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6,8/10
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MA NOTE
Ajouter une intrigue dans votre langueParoled London fraudster Marcus Pendleton poses as a computer specialist in order to work for an insurance company that entirely relies on its corporate server.Paroled London fraudster Marcus Pendleton poses as a computer specialist in order to work for an insurance company that entirely relies on its corporate server.Paroled London fraudster Marcus Pendleton poses as a computer specialist in order to work for an insurance company that entirely relies on its corporate server.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 nominations au total
Lewis Alexander
- Gentlemans Club Member
- (non crédité)
Lynda Baron
- Louise
- (non crédité)
Sean Barry-Weske
- Hippie in Boutique
- (non crédité)
David Bedard
- Co-pilot
- (non crédité)
William Burleigh
- Page Boy
- (non crédité)
Wilfred Carter
- Theatre Manager
- (non crédité)
Elizabeth Counsell
- Miss Glyn
- (non crédité)
Margaret Courtenay
- Mrs. Hubbard
- (non crédité)
Patsy Crowther
- Second Charwoman
- (non crédité)
Paul Dawkins
- Pritchard
- (non crédité)
Hugo De Vernier
- French Bank Official
- (non crédité)
Anne De Vigier
- Secretary Receptionist
- (non crédité)
Avis à la une
Okay, for those that dislike this movie, I agree this ain't Olivier doing Shakespeare. But it is a charming little caper movie that could only have been made in the sixties.
Peter Ustinov plays a charming embezzler and Maggie Smith plays a not-so dumb-in-the end secretary that he marries. It doesn't have any roll on the floor laughs but then again it doesn't try to. Made before the blockbuster era of Jaws and Star Wars and even before the crass but extremely funny humor of M.A.S.H., simple movies like this could be made for a modest cost without being expected to be the next Gone With The Wind.
If you come across this movie, just enjoy it without looking for any deep underlying message.
Peter Ustinov plays a charming embezzler and Maggie Smith plays a not-so dumb-in-the end secretary that he marries. It doesn't have any roll on the floor laughs but then again it doesn't try to. Made before the blockbuster era of Jaws and Star Wars and even before the crass but extremely funny humor of M.A.S.H., simple movies like this could be made for a modest cost without being expected to be the next Gone With The Wind.
If you come across this movie, just enjoy it without looking for any deep underlying message.
"Hot Millions" is a well-written, well-acted tale about an embezzler who steals (whoops! -- too low class a word for an embezzler, according to Peter Ustinov's lead character) a "hot million" from the London branch of a U.S. corporation by creating shell corporations on the continent and using the firm's ostensibly secure computer to transfer funds to them. (Remember, spoiler police, this is a comedy, not a mystery.)
From 1968, this movie's depiction of computers may seem naive to today's more computer-literate populace; but as one who has worked with computers since before this film was released, I would assert that even then, this smacks of having been written by and for computer illiterates, probably on purpose to heighten the droll comedic aspects of this British flick.
If one has little taste for this type of entertainment, the movie may seem to drag in spots. Fortunately, it has a nicely wrapped-up ending; unfortunately, the end credits give no indication of the classical music used therein -- the symphonic piece at the end and the piano-flute duet in the middle -- just the song sung by Lulu which I totally don't remember.
From 1968, this movie's depiction of computers may seem naive to today's more computer-literate populace; but as one who has worked with computers since before this film was released, I would assert that even then, this smacks of having been written by and for computer illiterates, probably on purpose to heighten the droll comedic aspects of this British flick.
If one has little taste for this type of entertainment, the movie may seem to drag in spots. Fortunately, it has a nicely wrapped-up ending; unfortunately, the end credits give no indication of the classical music used therein -- the symphonic piece at the end and the piano-flute duet in the middle -- just the song sung by Lulu which I totally don't remember.
9sol-
Peter Ustinov received an Academy Award nomination for the script that he co-wrote for this film, and it was a nomination well deserved because if not particularly witty or laugh-out-loud funny, the film still has a number of amusing moments and it is a delight to watch. Ustinov is perfect as a charismatic conman, and Maggie Smith is excellent as a ditsy bimbo in a role very atypical for her repertoire. There are also some interestingly edited sequences and great music too. The scams that Ustinov devises are a bit overly complicated, as is the science behind is the hacking that he carries out, but a full understanding of everything that is going on is not required to enjoy the film. It is interesting to watch and often amusing.
Talk about a dream cast - just two of the most wonderful actors who ever appeared anywhere - Peter Ustinov and Maggie Smith - together - in "Hot Millions," a funny, quirky comedy also starring Karl Malden, Robert Morley, and Bob Newhart. Ustinov is an ex-con embezzler who gets the resume of a talented computer programmer (Morley) and takes a position in a firm run by Malden - with the goal of embezzlement in mind. It's not smooth sailing; he has attracted the attention of his competitor at the company, played by Newhart, and his neighbor, Maggie Smith (who knows him at their place of residence under another name), becomes his secretary for a brief period. She can't keep a job and she is seen throughout the film in a variety of employment - all ending with her being fired. When Newhart makes advances to her, she invites Ustinov over to her flat for curry as a cover-up, but the two soon decide they're made for each other. Of course, she doesn't know Ustinov is a crook.
This is such a good movie - you can't help but love Ustinov and Smith and be fascinated by Ustinov's machinations, his genius, and the ways he slithers out of trouble. But there's a twist ending that will show you who really has the brains. Don't miss this movie, set in '60s London. It's worth if it only to hear Maggie Smith whine, "I've been sacked."
This is such a good movie - you can't help but love Ustinov and Smith and be fascinated by Ustinov's machinations, his genius, and the ways he slithers out of trouble. But there's a twist ending that will show you who really has the brains. Don't miss this movie, set in '60s London. It's worth if it only to hear Maggie Smith whine, "I've been sacked."
I just saw Hot Millions on TCM and I had completely forgotten this gem. Ustinov creates a clever and divisive plot that has him cleverly going from two bit con man to ingenious... Well you'll see. Maggie Smith is perfect as the bumbling secretary/neighbor who has a tough time holding a job but has a warm and vibrant personality that beams through in this picture. She creates a fine portrayal of a warm, witty and real person who in the long run...well...
Molden and Newhart as top executives take on the challenge of making what could be banal roles and make them come out into a comic life of their own.
Robert Morley and Ceasar Romero are just a pleasure to see and I know at least in Romero's case Ustinov is extending a helping hand of work.
This film is meant to be a shot back at the rising computer age and it's problems for the average con man or man for that matter but in fact the characters are so involving and so much fun to watch that the computer sub plot is almost lost...I say almost.
Let down your usual expectations of modern comedy and look for the great performances and friendly, forgiving and deeply involving plot in this picture.
Molden and Newhart as top executives take on the challenge of making what could be banal roles and make them come out into a comic life of their own.
Robert Morley and Ceasar Romero are just a pleasure to see and I know at least in Romero's case Ustinov is extending a helping hand of work.
This film is meant to be a shot back at the rising computer age and it's problems for the average con man or man for that matter but in fact the characters are so involving and so much fun to watch that the computer sub plot is almost lost...I say almost.
Let down your usual expectations of modern comedy and look for the great performances and friendly, forgiving and deeply involving plot in this picture.
Le saviez-vous
- AnecdotesPatty Terwilliger Smith (Dame Maggie Smith) takes Willard C. Gnatpole (Bob Newhart) shopping, where she is seen trying on clothes and buying an outfit for twenty pounds sterling at the Apple Boutique on Baker Street, London, a boutique owned and operated by The Beatles. The boutique, which was the first venture of their Apple Corps Ltd. company and featured a large psychedelic mural on the external wall, was only operated for several months in 1968 before being closed down, and the contents given away to the public for free. This movie provides one of the few rare filmed glimpses of the boutique's interior.
- GaffesAt the bridge game (c.9 minutes) the dealer should bid first, not the third hand. The next bid (six spades)thereafter is from the second hand but the bidding should have been in a clockwise direction, not anti-clockwise.
- Citations
Customs Officer: [finding a jar of coffee in Klemper's bag] You're bringing instant coffee to Brazil? I won't dignify this by confiscating it!
[Customs Officer makes Klemper open the jar and empty the contents into the trash]
- Bandes originalesThis Time
Words by Don Black
Music by Laurie Johnson
Sung by Lulu
[Played in the sequence following Patty's shopping spree with Gnatpole]
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- How long is Hot Millions?Alimenté par Alexa
Détails
- Durée1 heure 46 minutes
- Rapport de forme
- 1.66 : 1
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By what name was Chauds les millions (1968) officially released in India in English?
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