NOTE IMDb
6,2/10
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MA NOTE
Ajouter une intrigue dans votre langueA thirty-something square falls in love with a hippie and decides to "drop out" himself.A thirty-something square falls in love with a hippie and decides to "drop out" himself.A thirty-something square falls in love with a hippie and decides to "drop out" himself.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Sidney Clute
- Mechanic
- (as Sid Clute)
Avis à la une
This is a very funny send up of the flower child generation. Peter Sellers plays an uptight, Jewish lawyer who falls for one of his hippie brother's girlfriends. After that, he descends into hippiedom. The film is filled with some of the funniest scenes around. The funniest part of the movie is Sellers as a hippie with hair down around his cheeks and psychedelic clothing, but still wearing horn-rimmed glasses. The musical score, which uses sitars as satire, is really great, too. It's very much worth seeing, although it overstays its welcome. Its humorous observations (and imaginations) about hippies get a bit repetitive in the film's second half. 8/10.
Harold Fine (Peter Sellers) is an uptight lawyer, a member of the Establishment. His longtime girlfriend Joyce finally has pinned Harold down on a wedding date, and his life seems to be settling down. But wait! Harold meets Nancy, a friend of his hippie brother, at a family funeral. Turned on by her free thinking, free loving, and free living, Harold leaves Joyce at the altar to be with Nancy. He drops out of society and into hippiedom! Sellers isn't the most likely person to play this role, but he's very good in it. Leigh Taylor-Young, as Nancy, is positively ravishing. The movie takes you back to the late sixties, even if you've never been there. All the sights and sounds are lovingly created by director Hy Averback. And the script! Nearly every aspect of counterculture society in the late sixties is covered, and there's hardly a stagnant scene. In particular, the wild parties at Harold's apartment and the scene where the policeman come upon Harold and Nancy in the backseat of his car are real gems.
One of the best comedies of the 1960s and one of the most subversive as well...it's difficult to believe that Warner Bros. released I LOVE YOU ALICE B. TOKLAS. Peter Sellers, in his most American role, plays Harold Fine, an uptight mama's boy putting off any commitment to girlfriend Joyce Van Patten. He falls head over heels for free-spirited Leigh Taylor Young and all hell breaks loose. Sellers is brilliant, Van Patten is pretty funny, and Taylor-Young is striking. The movie is nearly stolen by Jo Van Fleet as Sellers mother, a shrike to be sure, and hysterical eating a "special" brownie. She's priceless...once again giving a great performance as a character of a substantially more advanced age...she was 54 playing 43 year old Sellers mother! Hy Averback's direction is clever and the film is filled with a lot of funny gags...a highlight is Sellers and crew driving ALL OVER Los Angeles in search of a funeral.
Entertaining film with lots of 60's memories like psychedelic cars, hip, cool, groovy lingo, long hair wigs, and, naturally....pot. Mr. Uptight just couldn't make up his mind whether he wanted to be a straight or be hip, which caused him to alienate himself from both circles. Fun and funny picture.
I was born 8 years after this film came out, so I'm a little out of touch with the generation. BUT! Look closely at this film. Sure, it stereotypes hippies and seems a bit out of date. What this film really is becomes a search for one man (Petter Sellers) to find out who he is, and to avoid the traps of life that he suddenly sees as conventional. As Harold Fine, he questions what life and marriage have to offer and he seeks to discover what else is out there. The pot brownie sequence opens up his world to new dimensions, he breaks off his marriage to be with a hippie chick, he drops out, he tries to free himself. Do I relate to Harold Fine? Heck yes! The film mirrors much of Peter Seller's life himself, confunsed, unsure, searching. The scene with his guru cracks me up- Sellers face is priceless as he tries to stop trying and learn who he is.
This film deserves a lot more attention then what it receives. This isn't just a time capsule into the dropout 60s world- it's a good time capsule into soul searching.
This film deserves a lot more attention then what it receives. This isn't just a time capsule into the dropout 60s world- it's a good time capsule into soul searching.
Le saviez-vous
- AnecdotesDirector Hy Averback said in an interview that one day Peter Sellers refused to shoot a scene until a crew member standing off camera changed clothes. The superstitious Sellers claimed the outfit was the "wrong color". Shooting had to stop while they went to wardrobe and got a different color outfit for the crew member.
- GaffesCops stop the psychedelic hippie hearse right in front of the same supermarket that is seen in background several miles back when they began pursuing vehicle in the opposite direction.
- Citations
Nancy: Your attitude is very unhip.
Harold: My attitude is unhip? Don't give me that. Don't - listen, I'm probably the hippest guy around here. I got a house full of strangers. I got cats, I got dogs, I got pot, I got acid, I got LSD cubes. I've got this thing here. Don't tell me about hip. I am so hip it hurts. That's how hip I am.
Nancy: It's very unhip to say you're hip, Harold.
Harold: And it's very unhip of you to tell me that I am unhip.
- ConnexionsFeatured in Reel Radicals: The Sixties Revolution in Film (2002)
- Bandes originalesI Love You, Alice B. Toklas!
(1968) (uncredited)
Music by Elmer Bernstein
Lyrics by Larry Tucker and Paul Mazursky
Arranged by Bob Thompson
Performed by Harpers Bizarre
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- How long is I Love You, Alice B. Toklas!?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Yo te amo Alicia
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Durée
- 1h 32min(92 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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