La bataille de San Sebastian

Guns for San Sebastian is directed by Henri Verneuil and adapted to screenplay by James R. Webb from the novel "A Wall for San Sebastian" written by William Barby Faherty. It stars Anthony Quinn, Charles Bronson, Anjanette Comer, Sam Jaffe and Silvia Pinal. Music is by Ennio Morricone and cinematography by Armand Thirard.

An outlaw on the run is mistaken for a priest by peasant villagers who are at the mercy of bandits and Yaqui Indians.

Something of a multi euro Western, Guns for San Sebastian latches onto the Spaghetti Western coat tails whilst attempting to put something new in the wardrobe. Undeniably the critics who said it's pedestrian in pace are absolutely right, the first two thirds of the piece asks for a great deal of your patience, whilst simultaneously demanding you buy into the various themes trundling away.

With a surreal sub-plot at play, a jokey romance and some atrocious dubbing, it's not hard to dismiss it as purely fun cannon fodder. Yet there's some strengths in the piece, literary wise and from a thrilling stand point as the last third brings the thunderous siege - cum battle stations. Quinn throws in a good turn, the Durango locale is superbly photographed, and Morricone offers up one of his tonally astute scores.

It's all very Magnificent 7 et al, but nothing wrong with that, that is on proviso you can get through the labours of the first hour or so. 7/10

The film has a good theme and set in quite genuine historical settings. It brings out the conflict between the indians and the settlers, the poor settlers and the ruling elite. It packs in quite some punch on the action category.

A spaghetti western surprise with Anthony Quinn as a "priest" and Charles Bronson as a Mestizo malcontent.

The movie has a theme, a developed plot, some actors with charisma and an Ennio Morricone score. That's more than most movies give you, regardless of genre.

I was pleased to find that Spaghettiville isn't a one-horse (Eastwood/Leone) town.

8 out of 10.

This is one of those films that nearly loses you, but in the end rewards you for sitting through it. It makes for a very good view, despite its leisurely pace at times.

In summary Anthony Quinn stars as a outlaw that is saved by Father John, whom he escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from indians, who pillage their crops and burn their buildings. When Father John is murdered, the outlaw is mistaken as the man of god by the villagers, and assists them in regaining their confidence and defending themselves.

Quinn is superb in his role, complimented by Charles Bronson, who plays the bad guy "half breed" Teclo. Sam Jaffe's Father Joseph character is also very likable.

Whilst the movie is quite slow in places, this only helps to plot out the story. Although casting the indians as the "bad guys", it does explain that the massacre of the villagers is no different than what the white man has done to their own race "in the name of god".

The soundtrack is again provided by Ennio Morricone and, whilst not his best work, does help provide the suitable atmosphere, borrowing heavily from some of his other compositions.

Definitely worth a view.

The European Western takes a couple steps back in time with the rascal-mistaken-for-clergy theme, a proved device that worked for Bogie in "The Left Hand of God" & Whoopi in "Sister Act." In colonial Mexico, bandit Leon (Quinn) takes refuge with dedicated Father Joseph (Jaffe) & escapes when the priest is transferred to a forsaken northern village. The villagers, terrified of marauding Yaquis & exploited by a frontier protection racket led by embittered half-Yaqui Teclo (Bronson), mistake Leon for the priest & implore him for miracles. Unable to escape back into colonial settlement & tempted by naive, spirited village girl Kinita (Comer), he teaches the villagers to fight back & believe in themselves rather than praying for miracles. Quinn is colorful as ever but not quite believable making the transition from Leon the selfish, godless rascal to Leon the selfless, principled hero, though he is properly scruffy all the way through. Comer is fetching but Bronson is only bulky & menacing. Two extraordinary talents--Gravet as a stuffy bishop & the legendary Silvia Pinal as Leon's conniving girlfriend--are relegated to minor, superficial roles. The time period is wrong for the film's big gunfights, since firearms were clumsy & rare in the 18th century. But the tongue-in-cheek flavor of the spaghetti Western, with a scruffy rascal confounded, puzzled & frustrated on the way to his selfish goal, holds true all the way through. The Yaquis are represented--up to a point--with the sympathy typical of Westerns of circa 1970. A subplot, Leon's pursuit of a wild white horse, is an effective, slightly surreal device. A contribution by Bunuel, Jr., the 2nd unit director? Oh, my God, this movie has Silvia Pinal & Juan Luis Bunuel! It's the closest thing to a surrealist Western!