Destination: Zebra, station polaire

This film is very underrated on this site. It is in a genre that is not really made very often any more--action adventure that is plausible both in plot and technology. And the action adventure plays equal footing to the actual acting and dialog. It is closer to an World War II action film than to, say, one of Arnold Schwartzeneger's action films.

As an artistic piece of work, the lack of women (and any romantic story) keeps this cold war picture completely focused on the primary story, and makes the actors work all that much harder to keep the viewer engaged.

There is also a good bit of spectacular on-location filming that still takes your breath away with its beauty. The actual polar icecap scenes (with actors) where the focal point of the movie's action takes place is a set. And it is a glorious one. No CGI imagery here! I bought this DVD for this film in a bargain bin. If you get the chance snap one up, or rent it and watch it on a decent TV. Great transfer.

Good score as well.

The very first film Rock Hudson did after finishing his contractual obligations at Universal Studios was no cheapie. Ice Station Zebra was spared no expense by MGM in bringing the Alistair McLean Cold War novel to the screen. Unfortunately this and some other ill conceived projects are what brought MGM to bankruptcy in the next decade.

Though it got only so-so reviews and didn't have the box office that MGM wanted and needed, Ice Station Zebra has stood up well and is really best seen on the big screen. Even a letter boxed version doesn't do the vast polar landscapes justice nor the underwater shots neither. The film was nominated for special effects and color cinematography.

Watching Rock Hudson in command of the U.S.S. Tigerfish was like watching James T. Kirk in charge of the Enterprise. I wouldn't be surprised if Hudson took a few cues from William Shatner in his performance.

Hudson has an Enterprise like mission and later on leads an away team on a polar icecap where a Russian spy satellite has been busy photographing all of the U.S. missile launching sites. The film is wanted by both sides and both sides send teams to get it.

It's a curious bunch that Hudson has to deal with on his team. A Russian defector scientist Ernest Borgnine, British agent Patrick McGoohan (wasn't that ever natural casting) and spit and polish Marine captain Jim Brown. They've all got varying agendas and one in his crew is a double agent.

The highlight of the film is the standoff with Hudson and Russian colonel Alf Kjellin. They are an evenly matched pair, I would not like to be playing poker with.

Ice Station Zebra is far better than the reviews it got at the time. Even with the Cold War over, it's still an exciting and suspense filled film.

Commander James Ferraday (Rock Hudson), the captain of the nuclear submarine USS Tigerfish, receives the assignment to get three persons to North Pole: the civilian David Jones (Patrick McGoohan), the Russian deserter Boris Vaslov (Ernest Borgnine) and the marine Capt. Leslie Anders (Jim Brown). Their secret mission is to recover an American film from an English camera in a Russian spy satellite, which felt close to the Ice Station Zebra. The persons who work in the station are not responding to the radio call and nobody knows what might have happened with them. Along the voyage of USS Tigerfish, there is some sabotage on board meaning that probably one of the new passengers is a Russian spy. A tense and cynical end finishes a long but attractive story. Although the cold war is gone in the present days, this movie is still a good film. Rock Hudson and Patrick McGoohan have a great performance. My vote is seven.

After re-discovering Patrick McGoohan, I decided to give this film a try. I had heard the title mentioned for years, but had no clue what it was about.

The overall look of the film was rather impressive. I appreciated most of the technical aspects. You really feel like you would NOT want to be stationed on(in?) a submarine! The special effects weren't bad for 1968. The soundtrack is good as well.

When you have Borgnine and Jim Brown in a movie, you automatically think in terms of "The Dirty Dozen". They both did better in that film...

I have never been at all impressed with Rock Hudson, and found his acting to be rather wooden here. He does a good job with the regulation "sub speak", but, for example, in the post-flooding scene with McGoohan, he is very obviously not as impressive an actor as the Englishman (ok ok, McGoohan was born in the US to Irish parents, but they moved back to Ireland, then to England).

In fact, I (and so many others) feel McGoohan steals the movie. Of course, he had many years experience playing "secret agents", so this film may have been a cake-walk for him... just speak a bit more and trade in a black & white blazer for a warm parka! (He did, in fact have to take time off from filming "The Prisoner" to make Zebra.) His character's comments regarding bullet velocity in cold climates is a fan-favorite, along with "the coffee cup" and post-flood explanation. I swear the other actors were just standing there, watching his performance, forgetting the cameras were rolling.

In short, if you like submarines, spies, and mild action, you should like Zebra.

Big-budget, all-star, action-packed adventure about an American submarine sent to the North Pole to retrieve a downed satellite which contains a roll of film. The Russians want it as badly as the Americans because the film contains high-orbit pictures of BOTH country's missile sites.

Rock Hudson is the sub commander, Patrick McGoohan is the cynical secret agent with a dry wit (a roll he made famous in two famous British TV shows, `The Secret Agent' and `The Prisoner'), Jim Brown is a hard-nosed Marine captain, and Earnest Borgnine is a Russian defector working with McGoohan and the Americans to retrieve the valuable film.

The special effects of the Russian jets could have been much better, even in 1968. But the fantastic exterior arctic sets create a stylized North Pole as appealing as the sets of Altair 4 in `Forbidden Planet'. Sure they don't look `real' -- but that's doesn't mean they don't look good. And brother, they sure look BIG. Furthermore, these sets don't just sit there, they actually DO neat stuff: hugh blocks of ice converge and threaten to crush the sub's conning tower, and the conning tower raises and lowers through cracks in the ice!

Dynamite score by Michel LeGrand. Sterling screenplay by Douglas Heyes, riddled with sharp dialogue that the fine cast delivers perfectly (I love it when McGoohan tells Hudson that the film invented by America's German scientists was put into the camera invented by Britain's German scientists and sent up in the satellite invented by the Russian's German scientists. Funny.

Based on Alistair MacLean's best-selling novel. A genuine techno-thriller that predated Tom Clancy's work. And it was originally released at Cinerama theaters! Gotta love it . . .