Drame de la seconde guerre mondiale sur la bataille de 1942 en Afrique du Nord à El Alamein entre les Alliés et les forces de l'Axe.Drame de la seconde guerre mondiale sur la bataille de 1942 en Afrique du Nord à El Alamein entre les Alliés et les forces de l'Axe.Drame de la seconde guerre mondiale sur la bataille de 1942 en Afrique du Nord à El Alamein entre les Alliés et les forces de l'Axe.
- Réalisation
- Scénario
- Casting principal
- Marta
- (as Ira Furstenberg)
- Kapow
- (as Salvatore Borgese)
- Italian Soldier
- (as Max Dean)
Avis à la une
The film did defeat my prejudices , but only in the first half , and it turned out to be a Pyrrhic victory and before the film reached its end titles the victory the film had over me and turned in to a defeat on the scale of Stalingrad . It is undoubtedly intriguing watching a war film from the other side . ALAMEIN isn't unforgettable human cinema in the way DAS BOOT was but does portray all sides in the conflict as being people who have families at home and it's this that is important to the characters rather than the wider politics of the conflict . Okay maybe the " War is hell " statements are overdone but it's possibly in keeping with the Italian mindset during this era . The Italians were badly equipped with obsolete equipment , very badly led and Italy would traditionally through the last couple of centuries side with the British and French often against Germany so Mussolini's pact with Nazi Germany despite being logical from a political point of view goes against the historical grain . Add to this the fact political and military leaders were quickly promoted due only to their loyalty to the Italian Fascist party and you can see why the average Italian conscript might not be too happy getting killed fighting against a democracy , especially if he knows he's probably going to be better fed in an allied POW camp than in his own army . As a battle hardened NCO realises his section is going to be led by a glory seeking officer we have all the makings of a good melodrama
The film then proceeds to blow it by going out of its way to ruin the early potential . Little things such as the anachronistic Italian helmets with their 1960s camouflage patterns you can overlook if the bigger picture is impressive but it's not . The story soon loses its early focus and instead jumps from one half baked thread to another . Rommel starts getting involved in a plot that would lead to the July 1944 bomb plot . Common myth but Rommel had nothing to do with that . British equipment includes 1960s era American APCs and 1950s era tanks and march in to battle playing bagpipes which sound nothing like bagpipes . It's interesting that the film in its early stages portrays all sides as being intelligent but then in the latter stages British tank crews don't notice Italian soldiers as they nonchalantly wander around the battlefield sticking bundles of dynamites on tanks . Tanks that conveniently have straps that you can attach bundles of dynamite to . The macho heroics jars in comparison with the first half of the film that does have an anti-war feeling to it and by this stage it has become a different and much inferior movie
Battle of El Alamein isn't such a film. It's probably the most objective and anti-war film made since ALL QUIET ON THE WESTERN FRONT. While the battle sequences are big and exciting, there's nothing glamorous about fighting this kind of war. The soldiers are all shown as equally miserable, barely eeking out an existence in a network of trenches on the sunbaked deserts of North Africa. While it primarily focuses on the heroics of an Italian division (the real-life Italian army was best known as one of the most poorly-led and low-morale armies at the time), the film doesn't get too preachy and while it villifies no one, only showing how some generals (especially the fictional Schwartz) inevitably swung the battle in their enemy's favor due to their impatience and misguided ideals.
THE BATTLE OF EL ALAMEIN also does a great job of blending fictional characters with nonfictional ones (like Rommel, Montgomery, Von Thoma, and Stumme) in a nonfictional setting. While the battle itself is abridged and perhaps over-simplified to focus on the Italian division, that's perhaps best for the sake of narrative, character development, and making the emotional impact as strong as possible.
Stylistically, the film is done fairly well in late-60's style, with plenty of zoom-lens technique, close-ups, etc. It does drag in spots but only due to the predictability because we KNOW that the axis is gonna lose, but it does a good job keeping the suspense high by showing the Italians taking heavy losses in every engagement. We never know which characters are gonna make it through and which ones aren't.
Despite it's flaws, I doubt a better, larger, or more compelling depiction of the battle of El Alamein shall ever be made.
This movie gets lots of action , crossfire , gunplay and explosion . All-star-cast formed by known European actors give decent interpretations . It displays several extras and tanks , in fact , the production wishes thanks the Italian Ministry of defense and the Italian Army general staff for their collaboration in making this film .
The picture is based on the real battles , the true events were the following : Alamein in WWII are two decisive battles in the western desert , north Egypt , in 1942 resulting in British victory over Axis forces under Field Marshal Erwin Rommel : 1- 27 July 1942 the British 8th Army under General Sir Claude Auchinleck held off the German and Italian forces . Neither side can be said to have won , but the British had the strategic advantage of short supply lines and so could reinforce faster than Germans . 23 Oct-4 Nov 1942 General Bernard Montgomery launched a diversionary British attack in the south , aiming to draw Axis forces into the area so that the main attack in the north could cut two corridors through the extensive minefields , enabling British armoured divisions to pass through and exploit the gaps . Progress was slow however and Montgomery decided to change tactics to fight what he called a 'crumbling battle' constantly switching the main emphasis to chip away at Rommel's front line and keep him guessing. Australian Division attacked along the coastal road , drawing the Axis forces toward them . Montgomery promptly launched a fresh attack further south, forcing the German armour to react in what became a major tank battle . By 3 Nov Rommel had only 30 serviceable tanks in action and on the next day began organizing his withdrawal. He was able to disengage and escape as the British were hampered by heavy rain and shortage fuel .
Le saviez-vous
- AnecdotesThe opening prologue states: "June 1942. As Gen. Erwin Rommel swept toward the Nile, the fall of Egypt and the capture of the Suez Canal seemed inevitable. Italian and German advance units raced toward Alexandria. Benito Mussolini had given explicit orders: The Italians must arrive first!"
- GaffesThe British were using M113 personnel carriers. The M113 personnel carrier was not introduced until some 20 years after the Battle of El Alamein.
- Citations
Gen. Bernard Law Montgomery: [addressing his staff officers] I'm taking over command of the Eighth Army. I had best tell you immediately what I think; they'll be no more retreating. I want all the plans for pulling back prepared by my predecessor to be burned. I want all non-operative vehicles returned to the rear lines. No one will be moving out of here. We're staying on, dead or alive, until Rommel surrenders. That's all for the moment.
- ConnexionsEdited into Les guerriers de l'enfer (1969)
Meilleurs choix
- How long is The Battle of El Alamein?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Battle of El Alamein
- Lieux de tournage
- Cinecittà Studios, Cinecittà, Rome, Lazio, Italie(interiors filmed at)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 36 minutes
- Mixage
- Rapport de forme
- 2.35 : 1