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5,1/10
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Ajouter une intrigue dans votre langueA cop quits the force after too much disappointment in the system and becomes bodyguard to a rich recent widow on trial for her husband's murder. He decides to help her clear her name--and g... Tout lireA cop quits the force after too much disappointment in the system and becomes bodyguard to a rich recent widow on trial for her husband's murder. He decides to help her clear her name--and get over her husband.A cop quits the force after too much disappointment in the system and becomes bodyguard to a rich recent widow on trial for her husband's murder. He decides to help her clear her name--and get over her husband.
- Réalisation
- Scénario
- Casting principal
Conrad Bain
- James Lawrence
- (non crédité)
Jay Barney
- The Real Finchley
- (non crédité)
Avis à la une
After they bribed Kirk Douglas to appear in this movie, with just enough left over to convince Eli Wallach to abandon his dignity, they must not have had any money left over for such trivialities as original music composition. So they bought the rights to some Bewitched out-takes. Gets worse, though. Douglas goes out on a date with a dish to a nightclub where they dance the Swig or the Swoop or the Boof or something, and then get into a fake car in front of a green screen.
And he's already a half-century old. He's not getting 22-year-olds in any universe outside of Hollywood movies.
I sure hope this is Kirk Douglas's worst movie b/c I'd hate to find one worse.
I've only gotten to see this movie once but it left a pretty vivid impression on me -- a psychedelic era private eye thriller with Kirk Douglas as a cynical detective assigned to protect the sexy defendant in a murder case (sexy Giallo film regular Sylva Koscina) being defended by fast-talking Eli Wallach from being unfairly (or, not) found guilty of murdering her rich old geezer of a husband. At least, I think that's the nature of the plot, my scanty knowledge of the film demonstrated by not even having remembered that Eli Wallach was in it. He's kind of a hard film presence to forget, but since I saw the movie on the tail end of a windowpane fueled Magical Mystery Tour it's not that surprising.
In fact, it's impressive that I recall anything at all, but it was one of those instances where I had nothing better to do in the afternoon after the journey in mention and just happened to catch this on TV while slumming around our on-campus apartment. I would usually look for certain things when selecting entertainment under such circumstances, and the production year of 1968 stuck out, suggesting that there might be subtle suggestions of psychedelia, ala POINT BLANK which at the time was my alltime favorite film. I was correct.
Two moments in the film stuck with me: One during a scene were Mr. Douglas' car is forced off the road by gangster thugs who chase him into the woods, and he administrates a very effective beating onto one of the thugs, which each blow of the fist highlighted by an orchestrated crescendo. The other moment was right after Douglas' character is introduced to Koscina, who simply oozes sex appear and regards him with a sort of "come hither" look from a balcony window. Douglas' reaction is to bite heartily into an apple -- along with another orchestrated flourish -- with a gusto that was the source of a nice belly laugh.
The film has apparently never been released on home video or DVD but I remember it vividly and would love to have the chance to watch it again.
In fact, it's impressive that I recall anything at all, but it was one of those instances where I had nothing better to do in the afternoon after the journey in mention and just happened to catch this on TV while slumming around our on-campus apartment. I would usually look for certain things when selecting entertainment under such circumstances, and the production year of 1968 stuck out, suggesting that there might be subtle suggestions of psychedelia, ala POINT BLANK which at the time was my alltime favorite film. I was correct.
Two moments in the film stuck with me: One during a scene were Mr. Douglas' car is forced off the road by gangster thugs who chase him into the woods, and he administrates a very effective beating onto one of the thugs, which each blow of the fist highlighted by an orchestrated crescendo. The other moment was right after Douglas' character is introduced to Koscina, who simply oozes sex appear and regards him with a sort of "come hither" look from a balcony window. Douglas' reaction is to bite heartily into an apple -- along with another orchestrated flourish -- with a gusto that was the source of a nice belly laugh.
The film has apparently never been released on home video or DVD but I remember it vividly and would love to have the chance to watch it again.
Police detective Jim Schuyler (Kirk Douglas) quits his job before he gets investigated for a history of rough treatment of suspects. He takes work from lawyer Tennessee Fredericks (Eli Wallach) and his client Rena Westabrook who is going on trial for the murder of her wealthy husband.
At first, I thought Jim is being hired to solve the murder. Instead, he's not much more than a bodyguard and the movie takes on a slightly comedic tone. I don't see how the clashing tones work in this movie. It's weird and it goes nowhere quick. The murder trial hangs over everything and lacks any tension. I really don't like the music. It takes over an hour before she asks him to find her husband's killer. Why hire a police detective in the first place if not to solve the case? I just wanted him to get going with the investigating.
At first, I thought Jim is being hired to solve the murder. Instead, he's not much more than a bodyguard and the movie takes on a slightly comedic tone. I don't see how the clashing tones work in this movie. It's weird and it goes nowhere quick. The murder trial hangs over everything and lacks any tension. I really don't like the music. It takes over an hour before she asks him to find her husband's killer. Why hire a police detective in the first place if not to solve the case? I just wanted him to get going with the investigating.
I always intended to watch this movie just to see Sylva Koscina, the girl from Steve Reeves' HERCULES. But never bothered. When I did watch it I was surprised to see Sharon Farrell and Meg Myles (Satan in High Heels), in bit roles. Talk about a total Boob-Fest. The story was sort of weird and the music was terrible, none of which helped the non-existent story. Other than the three female leads, there wasn't much here to hold my interest.
Ghastly vanity project by a fading star. Most bad movies have a camp, unintentional comedy value but this doesn't even have that.
Sylvia Koscina is very lovely to look at. She also has an amazing bubble flip that never gets missed, even after getting out of bed or wearing a wig over it.
Automobiles furnished by Lincoln-Mercury.
Sylvia Koscina is very lovely to look at. She also has an amazing bubble flip that never gets missed, even after getting out of bed or wearing a wig over it.
Automobiles furnished by Lincoln-Mercury.
Le saviez-vous
- AnecdotesAli MacGraw's film debut.
- GaffesThe underlying crime is to embezzle the fortune a rich recluse by a gang including his employees and then stage his murder. This takes place over a lengthy time period with the rich victim dead and stored in a freezer. The gang has guys in the windows with rifles and scopes watching out for what exactly? It takes so long that several people interact with the fenced off estate, discover something is amiss and end up getting killed as well. The final plan is to defrost the victim and burn him up a house fire and one of the gang is worried about whether the body will be found with ice crystals? The missing funds and household goods are going to be suspicious regardless of the cause of death.
- Citations
Fredericks: I figured you'd get busted, Sky.
- ConnexionsReferenced in The Projectionist (1970)
- Bandes originalesA Lovely Way to Die
Music by Kenyon Hopkins
Lyrics by Judy Spencer
Sung by Jackie Wilson
Recording produced by Carl Davis
[Played over opening title card and credits]
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- How long is A Lovely Way to Die?Alimenté par Alexa
Détails
- Durée1 heure 43 minutes
- Rapport de forme
- 2.35 : 1
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By what name was Un détective à la dynamite (1968) officially released in India in English?
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