Ajouter une intrigue dans votre langueA master swordsman leaves behind a female colleague's signature, a Golden Swallow, when killing villains, in order to lure her to his side, as he's madly in love with her, but his ego won't ... Tout lireA master swordsman leaves behind a female colleague's signature, a Golden Swallow, when killing villains, in order to lure her to his side, as he's madly in love with her, but his ego won't allow him to express it properly.A master swordsman leaves behind a female colleague's signature, a Golden Swallow, when killing villains, in order to lure her to his side, as he's madly in love with her, but his ego won't allow him to express it properly.
- Réalisation
- Scénario
- Casting principal
- Silver Roc Hsiao Peng
- (as Yu Wang)
- Iron Whip Han Tao
- (as Lieh Lo)
- Cao's Brother
- (as Ti Tang)
- Chang Shun
- (as Feng Ku)
- Golden Dragon Branch Leader
- (as Chiao Lin)
Avis à la une
While titled, "Golden Swallow", as others have noted, it really should be called "Silver Roc" or "Iron Whip vs. Flying Swords" or something like that. The character Golden Swallow is in the film but director Cheh is more interested in the disturbed swordsman played by Wang Yu. He gets to kill scores of bad guys in numerous extended scenes while the title character is involved in four short fights at the most.
Is the film good? Well it is entertaining for the most part if a bit gory (with lots of bright red paint). The martial arts are good but many fights scenes are shot with a shaky hand-held camera much like many Japanese movies from the same time. It's effective but muddies up the choreography if that's what you're looking for. The signature zoom lens Shaw style camera work doesn't really get going until the mid seventies. Shaw director Liu Chia Liang can be seen for a second or two as a villainous swordsman.
Golden Swallow feels like that hypothetical martial arts movie with a messy narrative yet still delivering on the action and martial arts movie charms. Of course, it's not a throwback, and was made at a time when the martial arts genre in Hong Kong was thriving, but it still goes to show that an action movie like this can work simply by having good... well, action.
It feels like there's almost more time spent on action scenes than there is time spent on non-action scenes. I'm a sucker for any martial arts sequences, but ones where one person fights through a dozen or more other people with ease I'm particularly a sucker for, and there's some stuff like that here.
The melodramatic romance is a bit underwhelming, and the story is all over the place, but the fighting is exciting and fun, and that's the most important thing. Great fighting and a good story might make a martial arts movie great, which isn't the case here... but the movie's at least good, thanks to it having frequent and entertaining fights.
Wang Yu plays a thoroughly unlikable antihero, Silver Roc, who's out for revenge against the murderer of his parents. (Or his teacher. Or something.) Golden Swallow and another woman are in love with Silver Roc; an upstanding warrior called Iron Whip (Lo Lieh) has the hots for Golden Swallow, but can see that he's losing out to Silver Roc. Yang Chih-ching (Wang Yu's nemesis from the previous year's hit "The One-Armed Swordsman") portrays the lead villain, Poison Dragon. With smoother choreography, the limitations of the dreary soap opera-style plot might have been easier to overlook, but the scenes of combat prove unsatisfactory. There are lots of fights, certainly, but they're awkwardly choreographed and filmed. Chang Cheh knew that he wanted to create long, bloody fight scenes with a lone hero facing virtually impossible odds, and from here on out he began to fine-tune his approach. Beginning with "The Return of the One-Armed Swordsman" (1969), the fights got better and better.
"Golden Swallow" was filmed in Japan, and the film's gorgeous outdoor photography may be its strongest feature. It's a necessary step in the development of Chang Cheh's directorial style, but will be of interest primarily to Wang Yu/Shaw Brothers completists.
"Da zui xia" was already a surprising good movie, that besides was a genre defining one. It was one of the first 'modern' Kung Fu movies, with plenty of sword fights and action in it. But this is perhaps why I liked this sequel better; it's even more action filled! Not only does the movie feature some amazing and spectacular fight choreography in it but it's made even more spectacular and amazing thanks to the way it got shot. It has some absolutely wonderful cinematography in it, especially during all of its fight scenes. I also quite liked the hand-held camera-work during some of the sword-fights. I'm not too sure about but I believe that this is something I have never seen before in a genre movie like this.
Because the movie is so action packed, it becomes a truly entertaining one to watch, with a pleasant fast pace to it as well. The story still finds some room to throw in a love-story as well but it does this in a quite original way. It's a sort of love triangle love-story that plays out nicely for its story.
The character played by Pei-pei Cheng gets pushed somewhat more to the background this time but it's OK, since the movie brings in a lot of more awesome characters to replace her with. What I like about the character's is that you're constantly changing your opinions about them. Some of them start out as villains, who eventually turn out to be good guys after all.
It's not featuring a that complicated or well written story but it's serving its purpose well for the movie. It takes the movie to lots of beautiful looking places, where we meet all kinds of awesome characters, who often get into a fight with each other. Seriously, I can't see how someone could not like this movie, even when you aren't very familiar with the genre yet.
It's simple entertainment but oh so well made and brought to the screen!
9/10
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Le saviez-vous
- Citations
Silver Roc Hsiao Peng: [Poem written on wall, read aloud] With a sword, I travel alone. / The roc soars high in the clouds. / The land is vast, but where is my home? / O swallow, where are you nesting?
- ConnexionsFeatured in Cinema Hong Kong: Kung Fu (2003)
Meilleurs choix
Détails
- Durée
- 1h 49min(109 min)
- Mixage
- Rapport de forme
- 2.35 : 1