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Les envahisseurs attaquent

Titre original : Kaijû sôshingeki
  • 1968
  • Tous publics
  • 1h 29min
NOTE IMDb
6,4/10
8,3 k
MA NOTE
Les envahisseurs attaquent (1968)
Trailer for Destroy All Monsters
Lire trailer3:35
1 Video
99+ photos
Alien InvasionB-ActionDinosaur AdventureGlobetrotting AdventureKaijuActionSci-FiThriller

Des extraterrestres femelles prennent le contrôle des monstres de la Terre et commencent à les utiliser pour détruire la race humaine.Des extraterrestres femelles prennent le contrôle des monstres de la Terre et commencent à les utiliser pour détruire la race humaine.Des extraterrestres femelles prennent le contrôle des monstres de la Terre et commencent à les utiliser pour détruire la race humaine.

  • Réalisation
    • Ishirô Honda
    • Jun Fukuda
  • Scénario
    • Ishirô Honda
    • Takeshi Kimura
  • Casting principal
    • Akira Kubo
    • Jun Tazaki
    • Yukiko Kobayashi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    8,3 k
    MA NOTE
    • Réalisation
      • Ishirô Honda
      • Jun Fukuda
    • Scénario
      • Ishirô Honda
      • Takeshi Kimura
    • Casting principal
      • Akira Kubo
      • Jun Tazaki
      • Yukiko Kobayashi
    • 103avis d'utilisateurs
    • 69avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Destroy All Monsters
    Trailer 3:35
    Destroy All Monsters

    Photos166

    Voir l'affiche
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    + 159
    Voir l'affiche

    Rôles principaux58

    Modifier
    Akira Kubo
    Akira Kubo
    • SY-3 Captain Katsuo Yamabe
    Jun Tazaki
    Jun Tazaki
    • Dr. Yoshido
    Yukiko Kobayashi
    Yukiko Kobayashi
    • Kyoko Manabe
    Yoshio Tsuchiya
    Yoshio Tsuchiya
    • Dr. Otani
    Kyôko Ai
    Kyôko Ai
    • Kilaak Queen
    Andrew Hughes
    Andrew Hughes
    • Dr. Stevenson
    Chôtarô Tôgin
    Chôtarô Tôgin
    • Ogata
    Yoshifumi Tajima
    Yoshifumi Tajima
    • General
    Kenji Sahara
    Kenji Sahara
    • Commander Nishikawa
    Hisaya Itô
    Hisaya Itô
    • Major Tada
    Yoshio Katsube
    • Young Scientist
    • (as Yoshio Katsuda)
    Heihachirô Ôkawa
    • Engineer
    • (as Henry Okawa)
    Ikio Sawamura
    Ikio Sawamura
    • Old Farmer
    Yutaka Sada
    Yutaka Sada
    • Police Officer
    Hiroshi Okada
    • Doctor at hospital
    Hideo Shibuya
    • 1st Reporter
    Nadao Kirino
    • 1st Detective
    Yutaka Oka
    • 2nd Detective
    • Réalisation
      • Ishirô Honda
      • Jun Fukuda
    • Scénario
      • Ishirô Honda
      • Takeshi Kimura
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs103

    6,48.3K
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    Avis à la une

    7stevenfallonnyc

    Great, but a bit overrated

    While "Destroy All Monsters" is no doubt a great Godzilla film, it definitely has its problems and it not the non-stop awesome epic it has acquired as a reputation over the years.

    I think the film's rep as the "ultimate Godzilla epic" had to do with a few certain things. As kids, we certainly remember this movie being played on Saturday afternoons of the late late show because it does have a cool title and well, plenty of monsters. Also helping was the fact that after VHS got really popular, while plenty of Godzilla films were released (mostly shoddy released from cheapo companies), DAM was not released, and therefore was highly sought-after on the bootleg market. I remember reading a magazine in the mid-80's where one guy claims he paid $150 for as bootleg copy, imagine that!

    How disappointing the DVD release is. While it's nice to have the film on disc, in English and widescreen, it has no title screen, no chapters, no extras, no nothing.

    The film itself, well it is really good and a lot of fun. Aliens want to cause trouble for Earth, and get the monsters off Monster Island to destroy all the planet's major cities. Unfortunately, you hardly see any actual destruction of these cities, because it's pretty much just a quick shot or two (like Godzilla destroying the UN building in NYC, and that's that). All the monsters then get together in Tokyo (they seem to travel around the world really quickly) to collectively pounce on that city (well, where else?). Some really good destruction scenes happen here, and it is here where some good scenes were cut from the film, especially the famous "Godzilla vs. Manda" (the snake) scene, which you can see on a Toho "deleted scenes and outtakes" video. It's a quick scene but extremely cool to see and have, having read and heard about the missing fight since I was a little kid.

    Really disappointing is the actual final battle between Ghidrah and the monster group. Ghidrah hardly fires his lasers, and doesn't really seem to put up a great fight. But he still is probably the coolest looking monster Toho ever came up with, so he's a fan fave anyway.

    Of course the lack of monsters throughout the movie is a downer, because you barely even see some of them. Varan actually comes back for a quick shot at the end of the movie when his rubber puppet just kind of rises from behind a mountain and then shoots up into the sky.

    There is a lot of action though, a decent plot, good music, pretty Japanese girls, and a lot of cool camera shots. While DAM isn't quite the legend it is made to be, it probably is the last truly great Godzilla film of the original series.
    6vkn

    Can we tempt you with an extra helping of kaiju?

    The basic set-up sure seems delicious; a whole group of Toho's most popular monsters all in one movie. Godzilla, Rodan, Anguillas, Mothra and pretty much all the others (including a few very obscure ones) packed into one movie should by all rights be simply irresistible.

    And....mwelll, it is quite good, only not as tremendous as I had expected. Yes, the whole kaiju bunch get together to battle the nasty aliens in the end (who send in Ghidora against them, who's always nice to see in action as the kaiju über-baddie), and this big fight scene is pretty great. Only, it's short, and there's little else in there that really stands out. In fact, for a flick with so many monsters in it, you see shockingly little footage of the kaiju actually tearing up cities good and proper. Plus, some very obscure monsters join the fray, which eventually only clutters things, as we'd rather just see the proper big-name kaiju instead of a shady filler-material monster.

    There's some kind of a plot in there, but it's not really something to write home about. Someone's had the clever idea to store all the earth's (or Toho studios') giant monsters on the aptly-named isle of Monster Island. This just begs for disaster, of course. Before long, a mysterious cataclysm causes all the monsters to escape and wreak havoc. And as usual, there's a bunch of unpleasant, and very oddly dressed aliens behind all this. Que lots of scenes with brave human heroes and their funky spaceship trying to put a halt to the aliens' evil plans. In fact, far too many of such scenes. And while there are delightfully silly cheapo sci-fi costumes and tacky spaceships in there, somehow more of the proper kaiju action that this film's concept promised would've been much better.

    It's still quite an addition to a kaiju lover's collection, and is good enough to kill time in a nicely silly way, with all those groovy big monsters in there. Worth a go, but could've been much more. (still, hooray for a flick where poor old Anguillas is -not- merely used as a kaiju-sized live punching bag for a change).
    9loufalce

    Great Fun

    I make no appologies. I LOVE Kaiju films. Period. Godzilla meister Honda- along with special effects guy Tsubaraya are at the top of their form here.After confining the worlds greatest monsters to monsterland- an island where they can run wild yet not do any harm all is not well. It seems that space aliens are controlling their minds and sending them on many city bestroying rampages. Mothra in Beijing, Godzilla in New York, Rodan in Moscow, etc, etc.Meanwhile on the moon-a rocket crew is observing a UFO. Does this have anything to do with the monster attacks? Back at monsterland, the control crew are replaced by the aliens{Who take on human traits} After much intrigue, the alien base is discovered and the fun begins.The special effects are superior. The rockets and UFOs have a pulp magazine quality that was somewhat dated in 1968, but for some reason it works in this film. Especially cool is the tank like vehicle the rocket holds. Even the model work is of the first order and although it would probably would not pass muster with todays computer generated FX fans, it gives this film an immaginative quality that is sadly lacking in most of todays films.And the climactic monster fight with all the genres all time greats is really a blast! Whenever I1m feeling down, I just pop this one in the VCR and bingo! I feel better again.No deep thinking, just fun on a monster size scale.
    7NerdBat

    Beautiful

    I'm surprised this movie isn't rated higher. I can admit there are a few parts that seem to be a bit confusing, but it's a wonderful movie. I have heard people that feel the film focuses too much on the humans, but I must disagree. I think the main reason this film is as good as it is, is because it does indeed focus more on the monsters. I don't know exactly if I can recommend one specific Godzilla movie which I would consider "the best", but this one has to come close, at least in my opinion. Originally it was going to be the end of the series but I'm glad it wasn't, we had a lot of fun in this film and it's a must see for all monster lovers~
    7johnregan1999

    They say Avengers was the best crossover in cinematic history...well Godzilla and pals did it over 50 years prior!

    All the monsters on "Monster Island" have been taken control of by an alien race through a mystical fart like cloud, and are set off on a rampage across earth. Meanwhile, a team of astronauts must band together to gain back control of the monster squad before it's too late.

    As the end of the so called "Golden Era" of the Toho produced films, "Destroy All Monsters" is a suitably cheesy and throughly entertaining finale to this part of the Showa-era. Although I miss the darkness of the original, at this point in the series I was on board with the silliness of the plots. As always, the practical effects here are fantastic for the time period. The rampaging monsters look the best they have ever looked, and every scene that the monsters are on screen is so fun.

    I'd be reluctant to say it's the best of the Showa era, but I would say it's one of the most entertaining in terms of pure monster madness. A must watch for Kajiu fans.

    Side note: I've never watched a rated G movie that literally shows a guy getting shot in the face, with blood and all, AND a suicide. Damn the 60's were wild.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is considered the last entry in the Golden Age of Toho's kaiju films, and meant to be the last film of the Godzilla series. However, it was successful enough that it was decided to continue the series, albeit as part of a film campaign called the Toho Champion Festival, a seasonal matinee that specifically targeted children. This meant that subsequent films would have to reduced their budgets and staff since the Godzilla films were just too expensive to continue making in their original manner. For example, this film and the ones prior had two or more large groups of crew members that divided the work on the character drama and special effects sequences. Case in point: cinematographer Taiichi Kankura shot the live action character drama directed by Ishirô Honda, while different cinematographers, Yôichi Manoda and Sokei Tomioka, shot the monster sequences directed by Sadamasa Arikawa. Subsequent films reduced this to a singular crew that had to manage all of those aspects at once.
    • Gaffes
      When the news reporter in the film announces that Baragon is destroying Paris, France, it is actually Gorosaurus. The Baragon suit was loaned out to Tsubaraya Productions for use on one of their TV series and was not returned in time for filming.
    • Citations

      News Reader: The major cities of the world are being destroyed, one-by-one by the monsters: Moscow by Rodan, Peking by Mothra, London by Manda, Paris by Baragon. And, here's a special news bulletin. Godzilla is now in New York City. The city is being invaded by Godzilla!

    • Crédits fous
      In Toho's international version of the film, its English-language credits list special effects director Sadamasa Arikawa as "Sanemasa Arikawa."
    • Versions alternatives
      A Toho Video documentary released in the 1980s contained several unused and deleted scenes from this film. The majority of this footage consists of alternate takes of finished scenes, such as the raids on Moscow and Paris by Rodan and Gorosaurus, respectively. Toho also filmed much more footage of the United Nations' defense of Tokyo from the monsters, including a number of scenes of missile launchers being deployed from the roofs of skyscrapers. The most notable unused scene in this feature has Godzilla thrashing Manda against several Tokyo buildings. According to Haruo Nakajima, this was an impromptu act at the end of a take. This was likely removed from the finished film as both monsters were under the Kilaaks' control and should not have been fighting each other.
    • Connexions
      Edited into Objectif Terre, mission Apocalypse (1972)

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    FAQ18

    • How long is Destroy All Monsters?Alimenté par Alexa
    • Is the island where the monsters live called Monsterland or Monster Island?
    • What year does Destroy all Monsters take place in?

    Détails

    Modifier
    • Date de sortie
      • 30 septembre 1970 (France)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Destroy All Monsters
    • Société de production
      • Toho
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 200 000 000 JPY (estimé)
    • Montant brut mondial
      • 472 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 29 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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