Astérix et Cléopâtre

This is probably one of the best French animated films to date. It surely is the best of all Asterix movies since its story holds more together than any of the others. Its comic parts are many, but they are not ridiculous as many found in the others. On the cover of the book there was this motto: "The Greatest Story Ever Drawn". Surely it says right. Although much of the animation seems to have been inspired by 20th Century Fox's "Cleopatra" (1963), still it is full of originality. There is never a dull moment - it is entertainment from beginning to end.

In the "Movies-that-Made-my-Childhood" anthology, "Asterix and Cleopatra" is the number one. I grew up with it, my parents did (that's for posterity), I can recite it line by line, watch it again and again, I still laugh and may even discover subtle details in the process. But don't take my 'history' with the film as a bias; just watch it and you'll see that Disney had not the monopoly of entertainment, laughs and catchy songs. "Asterix and Cleopatra" is something special.

The first frame shows a funny-looking Egyptian with a deadpan expression. The narrator starts : "About two thousand years ago in the time of Cleopatra, queen of Egypt, the Egyptians talked like this" a speech bubble appears while the Egyptian talks in gibberish codified by funny drawings illustrating each sound he makes: a fly for buzzing, smoke for coughing, a bird for tweeting etc. After this hilarious nonsense, the narrator then concedes: "This language was rather difficult to understand, so the film you are about to see has been dubbed. However, due to the fact that dubbing techniques had not been perfected in this period, you may notice that the movement of lips is not always synchronized exactly with the words being spoken" The Egyptian proves his point by setting the tone: "And now after this interesting and instructive prologue, we are privileged to present a great historic epic drama".

The Egyptian is right on one thing, the prologue was indeed interesting and much, much instructive; however, I'm more doubtful about the word 'drama'. Which foreign drama (from most IMDb users' perspective) would acknowledge dubbing's inconsistencies? Hell, which animated feature would do so? To my knowledge, "Asterix and Cleopatra" is the only one to elevate the parody to such summits of hilarity. And it's only the beginning of a ten-laugh per minute spectacle, starting with a score imitating these historical epic peplum until it turns to Asterix' theme. The film is an adaptation of one of the most famous little Gaul's adventures, labeled then as the greatest story ever drawn. The cover exhaustively listed all the furniture that contributed to the making: pencils, paintings, pens, paper, beer etc. I guess any comparison with a little film starring Elizabeth Taylor and Richard Burton was totally fortuitous..

The 'Cleopatra' book was a great choice because only the big screen could recreate, even improve, the epic feel through music and majestic shots on Egyptian sites in the backdrop, before turning them into derision. This explains why the same story was used for Alain Chabat's "Asterix and Obelix: Mission Cleopatra" which became one of the highest-grossing movies of French cinema. The story is a winner, starting from the titular character: Cleopatra, the delightfully hot-headed, exquisitely histrionic and capricious (drama) queen whose nose would have changed the face of the world, had it been shorter. Cleopatra, voiced by Micheline Dax, is more of a prima donna in the film and this is the perfect characterization to make her funny without damaging her inner majesty. On the other side, the suave and debonair Julius Caesar doesn't sugarcoat his words and provokes Cleopatra by stating that Egyptians are decadent and lost their touch as far as architecture is concerned. Cleopatra then promises a sumptuous palace built in three months, it's a deal.

For that mission, she hires Numerobis (Edifis in English), the greatest architect of Alexandria but that's not saying much since his trademark consists on buildings that end up collapsing and make laugh the neighbors. It's a hit-or-miss for Edifis, gold or crocodiles (replacing the arena's lions in Egyptian tradition), who's got no other choice than asking for help Panoramix (Getafix for the English speakers), the old druid accepts and he's escorted by the village's best warriors: Asterix, Obelix and little Idefix (Dogmatix). In their adventure, they encounter the ruthless pirates whose 'boarding, slit-throating, destroying, massacring, and, sinking' are labeled by the green parrot as 'daily routine'; they face the vicious plots of Edifis' main rival Amonobofis (Artifis). He's not that bad actually, even offering his precious help. However, he only consents on sharing the gold in case of success, otherwise, Numerobis would be sent alone to the crocodiles. Anyway, it won't be an easy job, even Julius Caesar would try to undermine their road to success, but our Gaulish heroes find time to travel along the Nile and visit the Pyramids, where Obelix notices a little cameo of Santa Claus in the hieroglyphs.

And that's only one of the countless gags that transcend the 'epic historical drama' facade. Served by a dubbing from (among others) Roger Carel, Pierre Tornade and Micheline Dax, who were also the main French voices in the Muppets Show, the film also benefits from a great music. During the first visit in the construction site, it's slow, pompous and depressing, like the sight of the two workers struggling to pull a one-ton block of stone during overtime. But as soon as the workers drink the magic potion, it's as if the potion even fueled the music with a fast-pacing rhythm, catchiness and energy, it goes so fast, you might even miss some hilarious sight gags. The film also features an operatic duo between Cleopatra and her scene-stealing lion; a magnificent ode to the joys of food, when Obelix makes some entrechats with roasted boars and Asterix informs that the old adage changed "we don't eat to live, but we live to eat", this trippy parade is one of the greatest tributes to French' appetite and the best about food is still to come. Who'd have thought making a poisoned pudding could be so jazzy?

The film has everything: slapstick, verbal humor, music, even the obligatory happy ending is treated with a a subtle detachment. "Asterix the Gaul", the first film; met with popular success, but it was cheap and graphically poor. With a few songs, escapism, unforgettable secondary characters, the authors Uderzo and Goscinny finally found the recipe for a cinematic magic potion.

There are some good gags in this film, like the poor dubbing in the beginning, the scene where the man is sharpening his hand to karate chop wood, the architect's's poor designs and Cleopatra acting like a spoiled brat.

But the songs are terrible. There is only 3 songs and the lyrics are hopeless. Cleopatra's song in the bath consists of only "La la la la la." and that annoying lion dancing. The food song consists of "When you're eating well, you're well. When you're eating well, you're well. Loss of appetite is a dreadful blight. When you're eating well, you're well." And don't get me started on the song where the villain bakes a cake.

The point of writing a song is to make it catchy so that people can't get it out of their heads. These lyrics are obviously written by a first timer.

Black people are drawn in a shockingly stereotypical way with giant lips and speak in stereotypical voices. I'm surprised the BBFC didn't cut those scenes out. They probably knew it was Asterix and gave it a U anyway without watching it. You could have full frontal nudity in it and they wouldn't know.

The animation is not great, it is not a Hollywood Disney film. Just a low budget French film. The voice acting is average. Asterix with an American accent is not good idea. Ceaser and Cleopatra's voices work though.

It's also really short. But back in the 60's, animated movies were very short.

But it is entertaining. There's good visual gags in it and it is certainly a lot better than Asterix The Gaul which was awful. Despite it's flaws, it is worth watching if you're an Asterix fan.

The second of the animated Asterix films and once again based fully on an early comic album of the same name. This time Asterix, Obelix and druid Getafix travel all the way to Egypt to help a friend of Getafix, an architect named Edifis, who has been ordered to built a magnificent palace for Queen Cleopatra. The only problem is that he only has three months to do so and he has absolutely no skills as an architect.

This time Asterix creators Goscinny and Uderzo oversaw the project and it shows. The film has real energy behind it, which has always been a hallmark of the Asterix series. The film is full of good visual humour, clever wordplay and fun characters. The animation quality is also much higher than previously and even the music, arguably the strongest point of the first film, has gotten bit of an upgrade. Plus, the characters are still very, very good, which we of course have the original comics to thank for.

Unfortunately the film suffers from the same problem the first one did. The comic album simply didn't have enough material for a full length feature film and thus they had to pad most of the scenes to obscene amounts. This is especially notable in the scenes with Cleopatra. Had they simply made new scenes and added subplots, it might have been more bearable, but this way it just seems needlessly prolonged.

Still, it is an improvement and a very good film for kids. Adults will probably find themselves slightly bored, but because the film is constantly moving, entertaining and showing you at least something, the children are not likely to notice. I certainly didn't.

My kiddos loved the first Asterix movie, so I quickly picked this up on ebay: one again, a "version remasterisée" on blu ray with excellent quality picture and clear sound, the original English dubbing. Surprisingly, although they are both interested in ancient Egypt, they liked this one less than the first and the third movies. By far their favorite part, and very much in keeping with the series' farcical spirit, is the introduction, in which one of the Egyptian characters (the troubled architect) mimes hieroglyphics as "natural" language (e.g. Sounds of animals and environmental features) rather than human natural language: part of his apology that the dubbing (of Egyptian, apparently, not French!) will be off sequence with the lip movements of the animated characters. How's that for metatheatrics?