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Ajouter une intrigue dans votre langueThree sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband.Three sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband.Three sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband.
- Réalisation
- Scénario
- Casting principal
George Holdcroft
- Dancer in Club
- (non crédité)
Philip Johns
- Waiter Bringing Anniversary Cake
- (non crédité)
Gerry Judge
- Waiter
- (non crédité)
Johnny Rossi
- Construction Worker
- (non crédité)
Jeff Silk
- Police Officer
- (non crédité)
Fred Wood
- Construction Worker with Cap
- (non crédité)
Avis à la une
I have been aware of this film for many years, an image Bette Davis wearing an eye patch being burned into my memory. As she was the star I was surprised that the film was not set in the USA but in the UK, I try to avoid reading about a film before I have seen it. I'm glad that I finally got around to watching it, although it's very much of its time most should enjoy it even now.
Even though her husband popped his clogs some ten years before, Mrs Taggart still makes an occasion of her wedding anniversary to him by making sure that her sons join her at the family home so they can celebrate together.
The build up to the event sees her sons describing her as akin to a force of nature that can't be controlled and as a fierce matriarch. This seems fitting when she finally makes her entrance on screen as she is played by none other than Bette Davis who is on flying form and attacks her role with relish. Not just that but she has a fantastic wardrobe topped off with an eye patch!
It's obvious that Mrs Taggart will keep her boys in place by means necessary whether it be manipulation, knowing secrets that her sons would rather be kept private to be used at any given moment like some kind of trump card that she keeps up her sequinned sleeves and by finding any weaknesses that her sons or their partners possess.
It's fitting that this film was made by Hammer Films as whilst on the surface it's a very black comedy, it also works as a horror film with Davis demolishing all around her like a very stylish and catty version of Godzilla.
The tone here is high camp which is why it works so well. If this was presented as more serious it wouldn't have been half as much fun and Davis would have been wasted.
Davis didn't want to take the role but only changed her mind when her friend Jimmy Sangster rewrote the script for the screen from the stage version. Sangster had penned the excellent screenplay for Davis' earlier film, The Nanny (also highly recommended).
There was also animosity between cast members with 'serious stage actress' Sheila Hancock witnessing the way Davis was pampered over and given the attention deserving of a star of her stature and being utterly alienated by it. C'est la vie.
The build up to the event sees her sons describing her as akin to a force of nature that can't be controlled and as a fierce matriarch. This seems fitting when she finally makes her entrance on screen as she is played by none other than Bette Davis who is on flying form and attacks her role with relish. Not just that but she has a fantastic wardrobe topped off with an eye patch!
It's obvious that Mrs Taggart will keep her boys in place by means necessary whether it be manipulation, knowing secrets that her sons would rather be kept private to be used at any given moment like some kind of trump card that she keeps up her sequinned sleeves and by finding any weaknesses that her sons or their partners possess.
It's fitting that this film was made by Hammer Films as whilst on the surface it's a very black comedy, it also works as a horror film with Davis demolishing all around her like a very stylish and catty version of Godzilla.
The tone here is high camp which is why it works so well. If this was presented as more serious it wouldn't have been half as much fun and Davis would have been wasted.
Davis didn't want to take the role but only changed her mind when her friend Jimmy Sangster rewrote the script for the screen from the stage version. Sangster had penned the excellent screenplay for Davis' earlier film, The Nanny (also highly recommended).
There was also animosity between cast members with 'serious stage actress' Sheila Hancock witnessing the way Davis was pampered over and given the attention deserving of a star of her stature and being utterly alienated by it. C'est la vie.
It's my favorite Davis performance post-BABY JANE among her horror films. THE ANNIVERSARY, with Bette as the evil but grand Mrs. Taggert. From the moment the film begins she is constantly in control, even in those scenes where she is not physically appearing.
It is her wedding anniversary, and her three sons and the wife of one and the current girlfriend of another are in attendance. And in the course of the ninety minutes of the film, no matter what attempts to put Mrs. Taggart into her place or at least into a more reasonable frame of mind, she comes up trumps in making them feel like garbage. To be fair Mrs. Taggart has some grounds to be so vile - her missing eye is due to the antics of her sons. But even so, she takes bad behavior to a new level.
I have a sneaking suspicion, giving the devilish charm she brought to the role, Davis enjoyed this film. She was (despite her denials) a very difficult woman to get along with, and probably enjoyed how her character totally dominates this film. But it's done with such panache. Look at how she notes her youngest son's girlfriend (a cute looking blonde) has a secret physical defect that she uses her hair to hide. And she does so accidentally reveal it to the entire family.
Nobody escapes her witchery. In the course of the film she is getting some tiresome phone calls from one of her tenants about the work she did in constructing his house. She is as sweet as molasses in calming him down, but once she has hung up she tells her oldest son that they use a third rate repairman to fix the tenant's problem. Indeed, the last sequence in the film, when Bette passes a fountain that is of a male figure who shoots out water in a "unique" manner shows Mrs. Taggert's view of how the world should be treated.
It is her wedding anniversary, and her three sons and the wife of one and the current girlfriend of another are in attendance. And in the course of the ninety minutes of the film, no matter what attempts to put Mrs. Taggart into her place or at least into a more reasonable frame of mind, she comes up trumps in making them feel like garbage. To be fair Mrs. Taggart has some grounds to be so vile - her missing eye is due to the antics of her sons. But even so, she takes bad behavior to a new level.
I have a sneaking suspicion, giving the devilish charm she brought to the role, Davis enjoyed this film. She was (despite her denials) a very difficult woman to get along with, and probably enjoyed how her character totally dominates this film. But it's done with such panache. Look at how she notes her youngest son's girlfriend (a cute looking blonde) has a secret physical defect that she uses her hair to hide. And she does so accidentally reveal it to the entire family.
Nobody escapes her witchery. In the course of the film she is getting some tiresome phone calls from one of her tenants about the work she did in constructing his house. She is as sweet as molasses in calming him down, but once she has hung up she tells her oldest son that they use a third rate repairman to fix the tenant's problem. Indeed, the last sequence in the film, when Bette passes a fountain that is of a male figure who shoots out water in a "unique" manner shows Mrs. Taggert's view of how the world should be treated.
This is probably one of the all-time BEST performances by Bette Davis you will ever see. As I understand it, this is not easy to find and if you are a true Bette Davis fan, you simply MUST have this! The simple plot revolves around Ms Taggert's (Bette Davis) yearly tradition of celebrating her wedding anniversary even though her husband has been dead quite some time. Not only does she insist on commemorating the occasion but DEMANDS that her sons, ALL of whom have their own issues with Mother Dear, attend along with their respective families. Then Bette proceeds to tear into them unmercifully because she knows they will put up with it all for the sake of good ol' moola! Knowing this, Bette pulls no punches and delivers one of the funniest, most brutal, scathing, lowdown, and over-the-top CLASSIC performances in film history.
This is vintage Bette. Trust me. No Bull. You simply MUST see this! It is just a stitch!!!!!!!!!!!!!
This is vintage Bette. Trust me. No Bull. You simply MUST see this! It is just a stitch!!!!!!!!!!!!!
plays Mrs. Taggart, the controlling and manipulative mother to three sons. She oversees every aspect of their lives, the family business - which she owns outright - employs them and she works hard at scaring away any woman they bring into the family.
The Anniversary is the annual celebration of Mrs. Taggart's wedding anniversary to the boys' dead father. A macabre event in itself it is made more horrendous by her constant belittling of her sons, their women and her grandchildren. They are all targets of her caustic wit and cruelty.
Bette Davis is her usual glorious self in the starring role. Wonderfully gowned and housed with a matching eye-patch, she steals every scene she is in with flair and drawl, withering all including her grandchildren - all mere fodder for her verbal cannonballs.
And the ending is quite a surprise. Wait for it! 7 out of 10.
The Anniversary is the annual celebration of Mrs. Taggart's wedding anniversary to the boys' dead father. A macabre event in itself it is made more horrendous by her constant belittling of her sons, their women and her grandchildren. They are all targets of her caustic wit and cruelty.
Bette Davis is her usual glorious self in the starring role. Wonderfully gowned and housed with a matching eye-patch, she steals every scene she is in with flair and drawl, withering all including her grandchildren - all mere fodder for her verbal cannonballs.
And the ending is quite a surprise. Wait for it! 7 out of 10.
Le saviez-vous
- AnecdotesAfter Confession à un cadavre (1965), Jimmy Sangster's wife Monica said she would leave the country if he ever worked with Bette Davis again. She duly left for their home in the south of France on the day Davis arrived for this shoot and remained there for the duration.
- Citations
Mrs. Taggart: [Suddenly turning to face Shirley] Shirley my dear, would you mind sitting somewhere else? Body odor offends me.
Shirley Blair: [Looking completely outraged] I DON'T HAVE BODY ODOR!
- Crédits fousThe last shot of Davis freezes and is surrounded by a heart made of flowers with the caption "Happy Anniversary!".
- ConnexionsFeatured in Les Archives de la Hammer: Wicked Women (1994)
- Bandes originalesThe Anniversary Song
(Waves of the Danube)
Lyrics by Al Jolson and Saul Chaplin
Music by Iosif Ivanovici
Adapted by Saul Chaplin
Performed by The New Vaudeville Band
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- How long is The Anniversary?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Die Giftspritze
- Lieux de tournage
- Chantry, Barnet Lane, Elstree, Hertfordshire, Angleterre, Royaume-Uni(exterior of Mrs Taggart's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 450 000 $US (estimé)
- Durée1 heure 35 minutes
- Rapport de forme
- 1.85 : 1
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By what name was The Anniversary (1968) officially released in India in English?
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