Le songe d'une nuit d'été

This is not only the best version of the play available on film, it is easily one of the five best Shakespearian films of all (at least in English).

The fact that it was made on less than a shoestring budget is totally irrelevant. Whether or not there are any special effects, the photography by the renowned Peter Suschitzky ("Dead Ringers", "Empire Strikes Back", "Spider") is excellent. It's not only pictorial, but contributes greatly to the spontaneous, irreverent, slapstick-esquire approach to the whole production, which Peter Hall and his marvelous actors worked so hard to achieve. The locations are also ideal, given the modernized, anglicized look of the production.

Director Hall's interpretation of the play comes as close to 'perfection' as an enthusiast of the Bard could possibly ask for. He refuses to reduce the play to an erotic fantasy, as so many other have done (i.e. the 1999 film), and he rejects the even more common temptation to turn it into a loud, garish costume-ball. In other word, Hall presents the play as Shekespeare wrote it.It relies for its appeal on marvelous words and gestures, not on costumes and special effects.

As for the cast, one only need to look at the big names on the list to see that this production was literally one-of-a-kind. Actually the least famous major player in this company is the one most worthy of note: Paul Rogers, a wonderful character actor and a frequent collaborator of Alec Guinness, is quite possibly the best Bottom that most of us (in this day and age) are ever likely to see. Both Cagney and Kevin Kline were terrific in the major films, but Paul Rogers IS Bottom.

It says something about both film audiences and readers that the 1935 Warner Bros. film with James Cagney is rated more highly on the IMDb than this production. In that pretty but vapid collection of songs and dances, you could hardly hear any of Shakespeare's words, and if you could you would have to cringe, since almost none of the actors could adequately speak the lines. Cagney was good, but the rest was silence. GO WITH THIS VERSION INSTEAD! Fortunately, it was recently made available on DVD.

This movie looks like it was hastily committed to film by high school students. The lighting changes constantly so one is never sure whether the scene is intended to be at night or during the day. The fairies appear to be various shades of green at different times. The lovers get muddier and muddier as the story progresses, and the stains migrate around their clothes and faces. The sound is exactly the same wherever the action is. There is a frequent use of jerky stop action to move the scene from place to place and to show fairies moving at the speed of light. The dreadful music is earnestly trying to be avante-garde and succeeding in being cacophonous and out-of-place. The costumes were trendy then but look rather silly now.

The virtually uncut script, an advantage for students, has the disadvantage of occasionally slowing the action to a near stop.

It's a pity because these are great performances by an amazingly talented cast. Helen Mirren's Hermia, less strident than most, Ian Holm's doglike Puck and Judi Dench's near naked Titania are standouts certainly. Best of all for me was Derek Godfrey as Theseus. He brings a lot of dignity and urbanity to a part often played as a pompous bore or a chump. Theseus is given a lot of lines, sadly cut in many productions, which comment on literature and drama. "The best of this kind are but shadows, and the worst no worse, if imagination amend it." You need a fair bit of imagination to amend the shortfalls of this film, but the effort is well worth it.

A fine, and sadly forgotten, version of Shakespeare's most amusing play. I suppose I am not the only male person who discovered a simultaneous love for the Bard and Diana Rigg in what was (then) a scandalously scantily clad television spectacular. This is, if nothing else, one of the many evidences that the Brits breed actors in a way we don't. The cast, which is by British standards only second-tier, outdoes anything that we could scrape together. Sheer fun; it's us, and not just Shakespeare, in love.

The Bard and the Royal Shakespeare Company fight the Swinging '60s to a respectable draw in this production, which does feature nearly all of the text of the play, splendidly _ if often frenetically _ delivered. Director Peter Hall couldn't quite come up with a film equivalent of his famous stage production, which featured modern dress, a stark white set, and imaginative use of trapezes. Instead he picked an approach heavily influenced by the French New Wave and its English imitators, notably Richard Lester. There's lots of jangly, abrupt editing _ which sometimes, as intended, captures the supernatural flitting of the fairies, and sometimes is just annoying. There's lots of talking to the camera, and a certain catch-as-catch-can attitude: shots don't match up, and, although the main action is supposed to take place at night, there's sometimes no effort to disguise the sunlight streaming through the trees. (Of course, perhaps some of this was the result not of artistic decisions, but merely of haste and a tiny budget.) It's somehow a very '60s Athens _ Hermia and Helena wear cute miniskirts, the four lovers get so twig-torn and mud-spattered that they look like refugees from Woodstock, and the fairies look like green-skinned members of a back-to-nature commune. For all the eccentricities, this festive but haunting play is done straight and done well, and the cast ranges from solid to splendid. The two standouts are Diana Rigg (Helena) and Judi Dench (Titania) _ and this is your one and only chance to see the former sucking her thumb and the latter wearing an outfit (consisting mainly of body paint and flecks of vegetation) that Blaze Starr might have found drafty.

There were little jumps and quirks in this production by the Royal Shakespeare Company - but in reality they merely added to the otherworldly and ethereal overall effect. I liked the art design very much and found it charming. The cast was superb - and for those who only know Judi Dench as dowdy or as Queen Elizabeth, in this film she plays the queen of the fairies, Titania, in a costume consisting only of three small leaves! She might have been the sexiest Titania ever.