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Une série de braquages a eu lieu en Grande-Bretagne et c'est à l'inspecteur Clouseau d'attraper le criminel.Une série de braquages a eu lieu en Grande-Bretagne et c'est à l'inspecteur Clouseau d'attraper le criminel.Une série de braquages a eu lieu en Grande-Bretagne et c'est à l'inspecteur Clouseau d'attraper le criminel.
- Réalisation
- Scénario
- Casting principal
Katya Wyeth
- Meg
- (as Kathja Wyeth)
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Alan Arkin playing Clouseau would have to rank as one of the most awful casting choices ever made. (Will Smith as Mohammed Ali? Close. Di Crapio as a tough guy in 19th-century New York? Very close.) Arkin has never played clowns, nor is he one. He is far too cynical-looking for this type of role. Watching him say his lines was an exercise in embarrassment and major cringing. I suppose that die-hard PP fans who have nothing better to do can have endless discussions as to who was worse: Martin or Arkin. Maybe it'll take another 40 years for someone to attempt to make a PP movie without Sellers. What with the direction Hollywood is heading towards in recent years, it'll be someone like David Arquette's son who'll be cast to play the goofy Frenchman...
One person here wrote that one should forget about Peter Sellers and watch this movie on its own merits. Maybe he/she can do that, probably with some help from hallucinogenic drugs, but personally I'd find that a task both impossible and stupid. The fact is that Sellers DID do Panther earlier and was about 1000 times better.
Arkin is terminally unfunny with the sight gags, but it's the dialogue that really exposes his miscasting: there isn't a single line he says that is even remotely funny.
In all fairness, though, the script is garbage. The story has no flow, just a bunch of barely connected scenes strung together, the gags being rare and rather pathetic. The only thing the movie has going for it are the high production values, which make it watchable, if nothing else.
One person here wrote that one should forget about Peter Sellers and watch this movie on its own merits. Maybe he/she can do that, probably with some help from hallucinogenic drugs, but personally I'd find that a task both impossible and stupid. The fact is that Sellers DID do Panther earlier and was about 1000 times better.
Arkin is terminally unfunny with the sight gags, but it's the dialogue that really exposes his miscasting: there isn't a single line he says that is even remotely funny.
In all fairness, though, the script is garbage. The story has no flow, just a bunch of barely connected scenes strung together, the gags being rare and rather pathetic. The only thing the movie has going for it are the high production values, which make it watchable, if nothing else.
Many reviewers claim this production stinks because Sellers isn't in it. Okay, those are the Sellers fans. But fans of the Pink Panther series (rather than die-hard Sellers fans) may not have minded so much that it wasn't Sellers in the driver's seat so much, had the movie not been a completely disgusting spectacle. This work holds NOTHING of the wit, the humor, or the heart of the others.
I'm sorry to say that this attempt was a failure, and this chapter may comfortably be left out of your Pink Panther collection, as the finished product holds nothing in the way of charm or character.
Sadly, it rates a 2.8/10 from...
the Fiend :.
I'm sorry to say that this attempt was a failure, and this chapter may comfortably be left out of your Pink Panther collection, as the finished product holds nothing in the way of charm or character.
Sadly, it rates a 2.8/10 from...
the Fiend :.
The Mirisch company should have tried harder. It is bad enough having an Inspector Clouseau movie without Peter Sellers, but why no Blake Edwards to direct or William Peter Blatty[A shot in the Dark] to script? Instead we have a rather clever and better looking than Clouseau should be, in the shape of Alan Arkin and a rather boring director in Bud Yorkin. The problem itself is with the script which is unoriginal, tedious and not in the least bit funny. Served with a good script Arkin would have become an adequate Clouseau, but still not as funny or entertaining as Peter Sellers. This is like someone else trying to play Frank Spencer or Rigsby, from british television. Despite this Arkin is at times quite good for the film, wich does have its moments. But i suppose the lesson to be learned is if it aint broke dont fix it. If you haven't seen any other Clouseau movies then you will like this i am sure. Otherwise hunt down A shot in the Dark or The Pink Panther Strikes Again. A total waste!
I guess it would be redundant at this point to say Alan Arkin's Clouseau can't touch Peter Sellers, which is certainly true. Nevertheless, I admit I liked this movie (though a lot less than the Pink Panthers, of course), the plot is actually credible and there are some truly funny moments. I give Arkin credit for attempting a role heavily identified with another- and better- actor, and he's OK in it. It's not a total disaster, as some people have claimed and worth watching, if only for the comparisons. ** 1/2 out of 4
Comparisons between Alan Arkin and Peter Sellers may be unfair, but let's face it, there's no way they're not going to be made, and when they are, Arkin unfortunately comes out on the short end of the stick. Sellers is so closely identified with the role of Jacques Clouseau that it's doubtful if ANYONE could have succeeded in playing him. Arkin actually wasn't a bad choice, though, when you get down to it. His comic talents have been proved time and again, he bears a close enough resemblance to Sellers to make die-hard Sellers fans comfortable, and the script is by two veteran "Pink Panther" writers.
So why is it such a complete dog?
Much of the blame can be laid at the feet of director Bud Yorkin, who completely botched the job, but the script is no prize, either; maybe the Waldmans didn't have their heart in it because Sellers wasn't doing it (or maybe Sellers and/or Blake Edwards had more input into the scripts of their films than anyone realized). Part of it is that Arkin doesn't have anyone of the caliber of the great Herbert Lom as Inspector Dreyfuss to work off of, or even a top-notch character actor like Graham Stark as Hercule, Clouseau's much-put-upon assistant. But I think a lot of the reason is, unfortunately, Arkin himself. Sellers' Clouseau was a catalyst for the disasters that inevitably befell him; he CAUSED most of his own problems without ever realizing it. To him they were just minor setbacks on the way to solving the case he was working on, because he was so thoroughly convinced of his own abilities--which, as we all knew, were virtually nonexistent--that he knew beyond a doubt he would solve the case and become the hero, which he usually did. You felt comfortable laughing at Sellers' Clouseau because, for all his bluster and misplaced conceit, you actually liked him. That's where Arkin's Clouseau fails. Whatever he is, he's not likable in the way that Sellers' Clouseau was, and doesn't engender the affection and sympathy the audience had for Sellers' Clouseau, despite his many failings.
While James Bond can go through several different actors' characterizations of him, there's really only one Inspector Jacques Clouseau, and that's Peter Sellers. Arkin tried, but he just couldn't do it. He shouldn't feel too bad, though; I don't think anyone could have.
So why is it such a complete dog?
Much of the blame can be laid at the feet of director Bud Yorkin, who completely botched the job, but the script is no prize, either; maybe the Waldmans didn't have their heart in it because Sellers wasn't doing it (or maybe Sellers and/or Blake Edwards had more input into the scripts of their films than anyone realized). Part of it is that Arkin doesn't have anyone of the caliber of the great Herbert Lom as Inspector Dreyfuss to work off of, or even a top-notch character actor like Graham Stark as Hercule, Clouseau's much-put-upon assistant. But I think a lot of the reason is, unfortunately, Arkin himself. Sellers' Clouseau was a catalyst for the disasters that inevitably befell him; he CAUSED most of his own problems without ever realizing it. To him they were just minor setbacks on the way to solving the case he was working on, because he was so thoroughly convinced of his own abilities--which, as we all knew, were virtually nonexistent--that he knew beyond a doubt he would solve the case and become the hero, which he usually did. You felt comfortable laughing at Sellers' Clouseau because, for all his bluster and misplaced conceit, you actually liked him. That's where Arkin's Clouseau fails. Whatever he is, he's not likable in the way that Sellers' Clouseau was, and doesn't engender the affection and sympathy the audience had for Sellers' Clouseau, despite his many failings.
While James Bond can go through several different actors' characterizations of him, there's really only one Inspector Jacques Clouseau, and that's Peter Sellers. Arkin tried, but he just couldn't do it. He shouldn't feel too bad, though; I don't think anyone could have.
Le saviez-vous
- AnecdotesAlan Arkin got the role of Clouseau because Peter Sellers was busy doing La Party (1968), directed by Blake Edwards, who was also the director of the previous Clouseau films. He was replaced by Bud Yorkin. Later, Sellers and Edwards would return to the series. With them, the original composer (Henry Mancini) also returned.
- GaffesAt 5:10 Clouseau puts on his shoes in the airplane door. After he retrieves his umbrella and steps off the plane, he falls onto a luggage cart, but his shoes are again missing (the hole in his sock is evident).
- Citations
Commissioner Sir Charles Braithwaite: I think it only fair to say that your being brought in on this case was not my idea.
Inspector Jacques Clouseau: You are too modest.
- Crédits fousThe opening credits are of an animated Inspector Clouseau pursuing a bank robber.
- ConnexionsFeatured in CBS Evening News with Norah O'Donnell: Épisode #1.1048 (2023)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El Inspector Clouseau
- Lieux de tournage
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- Montant brut aux États-Unis et au Canada
- 1 900 000 $US
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