Ciel de plomb

This Pasta Western displays noisy action , thrills , stirring adventures , shoot'em up , brawls , and results to be pretty bemusing . It stars Giuliano Gemma and Mario Adorf , both of whom are top-notch as likable freewheeling rogues , meanwhile taking on two ominous villains , the ruthless father pistolero : Anthony Dawson and and his son , the really villainous Rick Boyd . This is an acceptable S.W. full of action , shootouts , fist-play and some touches of humor in charge of Giuliano Gemma as Billy Boy aka Tim Hawkins and Mario Adorf as Harry . Outlaw Roger Pratt (Federico Boido) pursues drifter Tim (Giuliano Gemma) , that's why he thinks of being responsable the death of his children . Later on , the stagecoach is attacked by the gang led by Pratt , with all the passengers (Chris Huerta) cruelly massacred. There arrive two hobos , a swindler drifter named Tom (Gemma) and a burly innocent vagrant called Harry (Mario Adorf who is still playing) and soon become travelling companions . But one of them, Tim , is being chased by a crazed killer and his group of gunmen to settle an old score . At the beginning Tim swindles Harry , but a bit later on , both of whom befriend themselves .While they are fighting and hating each other , eventually , the two manage to live together for a time . Then they undertake several adventures, heists , risks and dangers. They are chased through the west , encountering scrape after scrape until the murderers catch up and the score is settled for good. The roguish friends have their hands in everything , but especially on a beautiful widow called Dorothy McDonald (Magda Konopka) and a wonderful girl (Julie Menard) who works at a show as a mermaid or sirene . Later on , the duo being relentlessly pursued , but they attempt to carry out a hold-up , assault Wells Fargo , and , finally face off their ruthless enemy , Pratt , and his cruel father (Anthony Dawson who acted in Death rides a horse) who at the end he arrives by train at the station.



This entertaining engaging movie is crammed with crossfire , fist-fights, kicks , punches , overwhelming stunt work and lots of humor . Gemma and Adorf are pretty good as two army men robbing and taking on a bunch of bandits and both of whom make their own stunts , as usual . At the ending takes place the violent confrontation, a thrilling duel in Spaghetti style and under splendid musical score background .This Ravioli Western has Western action , shootouts, fights and brawls in Terence Hill/Bud Spencer style . It is an entertaining and amusing Pasta Western with the attractive actors , the Italian Giuliano Gemma and the German Mario Adorf forming an odd as well as funny couple. Lightingly paced and with a really disconcerting storyline that results to be absurd at times, but frenetic fights and gunplay sequences make up for it . This release has some cool and hilarious moments ; however, the Terence Hill and Bud Spencer movies are much better. The picture displays lots of laughters , tongue-in-cheek , jokes , as well as violence and cold killings , too . This is an acceptable S.W. full of action , shootouts , fist-play , some touches of humor in charge of Giuliano Gemma/Mario Adorf characters and enjoyable musical score by the great maestro composer Ennio Morricone . Protagonists are very fine , they ravage the screen , they jump , bounds , hit and run ; plus , lots of jokes , laughs , they are a complete show , delivering a nice chemical . Starred by Giuliano Gemma , in the beginning, he worked as stunt-man, and in small roles in big productions such as "Ben Hur" where his role was uncredited. The director, Duccio Tessari, gave him the first role as protagonist in the film "Arrivano i Titani". Luchino Visconti cast him the role of a general in "Il gattopardo", but his scenes were mostly cut. This was followed by important roles in "Angelica", by the French director Bernard Borderie, where Gemma has a leading role; and the first spaghetti western films where he was credited as Montgomery Wood. He played several films of all kinds of genres as ¨Master touch¨ with Kirk Douglas , ¨Stay away¨ with Amidou , as well as ¨Africa Express¨ and ¨Safari Express¨co-starred by Ursula Andress and with similar artist and technician team , but especially Westerns such as ¨Una pistola per Ringo", "Il ritorno di Ringo" and "Un dollaro bucato" are among his greatest successes . As well as ¨Arizona Colt¨ with Fernando Sancho and Nello Pazzafini and ¨California ¨ with William Berger and Romano Puppo . Then he played his most important roles in "Il deserto dei Tartari" by Valerio Zurlini and "Il prefetto di ferro" by Pasquale Squitieri. In the last years Gemma worked mostly for Italian television until his death by car accident . This Italian/French coproduction release titled E per tetto un cielo di stelle (Italy) , or A Sky Full of Stars for a Roof (United States) or Ciel de plomb (France) has some cool moments and a great number of hilarious scenes , adding a thrilling finale . The film isn't always good , sometimes is fresh and diverting and on a couple of memorable occasions , it's frankly delicious . In this very mild entertainment picture appears usual secondaries seen in several Spaghetti/Tortilla Westerns , many of them uncredited in brief appearances , such as Spanish players : Chris Huerta , Victor Israel, as Italian people such as : John Bartha ,Riccardo Pizzuti as Poker player in saloon , Benito Stefanelli, Ivan Scratuglia .

Nice cinematography filmed on location in Spain : Poblado Tabernas, Almeria, Andalucia, Spain. Very good musical score by Ennio Morricone style and full of catching sounds and haunting environment . Morricone displays a sensitive musical leitmotif and he composed lots of Spaghetti Western scores . There are many fine technicians and nice assistants as the professional cameraman Carlo Carlini who makes an atmospheric photography , including barren outdoors , dirty landscapes under a glimmer sun , being shot , of course , on location in Almeria , Spain . However , being necessary and perfect remastering because of the original copy is worn-out .

The motion picture was regularly directed by Giulio Petroni . This Italian writer/filmmaker so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . He wrote some Westerns and filmed a classic Italian Western as ¨Death rides a horse¨ with Lee Van Cleef and John Philip Law , though also shot other inferior but acceptable Spaghettis such as ¨Night of serpent¨ and this ¨A sky full of stars for a roof¨ in which he takes a similar style to the one used in his later Thomas Milian cast "Life is Tough, Right Providence?¨. Director Giulio Petroni (of "Death Rides a Horse" fame) made is a passable entertaining juvenile that will appeal to Italian comedy western buffs . Rating : 5.5/10 . Average , only for Giuliano Gemma and worthwhile seeing for Spaghetti Western fans.

Mario Adorf hunts down con-man Giuliano Gemma, who swindled him out of six-hundred dollars worth of gold, only to partner up with him for a series of crooked money-making schemes and a few encounters with a psychotic gunman from Gemma's past.

This lightly comedic western is likable enough, though a little too loosely plotted. After awhile, one begins to wonder what exactly is the the point of all the duo's hijinks. However, the climax is definitely worth hanging around for.

The entire film hangs solely on the charisma of it's two stars, who don't disappoint. The score by Ennio Morricone is pretty good too.

The first time I watched this I rated it only **1/2; among the first to send up the Spaghetti Western genre, I tended to overlook it in favor of the director's more sobering DEATH RIDES A HORSE and TEPEPA (both 1968). Still, it's such an engaging, consistently entertaining and often uproariously funny film that rating it any lower than *** would suggest that it's less than good, which certainly isn't the case!

The film's rambling narrative revolves yet again around the buddy-buddy formula in an obviously broader vein; even so, the film has its serious side since it opens with a stagecoach massacre and a similar fate befalls a couple of traveling circus performers towards the end - the perpetrators are a gang of criminals hotly in pursuit of ex-comrade and sharpshooter Giuliano Gemma who wants out (he doesn't even carry a gun anymore), preferring to make his living as a confidence-trickster (which, as it turns out, is no less precarious or law-abiding than being a bandit!).

His companion, more often dupe, is Mario Adorf turning in an inspired performance as the gullible and gruff yet amiable would-be rancher (whom Gemma embroils in many a scheme - fake telegraph service, circus acts involving a siren and Adorf himself fitted with a loincloth and breathing fire - to fleece the unsuspecting townsfolk). At one point, Adorf himself is made to invest all his savings in an inexistent bank and, later, falls for his partner's ruse that a funeral procession they meet up with is for a famous bandit who has a fortune buried in his back-yard (only to learn, after having dug a hole "all the way down to Hell", that he had been wheelchair-bound since childhood) just so Gemma could make out with the deceased's luscious young wife - the dinner-table scene between Gemma and Magda Konopka here is highly reminiscent of the celebrated one featured in TOM JONES (1963). Forsaking Gemma for a visionary drunk, Adorf manages to rob a gold shipment by posing as a Wells Fargo employee - though his partner in this venture turns out to be a bloodthirsty maniac who mows down an entire Army platoon which sets out in pursuit of them!

Anthony Dawson turns up at the climax as the sadistic chief villain; having taken refuge in Adorf's dilapidated ranch (which they leisurely restore), our heroes then see their dreamhouse literally go up in smoke when they are forced to blow the place up with Dawson's gang still inside! The tireless Ennio Morricone provides yet another exemplary score; the wistful main theme is especially striking.

The most interesting thing about this odd spaghetti western is that you can see that it probably was an influence on the wildly successful comic spaghetti western "They Call Me Trinity" that came out two years later. Among other things, the two leads here have some of the trademarks Terence Hill and Bud Spencer sported in the later movie. However, Hill and Spencer's comedies didn't sport some scenes of harsh violence as this film does, which doesn't fit at all with the otherwise lighthearted spirit. Also, the comedy in this movie really isn't all that funny, being mostly simple-minded slapstick and silliness you will have seen in other comedies before. The script also suffers from the fact that there is hardly any plot - for the most part it's just a series of vignettes that have little to no consequence to what comes afterwards. And under the direction of Giulio Petroni, the movie unfolds at a really slow pace. There is some merit to be found here and there, particularly a fine musical score by the ever reliable Ennio Morricone, but as a whole the movie is a really tired and uninspired effort.

Ah, such beautiful music!

This film opens with a classic sequence. A stagecoach is attacked by a gang, with all the passengers brutally massacred. Cue Morricone's haunting soundtrack as the camera focuses on the dead, and in particular the face of a blonde girl. A hand brushes the dust from her face,and the camera pans up to show the sorrowful face of Billy (Giuliano Gemma). A truly moving scene, but made particularly so because of Morricone's music.

In a way, this opening sequence is quite out of place with the remainder of the movie. The rest is a light-hearted affair, based around the partnership of Billy and Larry (Mario Adorf). Billy is a smart, world-wise man, whilst Larry is not gifted with the greatest amount of intelligence. This is a perfect foil for Billy, who is a convincing conman and successful in getting the better out of his gullible partner throughout the film (including robbing him of his entire life savings).

The action really hots up when the character of Roger Pratt (Federico Boido) is introduced properly (until this stage, he is purely the face of the gang leader from the opening ambush). He is a brutal man, tracking down Billy on behalf of his father Samual Pratt (Anthony Dawson). The second half of the movie concentrates on this pursuit, with Samual also arriving on the scene and proving to be as barbaric as his short-fused offspring.

Director Giulio Petroni (of "Death Rides a Horse" fame) adopts a similar style to the one used in his later Milian cast "Life is Tough, Right Providence?". It shares its episodic structure, and "clever man/thick man" partnership. Anyone that has read my other reviews will probably have noticed that I do not generally like the more light-hearted westerns. However, I did very much enjoy most of this particular film (the same could not be said of "Providence" incidentally).

Gemma does not look as comfortable with the more comedic role as he does to that of an angel-faced gunman. But he still looks and acts the part - as likable in this film as ever. Adorf meanwhile is suitably oafish (in a role that would have been perfect for Bud Spencer), as Boido and Dawson are villainous.

A particular highlight of the film is a superb scene as Billy cons his way into the house of a beautiful Widow (played by the frankly gorgeous Magda Konopka). Another very beautiful Spaghetti Western actress, part sorrowful and part sexually teasing.

As my review closes, I must dwell further on that opening sequence. The background to this massacre is never fully explained - perhaps those killed have been unfortunate acquaintances of Billy, and suitably punished by the Pratt gang. I don't know. And, in its serious nature, it perhaps feels like a scene that doesn't really belong in this film. But... if you watch it for no other reason, then watch it for this powerful prologue (even close your eyes just to hear Morricone's score). I am also quite confident as you sit through the whole film that you will find other scenes that you will enjoy.