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Matt Helm traqué

Titre original : The Ambushers
  • 1967
  • Tous publics
  • 1h 42min
NOTE IMDb
5,3/10
2,5 k
MA NOTE
Senta Berger, Dean Martin, and Janice Rule in Matt Helm traqué (1967)
Dean Martin presents this Bikini-laden trailer
Lire trailer1:02
1 Video
88 photos
ParodieActionComédieScience-fictionThriller

Ajouter une intrigue dans votre langueSecret agent Matt Helm must battle foreign spies and a rogue nation's exiled ruler in order to recover a hijacked U.S. government experimental flying saucer.Secret agent Matt Helm must battle foreign spies and a rogue nation's exiled ruler in order to recover a hijacked U.S. government experimental flying saucer.Secret agent Matt Helm must battle foreign spies and a rogue nation's exiled ruler in order to recover a hijacked U.S. government experimental flying saucer.

  • Réalisation
    • Henry Levin
  • Scénario
    • Donald Hamilton
    • Herbert Baker
  • Casting principal
    • Dean Martin
    • Senta Berger
    • Janice Rule
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    2,5 k
    MA NOTE
    • Réalisation
      • Henry Levin
    • Scénario
      • Donald Hamilton
      • Herbert Baker
    • Casting principal
      • Dean Martin
      • Senta Berger
      • Janice Rule
    • 53avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Ambushers
    Trailer 1:02
    The Ambushers

    Photos88

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 84
    Voir l'affiche

    Rôles principaux35

    Modifier
    Dean Martin
    Dean Martin
    • Matt Helm
    Senta Berger
    Senta Berger
    • Francesca Madeiros
    Janice Rule
    Janice Rule
    • Sheila Sommers
    James Gregory
    James Gregory
    • MacDonald
    Albert Salmi
    Albert Salmi
    • Jose Ortega
    Kurt Kasznar
    Kurt Kasznar
    • Quintana
    Beverly Adams
    Beverly Adams
    • Lovey Kravezit
    David Mauro
    David Mauro
    • Nassim
    Roy Jenson
    Roy Jenson
    • Karl
    John Brascia
    John Brascia
    • Rocco
    Linda Foster
    Linda Foster
    • Linda
    Tomiko Ishizuka
    • Slaygirl
    • (as Yumiko Ishizuka)
    Karin Feddersen
    Karin Feddersen
    • Slaygirl
    • (as Karin Fedderson)
    Ulla Lindstrom
    • Slaygirl
    Marilyn Tindall
    Marilyn Tindall
    • Slaygirl
    Lena Cederham
    • Slaygirl
    Susannah Moore
    • Slaygirl
    Terri Hughes
    • Slaygirl
    • Réalisation
      • Henry Levin
    • Scénario
      • Donald Hamilton
      • Herbert Baker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs53

    5,32.5K
    1
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    10

    Avis à la une

    7nathansdad

    oh please

    I'd like to know more about the people writing negative reviews of a movie like this: how old are they? were they even alive during the 60s? This movie is a product of a different age. It was a simpler time. You could get away with making movies that had this kind of production values, script and, yes - allusions to rape in an action-comedy notwithstanding - moral values (I'm not saying they're high, they're just an indicator of the time).

    Do you watch Charlie Chaplin or Laurel & Hardy and complain about the cinematography? You're watching a movie from the 60s guys - it's a time capsule. It can teach you about what life was like then, because at the time the Matt Helm movies were all completely acceptable and even successful.

    I dread to think how you lot would handle a 'Carry On' film - yet they were some of the most successful movies ever made in England. You'd probably brand them sexist, vulgar, childish and uninventive though...duh!
    7meganikalideva

    Fun and not as bad as its reputation

    I watched this Matt Helm movie after watching the other three because of its reputation for being subpar. While it is definitely the most campy of the four and starts off a little slow, it's a lot of fun. The Ambushers is the most sci-fi of the four and features an "electro-magnetic" UFO and some very forward-thinking exo-suits.

    Dean Martin looks comfortable in the role (in The Silencers he looked like he didn't want to be there) and he actually shows up for location shoots in this one. He also has some interesting lines. (Girl: "Suspenders AND a belt?" Helm: "I have trouble keeping my pants up.") I love the gadgets (the fez-garrote, the belt-sword) and the humor. The firing squad scene has to be seen to be believed.

    Janice Rule sparkles on the screen. Her character is so self-assured and beautiful-a great partner for Helm. The score is lush and fitting and the girls' outfits are to die for. Also, the film transfer, like the other Helm movies, is decent.

    As a footnote, it has been said that the UFO and the columnar "control panel" seen in launch control are recycled from Star Trek (Lazarus' ship in The Alternative Factor, and the Romulan warbird bridge controls from The Balance of Terror). Simply comparing photos of each is enough to disprove this. Perhaps the interior frame of the UFO and part of the dome were re-used, but otherwise they are quite different in size and construction.
    7MegaSuperstar

    Helm, Matt Helm

    Nice, entertaining movie -having in mind that this is not a serious film but a James Bond parody full of clichés, male chauvinism, sex object female characters and absurd situations. Still, it is a nice sixties movie full of colour, impossible groovy fashions and happy pop music. The final joke about Sinatra and Martin music is an eye blink to the rat pack films they made together. Dean Martin seems to be having a good time as watchers do. Light entertainment.
    4gridoon2025

    Disappointing

    The third Matt Helm film - and easily the weakest up to this point. Though Maltin's BOMB rating seems a bit harsh - it IS watchable, after all - it's hard not to notice the drop-off in quality from its predecessor, "Murderers' Row". The villains are nobodies, the gadgets are not as cool as before (levitating gun < delayed / reverse firing gun), the climactic vehicular chase has worse rear projection than the Abbott and Costello movies, and the entire enterprise is slow, unexciting and drab. Bright spot: Janice Rule, who is the smartest Matt Helm assistant so far, and also closer to Dean Martin's age than Ann Margret or Stella Stevens, which makes their (professional and romantic) partnership more believable. Senta Berger has an interesting character, in the sense that you are not sure for a long time whose side she is working for, but ultimately she is underused. The movie's two best bits actually come at the very start (the catchy title song), and the very end (a funny Frank Sinatra gag). *1/2 out of 4.
    7hoosierwood

    A must see for Austin Powers fans

    Some think this is the worst. I say it is the best. A must see Austin Powers fans. Matt Helm inspired the rotating round bed. This movie had the gun in the bra (Fembots) and the Arab assassin. Co-star Janic Rule was great as a fellow agent. The dialog was like Steed and Miss Peale. Better than the past Helm females that were comic relief. The story was put together well, a bit silly about a flying saucer that only women can operate, but the plot line was solid. Not much filler action or girl scenes. Great location shot and the jazzed Mexican background music fit just right. Good action scene in the beer factory. The lifting machines used to lift kegs may have inspired the fight in the Alien film. A fun film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To create the effect of Sheila's half orange-half purple dress and skirt being unzipped by the villain's gadget, thin wires were attached to the zippers on Janice Rule's clothes and then pulled on by off-camera crewmen, effectively stripping the actress while leaving her clad only in a strapless slip.
    • Gaffes
      Throughout the entire film, wires used to lift things and people up with the "anti-gravity ray" can be seen. This is especially obvious when the saucer is brought down to the jungle and when Matt rescues Sheila from the runaway train wagon.
    • Citations

      [last lines]

      Matt Helm: You know, there'll be times when you'll find yourself in a romantic situation with an enemy agent. Now, you've got to just let yourself go. You know, be soft and yielding. A little champagne.

      Slaygirl: I don't drink.

      Matt Helm: A little love.

      Slaygirl: I don't drink.

      Matt Helm: Well, soft lights and music - especially music. That'll do it every time. Eh, just relax and now you play close attention.

      Slaygirl: You can count on me, sir.

      Matt Helm: [Dean Martin's "Everybody Loves Somebody Sometime" plays on the stereo] Nice voice.

      [moves in for a kiss]

      Slaygirl: I'm sorry Mr. Helm. I guess I'm just not in the mood.

      [Matt puts on the next record, which happens to be Frank Sinatra's "Strangers in the Night"]

      Slaygirl: Oh, kiss me!

      [long kiss]

      Matt Helm: Do you really like Perry Como that much?

    • Crédits fous
      Next in view, The Wrecking Crew
    • Connexions
      Followed by Matt Helm règle son comte (1968)
    • Bandes originales
      The Ambushers
      Lyrics by Herbert Baker

      Music by Hugo Montenegro

      Sung by Tommy Boyce and Bobby Hart

      Courtesy of A&M Records

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    FAQ17

    • How long is The Ambushers?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 1968 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Emboscada a Matt Helm
    • Lieux de tournage
      • Mexique
    • Société de production
      • Meadway-Claude Productions Company (I) (II)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 10 000 000 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 42min(102 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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