Objectif Lune

A moving and exciting space opera with great cast , adequate production design and nail-biting final scenes . Concerning the preparatives, training , emotional crises affecting the men and their families and mutual competence between two astronautas : James Caan, Robert Duvall. At the end there is a bone-crushing last reel that will have on the edge of your seat .The motion picture that puts a man on the moon ... and you will follow every terrifying second of the way...From the director of The Player and Nashville comes a screen space adventure that's the Real Suff .

This is the personal drama of the man fate picked to live the great adventure of the century , resulting to be a nice thriller/drama/Scifi with overlapping dialogue , dealing with American astronauts being rushed out to the moon in an attempt to beat the Russians. This is a drama more than a thriller , concentrating less on Sci-Fi hardware than on emotional crises affecting the men and their families . Here there are three major talents connected with this science-fiction thriller , as Robert Altman , and Robert Duvall , James Caan went on to appear together in The " Godfather" by Francis Ford Coppola and " Killer Elite" by Sam Peckinpah , while director went on his own fame and fortune , all of them : Duvall, Caan, Altman were all on the theshold of their hugely successful careers . Moreover , including a rousing and twisted finale that will leave you breathless. Starring duo are well accompanied by a very good support cast , such as : Steve Inhat , Joanna Moore, Barbara Baxley, Michael Murphy , Charles Aidman and uncredited actor/producer William Conrad as a TV newscaster , among others.

It contains an atmospheric and functional cinematography by William Spencer. As well as a rousing and suspenseful musical score by Leonard Rosenman in Jerry Goldsmith style .This is most uncharacteristic of its filmmaker and the ethereal qualities of his later work, though being slightly soapy in parts . This one was made before MASH and subsequently Altman to develop a prolific and successful career . After his television works , first film's Altman was in 1957 The James Dean Story , following this Countdown 1967 , the big hit MASH and a series of successes and some flops , such as : That Cold Day in the Park, McCabe and Mrs Miller , Images , The Long Goodbye , Thieves like us , California Split , Nashville , Buffalo Bill and the Indians , 3 Women , A Wedding , A perfect Couple , Health , Quintet, Popeye , Secret Honor , Streamers , Fool for Love , Beyond Therapy , Aria , Short Cuts , Kansas City, The Gingerbread Man , Dr T and the women , Gosford Park, The Company , among others .

James Caan and Robert Duvall starred in a bunch of films together. This one shows them landing on the moon, two years before we actually did. President Kennedy had challenged the U.S. scientists to get us to the moon before the russians, not because it was easy, but because it was hard, and would challenge us to meet the best of our skills and abilities. Ted Knight is in here as "Walter", a couple years before Mary Tyler Moore. also small, uncredited appearances by Mike Farrell and William Conrad. suspense and adventure. just before it happened in real life. some added competition between the astronauts, which probably wasn't really there. i get that so much was unknown at this point, but they have added in arguing and competition where there probably wasn't. who knows. it's okay. Directed by Robert Altman, who had been repeatedly nominated for an oscar, and received it for a lifetime achievement of inspiring work .... think M*A*S*H.

Released two months before '2001: A Space Odyssey', and on a soap opera scale compared to that, 'Countdown' comes from a time when movies didn't have to have huge budgets, big stars or auteur directors to get national distribution: I saw it as a second feature (remember them? - to 'Ice Station Zebra', I think, a far worse movie) in one of the now defunct three small cinemas in my home town. It's pretty formulaic, with a 'time clock' plot, a little bit of character play, a fair bit of topicality, and for its time and budget, a reasonable stab at gritty space realism, compared to the stagey, squeaky 'Star Trek' universe that had boldly gone on TV only two years before, and Kubrick's tour de force that was to follow shortly. Interesting as a snapshot of cinema history, with a director and lead actor (and Robert Duvall) who went on to join the A-list, which nobody knew about then. They don't make 'em like this any more; or if they do, they go straight to DVD.

The Americans and Russians are in a race to the moon. For political reasons, Air Force pilot Robert Duvall is replaced by civilian James Caan as the astronaut for the mission. This leads to personal conflicts between the two and general doubts about whether Caan can pull the mission off. Director Robert Altman's space drama is a mostly unimpressive, static effort. If I didn't know better I would assume it was made-for-TV. Lacking in special effects and choosing instead to focus on the personal drama between the various parties involved in the space program, it can be a tough slog at times. It's very dry and has long stretches where it's boring. It's also lacking in the kind of suspense necessary for a story about a race to the moon. Anti-climactic ending doesn't help, either. If you're a fan of movies about the space program perhaps you should check it out. Otherwise I can't recommend it.

A comment on "Marooned", the movie that was made about a moon mission disaster which was released after the Apollo 11 landing but prior to the Apollo 13 real-life disaster, mentioned that the movie is not available on DVD and rarely, if ever, appears on television. I believe that the same is true of this movie (at least regards TV screenings) and it's for the same reason. "Marooned" and "Countdown" are movies that are so much of their period that they scarcely make any sense at all to 21st Century minds. Of course, we all know about the Cold War, and most cold war movies involve international espionage which is timeless.

Countdown is a movie about the Space Race which dominated the daily agenda at least as much as conventional Cold War conflicts like the Korean and Vietnam wars. The plot concerns a situation in which the Soviets succeeded in their aim to send a manned rocket to the Moon before the Americans were ready to fly Apollo. However, contact with the cosmonauts has been lost, and there is still a chance for NASA to fulfill Kennedy's challenge of "sending a man to the Moon and returning him safely to the Earth" - as well as the kudos gained from discovering and being the ones to tell the Soviets what happened to their men.

An interesting sideline on this is that the actually successful method of moon exploration used, ie send three men to lunar orbit and then two can travel to the surface in a smaller ship, is certainly not the only solution, and this movie explores a different one forced by necessity. Since Apollo is not ready and there is no lunar lander capable of taking off from the moon, why not send a less complex ship with only one man, and let him stay on the moon, kept alive by an environment habitat sent on ahead by unmanned rocket and by provision of supplies by further unmanned ships? Such a scenario had already been envisioned by science fiction authors like Arthur C. Clarke as being the most efficient way to explore our satellite. Certainly nobody had previously imagined that we would send men to the Moon for a matter of a few days in a ship which could not carry more than a few hundred pounds of samples back to Earth. By exploring this other methodology this movie succeeds in highlighting the true nature of our Lunar adventure. The point was not to expand the human frontier or to increase the sum of scientific knowledge - the point was to get a man on the moon and safely back before the Russians did.