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IMDbPro

Avec Django, la mort est là

Titre original : Joko invoca Dio... e muori
  • 1968
  • 13
  • 1h 21min
NOTE IMDb
6,1/10
634
MA NOTE
Richard Harrison in Avec Django, la mort est là (1968)
DrameOccidentalWestern spaghetti

Ajouter une intrigue dans votre langueA man tracks down the five outlaws who murdered his brother, all the while being shadowed by a mysterious Pinkerton detective.A man tracks down the five outlaws who murdered his brother, all the while being shadowed by a mysterious Pinkerton detective.A man tracks down the five outlaws who murdered his brother, all the while being shadowed by a mysterious Pinkerton detective.

  • Réalisation
    • Antonio Margheriti
  • Scénario
    • Antonio Margheriti
    • Renato Savino
  • Casting principal
    • Richard Harrison
    • Claudio Camaso
    • Spela Rozin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    634
    MA NOTE
    • Réalisation
      • Antonio Margheriti
    • Scénario
      • Antonio Margheriti
      • Renato Savino
    • Casting principal
      • Richard Harrison
      • Claudio Camaso
      • Spela Rozin
    • 10avis d'utilisateurs
    • 14avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos34

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    Rôles principaux34

    Modifier
    Richard Harrison
    Richard Harrison
    • Joko…
    Claudio Camaso
    Claudio Camaso
    • 'Professor' Mendoza
    Spela Rozin
    Spela Rozin
    • Jane
    • (as Sheyla Rosin)
    Werner Pochath
    Werner Pochath
    • Ricky
    • (as Werner Pochat)
    • …
    Paolo Gozlino
    • Pinkerton Detective Lester
    Lucio De Santis
    Lucio De Santis
    • Laredo
    Mariangela Giordano
    Mariangela Giordano
    • Rosita
    • (as Marian Dana)
    Goffredo Unger
    Goffredo Unger
    • Yuma
    • (as Fredy Unger)
    Luciano Pigozzi
    Luciano Pigozzi
    • Domingo
    • (as Alan Collins)
    Aldo De Carellis
    • Ed
    • (as Albert Carl)
    • …
    Giovanni Ivan Scratuglia
    • Manolo
    Luciano Bonanni
    • Bartender Jimmy…
    Alberto Dell'Acqua
    • Richie Barrett
    • (as Albert Nova)
    Lucio Zarini
    • Laredo's Henchman
    • (as Louis Zarini)
    Alexander Allerson
    Alexander Allerson
    • Townsman
    Guido Lollobrigida
    • Townsman
    • (as Lee Burton)
    Calogero Caruana
    • Saloon Customer
    • (non crédité)
    Angelo Casadei
    • Saloon Customer
    • (non crédité)
    • Réalisation
      • Antonio Margheriti
    • Scénario
      • Antonio Margheriti
      • Renato Savino
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    6,1634
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    Avis à la une

    6hcampbell-70473

    It could have been superior

    A solid (if standard) plot, good action, and well directed by an under appreciated filmmaker who churned out many solid entries in the genre. Only one thing holds it back: the lousy acting of Richard Harrison. Harrison had a real knack for detracting from the overall value of the films he appeared in, in all honesty he just could not act. Cast Anthony Steffen, Gianni Garko, or Craig Hill in the lead in this well crafted spag and it would have been something to remember.
    6Bezenby

    Ninja Vengeance

    It's a standard Spagehetti Western plot: A stranger on the trail of several men who killed his friend/brother/wife/sister/horse. Death Sentence had the same plot, but also had Tomas Milian as an albino who could smell gold. This one has several eccentrics all ready to be killed by Richard Harrison, and works for the same reason.

    It helps that Antonio Margheriti is the director too - his camera angles are pretty inventive here, which makes the film a lot more livelier than it would normally be. The set design is good too, so the showdown in a mine stands out a lot.

    Richard Harrison is the stranger this time around, turning those steely eyes towards five guys who double-crossed him during a gold robbery and killing his mate by pulling him to pieces by horses. This doesn't go down too well with Richard, who starts his revenge by tracking down Mexican Luciano Pigozzi. Next up his a card player who is sending a red-head to his friend Loredo in another town (Loredo being yet another target for Richard). The red-head also becomes the romantic interest for Richard, as well as a possible captive audience while Richard has a lengthy flashback about the gold heist. It seems eccentric Mexican Claudio Camaso was the mastermind behind the heist, but he disappeared when the ceiling collapsed in the room holding the gold. I bet that's got nothing to do with the mysterious fifth killer at the start of the film!

    The best part is when Werner Pochatch turns up as 'the kid' and gets the drop on Richard, holding his eyes open with toothpicks in the midday sun (and that looks genuinely painful, so kudos to Harrison for putting up with that). This is obviously the bit in the Spaghetti Western were the hero gets a drubbing before bouncing back, but this one is done a little differently as a unique duel is set up between the two in a bar. Margheriti does well in building the tension in this bit, although I did chuckle at Harrison's 'nearly blind' acting face.

    While not as good as Margheriti's Klaus-Kinski-As-Unstoppable-Killer And God Said To Cain...that two films would make a good double-bill. The man could turn his hand to anything and make it his own. Not only that, he can make a fine entertaining film into the bargain. Claudio Camaso stands out acting wise as the demented Professor, but doesn't get a great amount of screen time. Mariangela Giordano also turns up as his unwilling girlfriend.
    7guy-bellinger

    Atypical spaghetti western, at least in its second part

    A mute, violent hero (the leader of an outlaw band) single-minded in taking vengeance (on the accomplices who have betrayed him)... Well, it looks as though the viewer is off for just another spaghetti western. And during the first undistinguished half, their fears ARE well-founded. But hope should not be given up, all is not lost. Indeed the man at the helm is none other than Antonio Margheriti (aka Anthony Dawson), a pleasant minor master particularly at ease in fantasy films ("Horror Castle", "Castle of Blood"). And when (rather unexpectedly to be true) the director suddenly remembers what he is really good at, the run-of-the-mill flick is metamorphosed into an unidentified (and inspired) cinematic object. "Vengeance" is still a western, complete with duels, showdown and Morricone-like score, but from then on it gets mixed with thriller (the delayed discovery of the traitor; the astonishing flashback unveiling the true facts about the bank robbery) and horror ((the long final sequence in the sulfur mine with its extravagant lightings and baroque framework ; the villain appearing as a grotesque clown). No longer apathetic, the viewer is now agape. The lesson to be drawn is that if you demand more of a film than just B (or Z) features, just have patience and you will be rewarded. Like Rocco, the hero of the story in a way...
    7Eegah Guy

    Spaghetti Western fans should take a look!

    Director Margheriti is well known for his long list of fast, cheap but well-made horror, sci-fi and action films. As Westerns were so popular in the late 60s he dabbled in that genre also and made some good films. VENGEANCE isn't as interesting as his other late 60s Western AND GOD SAID TO CAIN, but this is still fine entertainment for European pop cinema fans because all the elements of this genre are present (zooms into squinting eyes, impossibly fast gundowns, fuzz guitar laden score, seemingly invincible anti-heroes defeating scummy bad guys).
    5westerner357

    Not bad, but I've seen better

    (aka: VENGEANCE)

    Hercules star Richard Harrison plays Rocco, a half-breed Indian who swears revenge on those who betrayed them for a gold robbery they had done. His best friend Ritchie (Alberto Dell'Acqua) is ripped apart (not shown) by horses tied to his arms and legs. One by one, he tracks them down and kills them. Along the way, he finds out that another best friend, Mendoza (Carlo Camaso) has also betrayed him. He looks tubercular with yellow splotches all over his face.

    The two scenes that stand out are in the first saloon fight where Rocco grabs on to a beam from up above and swings his legs up killing a man in the throat with his spurs. The second memorable scene is when Rocco is captured by one of the gang, is tied up and sticks are placed under his eyelids so he can't sleep and the sun will damage his eyes. There's also an ending scene between Mendoza and Rocco in an underground mine turned hideout, that goes on for too long. Rocco gives Mendoza too many chances to kill him making the whole ending seem anti-climatic.

    Antonio Margheriti, better known for his horror films, took a time out from his usual shock fests to direct this one and if he had cut ten minutes from the film, it would have made for a tighter story. As it is, it sometimes meanders too much for effect.

    The widescreen Elite DVD is pretty basic with a rough, unremastered print that shows it's age in places. No trailer or extras of any kind. At least the dubbing isn't too bad and I was slightly entertained by some of the gun battles and the action it had.

    5 out of 10

    -

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      West German censorship visa # 42891 delivered on 23-10-1970.
    • Citations

      Jokko Barrat: What I have to do, has to be done alone.

    • Connexions
      Edited into On m'appelle King (1971)
    • Bandes originales
      Vengeance
      (title song)

      Music by Carlo Savina

      Lyrics by Don Powell

      Sung by Don Powell

      Sung by Don Powell

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    Détails

    Modifier
    • Date de sortie
      • 21 mai 1969 (France)
    • Pays d’origine
      • Italie
      • Allemagne de l'Ouest
    • Langues
      • Italien
      • Anglais
    • Aussi connu sous le nom de
      • Vengeance
    • Lieux de tournage
      • Desierto de Tabernas, Almería, Andalucía, Espagne
    • Sociétés de production
      • Super International Pictures
      • Arlington International Pictures
      • Top-Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 21min(81 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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