NOTE IMDb
6,1/10
1,8 k
MA NOTE
Ajouter une intrigue dans votre langueA man released after a jail term for a crime he did not commit, raises a gang to go after the man who framed him.A man released after a jail term for a crime he did not commit, raises a gang to go after the man who framed him.A man released after a jail term for a crime he did not commit, raises a gang to go after the man who framed him.
- Réalisation
- Scénario
- Casting principal
Brett Halsey
- Bill Kiowa
- (as Montgomery Ford)
Franco Borelli
- Bunny Fox
- (as Stanley Gordon)
Dana Ghia
- Mirana Kiowa
- (as Diana Madigan)
Teodoro Corrà
- Gun Seller
- (as Doro Corrai)
Victoriano Gazzarra
- Gambler
- (as Vic Gazzarra)
Remo Capitani
- Publican
- (non crédité)
Lina Franchi
- Bunny Fox's Girlfriend
- (non crédité)
Giglio Gigli
- One of Elfegos Men
- (non crédité)
Avis à la une
WOW ! This was one good western, and it also has Bud Spencer (one of my fave actors) as one of the main roles! Heres the plot :
A man named Bill Kiaowa was sent to prison for 5 years for killing his wife....a crime which he didn't commit.When he's released from jail, he rounds up his old buddies to help him kill the man who killed his wife....
Yeah, your thinking, oh, just another boring western! It is just one of those simple westerns that were rip offs of " The good, the bad, and the Ugly" but give it a shot! Its worthwile!
Today it's me.... gets 6/10
A man named Bill Kiaowa was sent to prison for 5 years for killing his wife....a crime which he didn't commit.When he's released from jail, he rounds up his old buddies to help him kill the man who killed his wife....
Yeah, your thinking, oh, just another boring western! It is just one of those simple westerns that were rip offs of " The good, the bad, and the Ugly" but give it a shot! Its worthwile!
Today it's me.... gets 6/10
Yes, it is true, giallo master Dario Argento helped write this speghetti western from the late 60s. I have never been a big fan of western movies, but my love of Italian horror cinema has taken me into this genre. They just don't make
westerns, or any genre for that matter, like this anymore.
This film has all the great makings of what a good western movie should be.
You have the duels, the horse chases, and the classic saloon card game. The
fact that this is a low budget film is what attracts me. The sometimes badly
dubbed in english also humors me. But put those things a side and you have a
pretty good story. The way the final "duel" comes together is classic.
Overall, this is may not be "the one" when it comes to speghetti westerns, I am by no means a connoseur of Italian western film. But I walked away pleased.
Now I have to go and watch a few more Italian cowboy flicks to compare.
westerns, or any genre for that matter, like this anymore.
This film has all the great makings of what a good western movie should be.
You have the duels, the horse chases, and the classic saloon card game. The
fact that this is a low budget film is what attracts me. The sometimes badly
dubbed in english also humors me. But put those things a side and you have a
pretty good story. The way the final "duel" comes together is classic.
Overall, this is may not be "the one" when it comes to speghetti westerns, I am by no means a connoseur of Italian western film. But I walked away pleased.
Now I have to go and watch a few more Italian cowboy flicks to compare.
TODAY IT'S ME...TOMORROW YOU!, aka TODAY WE KILL, TOMORROW WE DIE!, is a 1968 spaghetti western directed by Tonino Cervi and starring Brett Halsey as a Django lookalike who goes on the warpath to avenge the death of his wife. The film's origins are clear, with the straightforward revenge story concocted by Dario Argento no less. The first half sees posse members being assembled (a bit like THE DIRTY DOZEN) while the second sees them carrying out their mission of vengeance.
There's little in this movie you won't have seen elsewhere, but I was surprised at how well shot it is. The locations are atmospheric and the cinematography is excellent, with plenty of gritty shoot-outs for action fans. Characterisation is slim but the characters themselves are engaging, from Halsey's taciturn lead to the likes of William Berger, Bud Spencer and Wayde Preston as various members of the posse. The music is stirring and as a whole the production values can't be faulted.
The best actor of the lot is a real surprise: Japanese star Tatsuya Nakadai, star of the late Kurosawa movies RAN and KAGEMUSHA: THE SHADOW WARRIOR, playing the bad guy. Nakadai gives a multi-layered and extremely decent performance straight out of Japanese samurai cinema, and acts everybody else off screen. Simply said, he's brilliant and lifts the movie whenever he appears. The rating gains a star due to his presence alone.
There's little in this movie you won't have seen elsewhere, but I was surprised at how well shot it is. The locations are atmospheric and the cinematography is excellent, with plenty of gritty shoot-outs for action fans. Characterisation is slim but the characters themselves are engaging, from Halsey's taciturn lead to the likes of William Berger, Bud Spencer and Wayde Preston as various members of the posse. The music is stirring and as a whole the production values can't be faulted.
The best actor of the lot is a real surprise: Japanese star Tatsuya Nakadai, star of the late Kurosawa movies RAN and KAGEMUSHA: THE SHADOW WARRIOR, playing the bad guy. Nakadai gives a multi-layered and extremely decent performance straight out of Japanese samurai cinema, and acts everybody else off screen. Simply said, he's brilliant and lifts the movie whenever he appears. The rating gains a star due to his presence alone.
Dario Argento
Italian horror-specialist?! Well one of them anyway. Yep Argento co-penned this highly enjoyable spaghetti western that had a strong ensemble cast of interesting names to boot. Featuring Brett Halsey, Bud Spencer, William Berger and quite a memorable Tatsuya Nakadai
with a machete! Not only fun and absorbing, but one of the better entries of the long-listed and wide-ranged spaghetti sub-genre. The story is your basic revenge formula, but the script is sharp, unsparing and riddled with well-judged humour that never takes away from the gradual build-up to a thrilling, if offbeat standoff in swampy woodland terrain. These final passages are very well delivered by director Tonino Cervi, by pulling out an atmospheric tone together with the bold violence. But before even leading up to all of this, are some reliably creative and gusty set-pieces that aren't out of place. The brisk style is evident, and music composer Angelo Francesco Lavagnino's flamboyant score randomly punctuates some uncanny sounds. While, the formidably cunning camera-work of Sergio D'Offizi adds to the intensity. Japanese actor Nakadai is stupendous, and had me transfixed with his vibrant expressions as the shady, clever weasel-like villain. He stole every shot he was in. Halsey basically just looked good in black, and stared you down with that steely glance in a fitting performance as the revenge seeking heroine. Spencer bombards the screen with his robust personality and stature. The pacing stays tight, and pretty dry with little in the way of lapses.
My first positive review for a while, and it's for this little Western potboiler. A guy who has spent five years in prison for the murder of his wife which he was not responsible for organises a band of the meanest hombres around and goes to kill the real culprit of the crime. The murderer happens to be the leader of a bunch of merciless gangsters who hold up stagecoaches and dispose of anyone who gets in their way, so our hero and his desperadoes have their work cut out for them. But where there's a will..
Lacking the technical expertise of Clint Eatwood's finest, this is still a thoroughly engaging spectacle. So what if the dead bodies sometimes move, and the fists obviously never make contact with skin? Thanks to robust characterisations, lashings of wit, enthusiastic gun battles and an infinitely hissable villain this is well worth catching at the wee crack of dawn when you can't sleep. In fact, it's so entertaining I am postponing my own bedtime at 2.30 a.m to recommend it to everyone. Now that's commitment. YAWN. 6/10.... ZZZZZZZZZ *Head collapses on Z key*
Lacking the technical expertise of Clint Eatwood's finest, this is still a thoroughly engaging spectacle. So what if the dead bodies sometimes move, and the fists obviously never make contact with skin? Thanks to robust characterisations, lashings of wit, enthusiastic gun battles and an infinitely hissable villain this is well worth catching at the wee crack of dawn when you can't sleep. In fact, it's so entertaining I am postponing my own bedtime at 2.30 a.m to recommend it to everyone. Now that's commitment. YAWN. 6/10.... ZZZZZZZZZ *Head collapses on Z key*
Le saviez-vous
- AnecdotesBrett Halsey didn't believe in this movie and opted to use a the pseudonym Montgomery Ford so people wouldn't associate him with it. The film ended up being his most successful ever and to this day he's credited as Montgomery Ford in Italy.
- Versions alternativesThe US DVD release by VCI Entertainment is packaged under its US title "Today We Kill Tomorrow We Die." However this disc contains the 95 minute Canadian version with the title "Today Its Me Tomorrow You" and is pan-and-scanned although the box claims to be a "widescreen" version.
- ConnexionsReferenced in Western, Italian Style (1968)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Today We Kill, Tomorrow We Die!?Alimenté par Alexa
Détails
- Durée1 heure 45 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant