Homicide par vocation

I recently watched the Italian thriller 🇮🇹 Deadly Inheritance (1968) on Tubi. The film follows the death of a wealthy railroad employee whose heirs, eager for their fortune, gather only to have one by one start disappearing as they await their inheritance.

Directed by Vittorio Sindoni (Don't Hurt Me, My Love) in his directorial debut, the movie stars Tom Drake (Meet Me in St. Louis), Femi Benussi (Batton Story), Ivo Garrani (Waterloo), and Ernesto Colli (Illustrious Corpses).

Although it leans more toward a crime drama and murder mystery than pure horror, Deadly Inheritance is very well written, featuring smart twists and turns. The peeping-tom scenes are fun, and the background music does an excellent job of creating atmosphere. The settings, costumes, and dialogue all work together to maintain your interest, and the final reveal makes the journey worthwhile.

In conclusion, Deadly Inheritance is a unique and fun whodunit that's definitely worth a watch. I'd score it a 6/10 and recommend seeing it at least once.

Rating Breakdown: Story - 1.25 :: Direction 1.25 :: Pacing - 1.00 :: Performances - 1.00 :: Entertainment - 1.25 :::: TOTAL - 5.75/10.00.

Picture this: a lazy, rainy Sunday, a hot drink in one hand, a duvet in the other. That's the ideal setting for Deadly Inheritance (1968), a Giallo thriller that ambles rather than sprints, offering more tepid tea than spicy espresso.

Director Vittorio Sindoni takes a serviceable but uninspired approach, delivering a murder mystery with some pretty visuals but none of the noir-ish tension or pulse-raising pacing the genre can deliver. The plot-a family offing each other over an inheritance-unfolds predictably, though a late twist manages not to feel entirely telegraphed. Unfortunately, the characters are so two-dimensional they make cardboard seem complex. It's hard to care about who lives or dies when nobody's worth rooting for.

Tom Drake's Police Inspector offers a rare bright spot, but even he feels like he's performing at half-speed in a production that never quite shifts out of first gear. The pace is slow, the thrills muted, and the story basic enough that your average housecat could probably deduce the killer.

Yet, there's something oddly comforting about the film's unpretentious simplicity. Deadly Inheritance might not be a great Giallo, but for a rainy afternoon under a blanket, it's just intriguing enough to keep you awake-barely.

I'm calling out to all of you, good people working at DVD-distributing companies like NoShame Films, Subversive Cinema or even Anchor Bay Entertainment! During the past couple of years, and especially with the revival of low-budget seventies exploitation cinema, a lot of stupendous Italian Gialli thrillers already received fancy DVD-releases. Even several lesser great and downright mediocre Gialli already got transferred to disc, but still there are numerous hidden treasures that remain stuck in video-oblivion to this date. "Deadly Inheritance" is an ideal example of this. Perhaps there aren't any famous names listed in the cast and crew, but nevertheless this is a wondrously convoluted and marvelously flamboyant showcase of Italian Giallo greatness with mouth-watering gore, sensational sleaze and phenomenal music. The plot may be derivative and the constant red herrings may be too grotesque for their own good, but I guarantee this is the stuff all you Giallo-fanatics are searching for. Straight from the first couple of minutes you'll already know you're in for a nice treat, as the opening involves a fast ride on rails – filmed from the trains' POV – and guided by THE most exciting music I ever heard. The ride abruptly ends when an elderly man messily ends up underneath the train and the titular (Deadly) inheritance refers to the arrangement of his testament between the family members. The deceased had three beautiful daughters and one mentally handicapped adopted son, but the will irreversibly states that nobody receives one penny before the boy reaches the age of 21. Naturally, none of the women (nor their husbands/lovers) intend to wait two more years or even consider sharing the family wealth and it doesn't take too long before the kid ends up underneath a train as well. It looked like suicide, but Inspector Greville suspects murder and quickly gets confirmed when more relatives turn up dead in less camouflaged circumstances. The rest of the plot unfolds itself as an engaging and unpredictable (because of its absurdity) Giallo with many inventive death sequences and perverted underlying sub plots. "Deadly Inheritance" is a must-see for genre lovers, so I sincerely hope it'll be widely available on short notice and, if it's not too much to ask, the wildly exciting soundtrack ought to be released separately as well. There's a more than fair amount of suspense and mystery, the killings are deliciously gross and the three leading ladies are luscious eye-candy. Femi Benussi is probably the most famous name in the cast, since she starred– and showcased her ravishing body – in "The Bloody Pit of Horror", "Bloodsucker Leads the Dance" and Mario Bava's "Hatchet for the Honeymoon". The rest of the cast, as well as director Vittorio Sindoni, is fairly unknown, but they all do good jobs and contribute in making "Deadly Inheritance" what is in my book the most undeservedly and shamefully overlooked Giallo ever.

Good film that starts off like some sort of 'reading of the will' film, then heads straight into Giallo territory by the wasting of the cast, then seems to wrap up business early before throwing every twist in the book at you while also giving you a loving kiss of rich cinematography, Italian babes and crappy dubbing.

Some rich railroad worker guy gets killed when someone switches the tracks and causes him to be run over by a train. His horrible kids gather together for the reading of the will and are horrified to find that no one will get anything until the handicapped, peeping Tom adopted son comes of age in three years.

Obviously that's not going to happen so when that son falls under a train, the cops are brought in and everyone's a suspect. Throw in loads of deaths (but just a little gore, this being 1968, but there's also a little bit of boob, this being the summer of love and all), and an avalanche of twists, some sixties fashions and some groovy music and everyone's happy.

Apart from the railway theme running through the film, I also liked how various characters seemed to interact with the soundtrack (like the first murder victim turning the music 'off' via his earpiece) - I'd never heard of this one and it was a nice surprise. I also burst out laughing at some of the really crappy dancing done in the night club.

Deadly Inheritance takes the framework of your average Agatha Christie novel from 1930s upper class England and places it in 1960s working class France. Though it starts out a bit chintzy (a deaf man would feel the vibrations of the train on the tracks, just to let you know) Omicidio per vocazione unfurls into an engaging mystery with a couple of likable characters you may actually be sorry to see die.

The patriarch passes on and leaves an unexpected inheritance in his will, but the catch is that his adopted son - a disabled 18 year old boy - must be cared for by the family until his 21st birthday and only then will the money be split between them. Of course, all hell breaks loose.