5 gachettes d'or

I'm sure this title has been broadcast on Italian TV many times over the years but, only after renting it on DVD along with many another Spaghetti Western, did I bother to check out whether it was any good – and I was surprised to see it receive a *** rating on the "Cult Filmz" website! As it turned out, I found myself agreeing with that assessment – which makes the film one of the better (if largely unsung) entries in this profuse, eclectic and erratic genre.

An interesting name in the credits is that of co-screenwriter Dario Argento; actually, early in his career the soon-to-be horrormeister worked on several such efforts in this capacity (including the ultimate genre masterpiece, Sergio Leone's ONCE UPON A TIME IN THE WEST [1968]). Similarly, director/co-screenwriter Cervi started out as a producer on films by such Italian art-house heavyweights as Antonioni, Bertolucci, Bolognini, De Sica, Fellini, Lattuada, Monicelli and Visconti, etc. – though, later, he even dabbled in nunsploitation flicks!

Anyway, as I said, this is a pretty good Spaghetti Western – albeit saddled with a catchpenny (and meaningless) title – involving a typical revenge plot: leading man Brett Halsey (appearing, unnecessarily, under the amusing pseudonym Montgomery Ford!) emerges from prison after five years, having been framed for the murder of his Indian squaw bride (shown in sepia-toned flashback, this is pretty much a genre fixture); he rallies a compact but formidable band of gunmen/mercenaries (shades of THE MAGNIFICENT SEVEN [1960]) and sets out in pursuit of the real culprit, ex-pal Tatsuya Nakadai (the celebrated Japanese actor is given the Mexican name of Elfego, though he wields a deadly machete in the fashion of a samurai!).

Halsey appeared in a number of low-brow Spaghetti Westerns (one of them being ROY COLT AND WINCHESTER JACK [1970], incidentally an irregular – and disappointing – stint in the genre by Mario Bava, another seminal figure in Italian horror cinema) but this is most probably the best one he did. Accompanying the appropriately dour and black-clad lead, among others, are beefy Bud Spencer (a future icon of brawling comic fare – by the way, I have three more Spaghetti Westerns of his lined up for this week, one of which also credits Argento among its scriptwriters) and genre/Euro-Cult stalwart William Berger (his character is something of a fop and, furthermore, has a gambling addiction).

Nakadai's presence here, then, is a delightful surprise – which definitely works to the film's advantage (his demise, in a confrontation not unlike that in a Budd Boetticher Western, is a particular highlight); with this in mind, prolific composer Angelo Francesco Lavagnino incorporates several weird Oriental sounds into the traditional Spaghetti Western motifs – and the result is effective indeed. Sergio D'Offizi's notable cinematography, however, isn't rendered justice by the English-dubbed print utilized for the VCI DVD – which is considerably scratched and muddy (at one point, Halsey remarks that "It'll be dark soon"…but the sky, as it appears, is already pitch-black!). Needless to say, the film contains the expected set-pieces of violent action – including an admirably sustained forest ambush at the climax.

I've always liked Italian westerns and I enjoyed this one as well. Good script by Argento, great music by Lavagnino (who composed the score for such great Italian as Tutti a casa). But let's admit it, there is an evident problem with the casting. Bud Spencer, William Berger and the other dude are O.K. within the limits of the genre, but - oups ! - in the role of the bad guy, they're facing one of the greatest actors of the 20th century, no less. Ladies and gentlemen, Tatsuya Nakadai ! English being only my second language, I am a little bit limited when it comes to finding the right words to describe the work of this phenomenal actor. His fame outside Japan mostly came from a series of outstanding samurai movies such as Hara-Kiri, Sword of doom or Goyokin. (Among many others) Yet all those samurais are remarkably different from one another, for Nakadai's trademark is mercurial versatility. His acting technique sometimes seems so different from one movie to the next that you'd hardly believe it's the same man. And of course he interpreted plenty of other characters besides samurais, such as the unfortunate hero in Kobayashi's monument The Human Condition.

I could go on talking about this artist for quite a while. Suffice it to say that watching this western put me somewhat in a sad mood. I'm sure Mr. Nakadai enjoyed himself a lot doing this movie - and it shows ! - but when you have the incredible luck to get such an actor in your cast, frankly it is your responsibility to come out with an outstanding spaghetti western, not just an average-to-good like this one unfortunately is. It's too bad such a project didn't fall in the hands of a more imaginative Italian western director - Sollima or Corbucci or even Colizzi.

Yet again, this western is good enough, and is certainly worth watching would it be just for Tatsuya Nakadai alone, playing the villain - and madman - James Elfego with rejoicing maestria. Since the character is in no way a Japanese, Mr. Nakadai does not have his legendary 'sword of doom' with him - but watch your head, for he does have a machete !

After five years in jail, Bill Kiowa (Montgomery Ford) is released and he hires four skilled men for his gang: the tough O'Bannion (Bud Spencer); the sheriff Jeff Milton (Wayde Preston); the gunman Bunny Fox (Stanley Gordon); and the gambler Francis 'Colt' Moran (William Berger), using the money his father gave to him. Bill seeks revenge against the sadistic leader of the Comancheros James Elfego (Tatsuya Nakadai), who killed his Indian wife Mirana Kiowa (Diana Madigan) and framed Bill that was sent to prison.

"Oggi a me... domani a te!" is an entertaining western with a story of revenge written by Dario Argento and the director Tonino Cervi. The poor DVD released in Brazil by Diafilme Distributor has many mistakes in the cover: the name of Dario Argento is highlighted as actor in the front cover; the synopsis is totally wrong; and the name of the director is also wrong (Giulio Petroni, instead of Tonino Cervi). Further, the DVD does not have the original audio in Italian, but only dubbed in Portuguese and in English without subtitles. My vote is six.

Title (Brazil): "Mato Hoje, Morro Amanhã" ("Kill Today, Die Tomorrow")

Co-written by Horror-great Dario Argento, one of the filmmakers I have the highest respect and admiration for, Tonino Cervi's "Oggi A Me... Doani A Te!" aka. "Today It's Me... Tomorrow It's You" of 1968 is an average Italian revenge Western that has its highs and lows, certainly no highlight of the great Spaghetti Western genre, but a film with some definite qualities and some very good moments.

After spending five years in prison, Bill Kiowa (Brett Halsey) seeks nothing but to take revenge on merciless Outlaw James Elfego (Tatsuya Nakadai), who has destroyed his life. In order to fight Elfego's notorious gang, Kiowa hires five men, among them the huge O'Bannion (Bud Spencer) and gambler Francis 'Colt' Moran (William Berger)...

It is beyond doubt that Dario Argento is not only a Horror genius, but also a brilliant writer of Westerns, since he co-wrote the story to Sergio Leone's ingenious "Once Upon A Time In The West". The plot of "Today It's Me... Tomorrow It's You!", however, certainly has some interesting points, but is ultimately nothing more than average. One of this movie's biggest qualities is the cast, as it features the legendary Bud Spencer in one of his early Western roles, the great Spaghetti Western regular William Berger in one of his typical cool-cat roles, and the famous Japanese character actor Tatsuya Nakadai, who is just great as the diabolic villain. Brett Halsey is not too charismatic in the lead, but his performance is not bad either.

The quality of the score differs throughout the movie, I didn't like the main theme, but some parts of the soundtrack are pretty good, especially the drum sections, accompanied by a yell, and Nakadai's character's theme. The movie's biggest flaws are the buildings and locations. They look OK at times, but over-all the movie delivers the visual impression of European woods in the fall much rather than the old West. This could have been a lot better if it had been filmed on better locations (such as the Spanish Almería), but it is an overall decent Spaghetti Western. My fellow Spaghetti Western enthusiasts should have a good time. 6/10

Dario Argento… Italian horror-specialist?! Well one of them anyway. Yep Argento co-penned this highly enjoyable spaghetti western that had a strong ensemble cast of interesting names to boot. Featuring Brett Halsey, Bud Spencer, William Berger and quite a memorable Tatsuya Nakadai… with a machete! Not only fun and absorbing, but one of the better entries of the long-listed and wide-ranged spaghetti sub-genre. The story is your basic revenge formula, but the script is sharp, unsparing and riddled with well-judged humour that never takes away from the gradual build-up to a thrilling, if offbeat standoff in swampy woodland terrain. These final passages are very well delivered by director Tonino Cervi, by pulling out an atmospheric tone together with the bold violence. But before even leading up to all of this, are some reliably creative and gusty set-pieces that aren't out of place. The brisk style is evident, and music composer Angelo Francesco Lavagnino's flamboyant score randomly punctuates some uncanny sounds. While, the formidably cunning camera-work of Sergio D'Offizi adds to the intensity. Japanese actor Nakadai is stupendous, and had me transfixed with his vibrant expressions as the shady, clever weasel-like villain. He stole every shot he was in. Halsey basically just looked good in black, and stared you down with that steely glance in a fitting performance as the revenge seeking heroine. Spencer bombards the screen with his robust personality and stature. The pacing stays tight, and pretty dry with little in the way of lapses.