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Great movie.... genuinely funny throughout....cool story and great cast Hoping this comes out on Blu-ray at some point. Nothing offensive, just great fun.

After several years of phenomenal TV success counterbalanced with a movie career that ranged from good ("Bye Bye Birdie" "Mary Poppins") to so-so ("Fitzwilly") to Gawd-awful ("Lt. Robin Crusoe, U.S.N."), Dick Van Dyke went back to Disney for the third time on four years for "Never a Dull Moment," with results that could best be described as mixed.

Now, whenever Hollywood decides to use this all-purpose title, as it had at least four times before, beware, as the film is generally duller that usual. "Never a Dull Moment," lives up to its title, thanks primarily to Van Dyke and a solid supporting cast. Edward G. Robinson, Dorothy Provine (just before her simultaneous retirement and marriage), Henry Silva, Tony Bill, Jack Elam, and Slim Pickens all do as well in their roles as the script permits.

And there's the rub. A.J. Crothers, although the Disney people used him several times, was never one of the more inspired writers of comedy, and his films with Disney suffer for it. The cast and director Jerry Paris, a Van Dyke Show veteran on both sides of the camera, give it their best, but a limp script keeps undoing all their efforts.

In short, you, and Van Dyke, could worse than "Never a Dull Moment," but you could do a whole lot better, too.

Never A Dull Moment provided Hollywood icon Edward G. Robinson with the opportunity to do things. Add a Walt Disney movie to his list of screen credits and allow him to do a film about his passionate avocation, that of art collector.

Robinson combines it with the last of gangster roles, that of Leo Joseph Smooth, both gangster and art collector. Robinson is pretty much retired from the day to day business of running a criminal enterprise, kind of like Vito Corleone only he's pulling himself back in for one last go.

He has it mind to own a large mural that is being shipped to the United States for exhibit so he's going to steal it. With that in mind he hires a whole lot of his old gang back plus a couple of extra hands.

Which is where Dick Van Dyke comes in. For reasons I cannot fathom, Tony Bill mistakes actor Dick Van Dyke with hoodlum Jack Elam. To save his life Van Dyke goes along with the mistake for almost the entire run of the film as he's taken to Robinson's well guarded home. Van Dyke calls on all his acting skills to convince Robinson and his whole gang he's really a hoodlum.

Fortunately for him he meets up with Dorothy Provine who's an art teacher that Robinson hired to improve him culturally. The two of them have a whale of a time trying to get out before the caper comes off.

Never A Dull Moment has a few good laughs and also in Disney studio's tradition at that time, employs a nice range of film character actors who were finding less and less work as the studios were putting out less and less product for the big screen.

It does rest however on the weak premise that Dick Van Dyke could possibly be mistaken for Jack Elam. In that it's weak indeed.

This movie, starring the gifted actor, Dick Van Dyke, is an unsullied comedy full of humor and plot. Creative scenes flow in this film with a unique twist on classic situations. Though it is an older film, it surpasses most films hitting theaters today in acting and storyline. Jack displays courage and wit without losing the "just the average guy" way about him. Sincere facial expressions by Dick Van Dyke, and strong comedic timing sell this story from beginning to end. You will finish this movie feeling like you have stepped into "Jack's" shoes and gone on this escapade with him. With a touch of action, romance, suspense, and a delightful twist, this comedy is well worth your time.

'Never a Dull Moment' is worth watching, even if it could've been much greater.

First and foremost, Dick Van Dyke is very good in the role of Jack Albany. The film does have issues, but none of them are to do directly with Van Dyke - if anything, he is the thing stopping this from being bad; well, he and Edward G. Robinson (Leo).

The premise is decent, though the way it's portrayed is what cheapens the film in my eyes. It's more silly than serious, which probably works against it. The same story taken more proper would be way more enjoyable in my opinion, still with comedy in it but just with a sterner side to it.

It drags a tad at the end, nevertheless it's still a production I like.