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Matt Helm traqué

Titre original : The Ambushers
  • 1967
  • Tous publics
  • 1h 42min
NOTE IMDb
5,3/10
2,5 k
MA NOTE
Senta Berger, Dean Martin, and Janice Rule in Matt Helm traqué (1967)
Dean Martin presents this Bikini-laden trailer
Lire trailer1:02
1 Video
88 photos
ActionComédieScience-fictionThrillerParodie

Ajouter une intrigue dans votre langueSecret agent Matt Helm must battle foreign spies and a rogue nation's exiled ruler in order to recover a hijacked U.S. government experimental flying saucer.Secret agent Matt Helm must battle foreign spies and a rogue nation's exiled ruler in order to recover a hijacked U.S. government experimental flying saucer.Secret agent Matt Helm must battle foreign spies and a rogue nation's exiled ruler in order to recover a hijacked U.S. government experimental flying saucer.

  • Réalisation
    • Henry Levin
  • Scénario
    • Donald Hamilton
    • Herbert Baker
  • Casting principal
    • Dean Martin
    • Senta Berger
    • Janice Rule
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    2,5 k
    MA NOTE
    • Réalisation
      • Henry Levin
    • Scénario
      • Donald Hamilton
      • Herbert Baker
    • Casting principal
      • Dean Martin
      • Senta Berger
      • Janice Rule
    • 53avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Ambushers
    Trailer 1:02
    The Ambushers

    Photos88

    Voir l'affiche
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    + 84
    Voir l'affiche

    Rôles principaux35

    Modifier
    Dean Martin
    Dean Martin
    • Matt Helm
    Senta Berger
    Senta Berger
    • Francesca Madeiros
    Janice Rule
    Janice Rule
    • Sheila Sommers
    James Gregory
    James Gregory
    • MacDonald
    Albert Salmi
    Albert Salmi
    • Jose Ortega
    Kurt Kasznar
    Kurt Kasznar
    • Quintana
    Beverly Adams
    Beverly Adams
    • Lovey Kravezit
    David Mauro
    David Mauro
    • Nassim
    Roy Jenson
    Roy Jenson
    • Karl
    John Brascia
    John Brascia
    • Rocco
    Linda Foster
    Linda Foster
    • Linda
    Tomiko Ishizuka
    • Slaygirl
    • (as Yumiko Ishizuka)
    Karin Feddersen
    Karin Feddersen
    • Slaygirl
    • (as Karin Fedderson)
    Ulla Lindstrom
    • Slaygirl
    Marilyn Tindall
    Marilyn Tindall
    • Slaygirl
    Lena Cederham
    • Slaygirl
    Susannah Moore
    • Slaygirl
    Terri Hughes
    • Slaygirl
    • Réalisation
      • Henry Levin
    • Scénario
      • Donald Hamilton
      • Herbert Baker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs53

    5,32.4K
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    Avis à la une

    Poseidon-3

    Dino is at the Helm again!

    Third in a series of Matt Helm films starring Martin, this is often noted as being the worst or next to worst. Martin plays a swinging, hot-to-trot parody of James Bond in a film that takes every double entendre and gadget from that series and cranks them up to the nth degree. This time out, Martin must recover a stolen flying saucer with the aid of the female pilot who was stolen with it, then released. Rule (a pretty uncharacteristic choice for a film like this) plays the astronaut/pilot. Martin first attends a camp where he's refreshed in the ways of the spy (and where a battalion of voluptuous babes called The Slaygirls are being trained.) Then he's off to Mexico to track down the ship which is believed to have been nabbed by (the decidedly UN-Hispanic) Salmi. Various complications ensue including run-ins with bumbling second banana Kasznar and drop-dead eye candy Berger. It's pretty clear that the film isn't aiming for greatness, or even seriousness, when the two primary weapons are a bra that shoots bullets and a device that makes men's pants fall down! The latter device is pitifully ridiculous in that it melts belt buckles and somehow that leads to men's buttons, hooks and zippers also failing so that an army of henchman are forced to reach for their dangling trousers rather than catch their man.

    There's a groovy title song played over credits that display a huge array of bikini-clad, heavily made up beauties that wind up having little or nothing to do with the plot. All of the kicky, funky music is by Hugo Montenegro and it's one of the film's better attributes. The film is only really bad if one is expecting serious spy drama or high brow jokes. The villain's chief gadget is a dopey looking satellite dish that shoots sparks out of it (along with a hand-held version.) It serves its greatest purpose pouring drinks for everyone. The one-liners in this film are of the lowest caliber possible and the ultra-macho point of view will likely be off-putting to some viewers. However, for those eager to see the type of kooky, colorful romps that inspired Mike Myers to create "Austin Powers", this is required viewing. (Check out how Dino's car trunk pops out an inflatable tent complete with bed, nightstand, lamp and metal chairs!) Martin isn't exactly flexing his acting muscles here, but he was playing into his image at the time of a boozy womanizer. Rule is a better actress than this fluff deserves and she doesn't really fit the boobs and hair-type of role, but she does well anyway. Berger is unbelievably luscious. Wearing what have to be the cinema's largest-ever earrings and sporting an impossibly golden tan, hair piled high and an aquamarine lounging gown, she is one of the most underrated beauties on record. She deserved a bigger career in Hollywood than she wound up with. There's a poolside fashion show of ultra-60's Oleg Cassini creations and most of the women wear false eyelashes so heavy they can almost open their eyes. It was a time that can never be repeated, so one should relish films like this as the time capsules they are and rent Oliver Stone movies when they want to be challenged.
    4shepardjessica

    3rd Helm flick & 3rd best!

    This Helm flick should be ranked slightly lower than THE SILENCERS or MURDERER'S ROW, but definitely better than that final train wreck - THE WRECKING CREW (great babes though). The Ambushers sports Janice Rule (great actress from the 60's - check her out in THE CHASE with Brando) and Senta Berger, a European beauty with exotic looks and voice. Beverly Adams is on hand again as the sweetheart assistant, Lovey Kravezit.

    A 4 out of 10. Best performance = Janice Rule. Give this one a chance. It's not THAT bad! Dino is starting to show a lack of energy by the end of it, but the girls hold him up. If you're not a complete spy-spoof snob, this is a perfect way to waste 100 minutes.
    Sargebri

    A Wonderful Spoof

    This film is a funny spoof of the James Bond series. Dean Martin is hilarious as the stereotypical spy with a drink in one hand and a sexy girl in the other. All the people who call this series a rip off of James Bond are missing the point. I especially loved Kurt Kaznar, playing the despicable character he would play so well in his most famous role on Land of the Giants as Alexander Fitzhugh. Also, Janice Rule is more than just window dressing. She plays the femme fetale role to the hilt and she shows a great flair for comedy in this film. The Matt Helm series was intended to be a parody of that series and did a great job of it.
    7nathansdad

    oh please

    I'd like to know more about the people writing negative reviews of a movie like this: how old are they? were they even alive during the 60s? This movie is a product of a different age. It was a simpler time. You could get away with making movies that had this kind of production values, script and, yes - allusions to rape in an action-comedy notwithstanding - moral values (I'm not saying they're high, they're just an indicator of the time).

    Do you watch Charlie Chaplin or Laurel & Hardy and complain about the cinematography? You're watching a movie from the 60s guys - it's a time capsule. It can teach you about what life was like then, because at the time the Matt Helm movies were all completely acceptable and even successful.

    I dread to think how you lot would handle a 'Carry On' film - yet they were some of the most successful movies ever made in England. You'd probably brand them sexist, vulgar, childish and uninventive though...duh!
    StuOz

    The Music, The Spaceship, Dean, The Girls, Kurt & The Music

    Superspy Matt Helm is back in action.

    My God! What a great UNDER-RATED movie! Where do I start? The opening theme song and the images that go with it get ten out of ten. Then after we are finished with the cool theme music we cut to the spaceship...with some cool Hugo Montenergo music playing over the spaceship footage. From this point I am hooked on this fun very 1960s movie! Dean Martin, Kurt Kasznar (pre-Land of the Giants) and Albert Salmi are outstanding!

    The only thing I have against the film is the train-track scene where it is a bit too obvious that the actors are actually in the studio and not out on location at all.

    I have seen all the 60s Matt Helm movies and they are all great. The Ambushers is my favourite of the bunch as it has more of a science fiction element than the others. It is too bad these films don't seem to get the expected TV reruns these days (atleast in my country of Australia) but I am guessing the sexist nature of them might bother some? But they are a product of the time so it is not something we should be upset about today. After all, 60s 007 movies still get screenings around the clock and nobody complains about them.

    Frankly, I am not too big on Dean Martin as a singer so he will always be Matt Helm to me. I wonder how he would feel about that? The Ambushers is a must see!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To create the effect of Sheila's half orange-half purple dress and skirt being unzipped by the villain's gadget, thin wires were attached to the zippers on Janice Rule's clothes and then pulled on by off-camera crewmen, effectively stripping the actress while leaving her clad only in a strapless slip.
    • Gaffes
      Throughout the entire film, wires used to lift things and people up with the "anti-gravity ray" can be seen. This is especially obvious when the saucer is brought down to the jungle and when Matt rescues Sheila from the runaway train wagon.
    • Citations

      [last lines]

      Matt Helm: You know, there'll be times when you'll find yourself in a romantic situation with an enemy agent. Now, you've got to just let yourself go. You know, be soft and yielding. A little champagne.

      Slaygirl: I don't drink.

      Matt Helm: A little love.

      Slaygirl: I don't drink.

      Matt Helm: Well, soft lights and music - especially music. That'll do it every time. Eh, just relax and now you play close attention.

      Slaygirl: You can count on me, sir.

      Matt Helm: [Dean Martin's "Everybody Loves Somebody Sometime" plays on the stereo] Nice voice.

      [moves in for a kiss]

      Slaygirl: I'm sorry Mr. Helm. I guess I'm just not in the mood.

      [Matt puts on the next record, which happens to be Frank Sinatra's "Strangers in the Night"]

      Slaygirl: Oh, kiss me!

      [long kiss]

      Matt Helm: Do you really like Perry Como that much?

    • Crédits fous
      Next in view, The Wrecking Crew
    • Connexions
      Followed by Matt Helm règle son comte (1968)
    • Bandes originales
      The Ambushers
      Lyrics by Herbert Baker

      Music by Hugo Montenegro

      Sung by Tommy Boyce and Bobby Hart

      Courtesy of A&M Records

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    FAQ17

    • How long is The Ambushers?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 1968 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Emboscada a Matt Helm
    • Lieux de tournage
      • Mexique
    • Société de production
      • Meadway-Claude Productions Company (I) (II)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 10 000 000 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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