique gags as an invitation to walk through the role, he transcends each tired joke with impeccable timing and facial expressions. Even the silly sixties situations don't ruin the comedy here, as they did in Alice B. Toklas. In my opinion, this one is timeless, and should be seen by anyone who has a sense of humor.
Finally, after months of searching, I find a copy of the DVD and I realize how truly worthwhile this search was! This film is hysterical! I've read that The Great Race is supposed to be Blake Edwards' tribute to Laurel & Hardy, but Hrundi V. Bakshi is Stan Laurel's hindustani soul mate. Probably Peter Sellers' single funniest performance ever! He's always well meaning and gracious, but just naive enough to cause chaos everywhere he goes. Much of the business about the wait staff is also straight out of the L&H book of comic situations. Though the ending involving a baby elephant looks to me as if they simply ran out of ideas, the rest of this movie more than makes up for it. Have another "Birdy Num Num".
Blake Edwards, Henry Mancini and Peter Sellers team up again and it's a winner.
A Hindustani meets the high society of Hollywood, the chaos is programmed and the laughs hit hard.
A culture clash comedy from 1968 by the great Blake Edwards with a hilarious Peter Sellers in one of his funniest roles as Hrundi V. Bakshi.
It's still so much fun to watch this movie with its fine slapstick scenes and timinig, masterful camera work and perfect soundtrack by Henry Mancini.
The first 2/3rd of the movie are great, at the end in the final 1/3rd it loses some of its pace.
A great comedy. Always a good watch.
Highly recommended.
A Hindustani meets the high society of Hollywood, the chaos is programmed and the laughs hit hard.
A culture clash comedy from 1968 by the great Blake Edwards with a hilarious Peter Sellers in one of his funniest roles as Hrundi V. Bakshi.
It's still so much fun to watch this movie with its fine slapstick scenes and timinig, masterful camera work and perfect soundtrack by Henry Mancini.
The first 2/3rd of the movie are great, at the end in the final 1/3rd it loses some of its pace.
A great comedy. Always a good watch.
Highly recommended.
`The Party' is one of the few comedies that I can watch repeatedly and still enjoy, to a great extent due to the charm of the character Peter Sellers creates. Hrundi V. Bakshi urgently needs to be appropriate and polite (he absolutely CANNOT be impolite), but his natural curiosity and unfamiliarity with his surroundings wreak havoc. He's really quite an admirable fellow, though. He's unfailingly considerate and reasonable, but brave and resourceful when coming to the aid of another, as in the case of producer C.S. Divot's (Gavin MacLeod) exploitation of Michelle Monet (Claudine Longet). I find it hard to accept the notion that the characterization is racist, as some contend, unless you consider the very act of a white person playing an Indian in dark makeup racist. It can't be denied that many westerners find the accent amusing (see Baboo in `Seinfeld,' or Apu in `The Simpsons'). Still, Sellers' characterization of Bakshi is no stereotype, and I don't feel that his portrayal brings discredit to anyone.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
Le saviez-vous
- AnecdotesThis film was improvised from a 56-page outline. Each scene was shot in sequence and built upon the previous scene. To aid in this experiment, the film's producers had a video-camera tube attached to the Panavision camera and connected to an Ampex studio videotape machine, allowing the actors and crew to review what they had just filmed. According to a contemporary article in Daily Variety this was one of the first productions to use a video camera in this manner. This eliminated the time and expense of developing the film and showing the "rushes" the following day. The cost of this new technology was $1100 per day, but director Blake Edwards said the system saved the production many times that amount by avoiding costly resets and re-shoots on following days.
- GaffesAt the dinner party, Hrundi's red wine glass disappears and reappears.
- Citations
C. S. Divot: Who do you think you are?
Hrundi V. Bakshi: In India, we don't think who we are. We know who we are.
- ConnexionsEdited into Männerherzen... und die ganz ganz große Liebe (2011)
- Bandes originalesNothing to Lose
Lyrics by Don Black
Music by Henry Mancini
Performed by Claudine Longet (uncredited)
[Michele sings the song at the party]
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Party
- Lieux de tournage
- 9271 Robin Drive, Los Angeles, Californie, États-Unis(Mr. Clutterbuck's House)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 900 000 $US (estimé)
- Montant brut mondial
- 10 786 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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