Hawaii police d'état

Although the plots and stories trailed off a little in quality near the end of the series, 'Hawaii Five O' in its prime was a remarkable example of how to do a television show right. It had a lot a factors going for it : Spectacular opening and closing credit sequences, a grabber of a theme song, exotic locations, a charismatic lead actor who had great hair and knew how to work it, and a racially diverse and intriguing supporting cast.

The series creator took a chance and had Jack Lord play McGarrett as a hard-nosed, hard-driving tough guy instead of a "Teddy bear" type, but this worked because McGarrett was so obviously committed to his job and to "Law And Order" that his brilliance and energy won the audience over, and in fact made them like him even more than if he had been played as a "Basil Rathbone Sherlock Holmes" character.

But the thing that sets Five O apart in my mind, is that whoever was in charge of story and script quality really knew their stuff and were allowed to do their job. H50 episodes had remarkably tight and internally consistent plots and screenplays. The screenplays always played fair with the audience, and almost always featured extremely clever plot devices, gimmicks or MacGuffins that made you admire the deviousness and ingenuity of the characters who were trying to do bad things under Five-O's watchful eye. And McGarett and his staff would scramble against a deadline to understand the gimmick and solve the mystery or the heist or the caper before the 'bad guys' could get away with whatever they were planning. And each episode was directed and edited with crispness and energy that kept everything moving and wasted no screen time.

Many times things were so interesting that the hour long show seemed to be over almost as soon as it started. You can't give a police detective show a much higher compliment than that. To manage to pull this off for so many years was a remarkable achievement.

Three cheers for "Hawaii Five O" and the people behind it. It holds up as one of the high water achievements of television drama.

Th e1970's was often called the age of tv cop shows. You had shows like, Police Story, Cannon, Columbo, Toma, Baretta, The Streets Of San Francisco and Joe Forrester. However, Hawaii Five O was the grandaddy of them all. This show ran longer then any other police show in tv history, from 1968 to 1980, we all watched Steve McGarret unmask the villian and solve the mystery (oh and also to bark "Book 'em Danno" at the end of every episode. I am going to tell you something about Jack Lord that is not generally well known, I learned this from one of Paul Harvey's "The Rest Of The Stories". Although his role as the hard hitting cop would suggest he was anything but sensitive, Jack Lord was really a very different man in real life. He was an artist and a very sucessful one as well and it wasn't because he was a tv star. Five of his paintings are in the famous Metropolitan Musuem of Art in New York City. People have paid fortunes for them! As a student Lord won numerous awards for his art and people have paid fortunes for even his simplist watercolors. Lord often quoted Sean O'Casey and said "Let us find a way to spin joy into every moment of tomorrow's day". As Steve McGarret Lord was almost like a modern day knight. All the tv cop shows since in a way owe their sucess to him. He set a standard that will never be equalled.

Outside of Jack Webb I don't think you could make a better case for a cop being totally professional than with Jack Lord as Steve McGarrett. Even with Webb you got hints of a private life usually in the squad car as he and Ben Alexander or later Harry Morgan rode around between locations on an episode. In fact usually TV series last because of various personal dimensions gradually introduced into a series for the characters.

But in Hawaii 5-0, never. Lord was appointed by the Governor of Hawaii to head a special state police force to really go after the high level crooks. His jurisdiction was pretty well anywhere he wanted it. I never saw any complaints from Honolulu PD or any other local police entity about it in the 12 years Hawaii Five-0 ran.

Lord had a picked team with James MacArthur, Kam Fong and several other local players from Hawaii as other police assigned to him. Richard Denning made some appearances every so often as the governor. In fact MacArthur as Danny Williams was the guy that McGarrett ordered almost every week to 'book 'em Danno' in the show's most celebrated catchphrase.

Hawaii Five-0 had three great things going for it. The first was Hawaii itself. I for one can't get enough of the scenery. It's the most beautiful place on the planet and that's on several different levels. I don't the show would have lasted twelve seasons if it was done in East St. Louis.

Secondly the writing was extraordinarily good matched by the editing. I don't recall a frame of extraneous film in any given episode. Like McGarrett and his team, every show got right down to business and moved.

Lastly it was Jack Lord who created a character that solely and totally focused on his job. Normally those are not warm and fuzzy people, but the absolutely incorruptible Steve McGarrett was a guy that any citizen would want to know is serving and protecting. Even if he didn't seem to have a personal life.

To live and work in Hawaii, it doesn't get better.

Hawaii Five-O's successful 12-year run proved one thing: A drama doesn't have to be perfect or overly complex to succeed.

Hawaii Five-O's plots were straightforward and self-contained. They rarely had big surprises or twists, and the plot of one episode rarely carried over into future episodes. However, the stories were (for the most part) well written, intelligent, and often unique. For example, in the sixth season's "Draw Me a Killer", a young man "in love" with a female comic book character murders people who resemble her fictional adversaries. This sort of creativity resulted in interesting plots that didn't have to depend upon shocks or gimmicks to be watchable.

Hawaii Five-O was authentic. It was shot entirely on location in Hawaii. Most took place in Honolulu, but the show saw some time on the other islands, as well. Local actors were used to fill nearly every minor part in almost all episodes. While many of these actors were clearly amateurs, you didn't care. This actually added to the show's charm and authenticity. Some of these locals had recurring parts, being seen in different roles in as many as 14 episodes. That also wasn't a big deal, provided you didn't take the show too seriously.

Hawaii Five-O was nice to look at. The show went out of its way to create scenes with beautiful backdrops, allowing the viewer to feel he's on a Hawaiian vacation while in his own living room.

Hawaii Five-O featured one of the best opening theme songs and title sequences. It still holds up well 37 years later. Even the end title sequence, showcasing about 20 native Hawaiians paddling a boat through the ocean off Hawaii, fit in with the show's Hawaiian authenticity. A bit of trivia regarding the opening sequence: The famous wave at the beginning was NOT filmed for Hawaii Five-O, and was instead taken from some 1962 stock footage. This footage was so unimportant at the time that it is now unknown exactly where that wave video originated. Also, the 10-year-old boy shown on the beach was randomly selected and given $5 for allowing himself to be filmed. He didn't know he was in the opening titles until kids at school teased him about it! The first 7 seasons of the show were by far superior to the final 5. The show especially deteriorated by season 11. This was simply a case of a show that had run its course, and it honestly should have been canceled two years earlier.

Jack Lord did a superb job as Five-O head Steve McGarrett. We never got to learn too much about the lives of the other characters, but it was always clear that they were there to support McGarrett. The unity and dedication amongst the characters of the show was comforting to watch. While many cop shows (such as NYPD Blue) introduce conflict between the main characters, this had no place in Hawaii Five-O. This was a show about Five-O versus the criminal element of Hawaii.

Despite the repeated showcasing of Honolulu's crime, Hawaii Five-O actually did a lot to boost Hawaii tourism. You would think that episodes showing tourists as murder victims would put people off. Perhaps everyone felt protected by McGarrett and Five-O, even if both were just a work of fiction.

The longest-running cop show on American TV until "Law & Order"'s thirteenth season, "Hawaii Five-O" still has a long life in reruns and probably will continue in that vein long into the future.

Admittedly it did go downhill towards the end (the last season's episodes, ironically, seem even more dated than those from the '68 run) and no one can really claim that the acting was on a par with your Bochcos or your Levinsons, but it worked - yes, the scenery was a plus, along with Reza S. Badiyi's title sequence (still one of the all-time greats), but ultimately the glue that held it together was the late Jack Lord. He clearly thought the show revolved around him, and he was right - stiff, yes, but the man WAS Steve McGarrett; you never doubted for a second that he was in charge.

The show also had more than a few decent stories to go with the Hawaiian setting; that's the main reason this show was popular enough to run for more than 10 years (and more than twice that length in reruns). That and Morton Stevens's theme music, of course - all these years and that still hasn't worn thin yet either. I doubt "Miami Vice" will hold up so well.

The Stephen J. Cannell-backed pilot shot in '97 (and which brought back Chin Ho, killed off in "A Death In The Family") was judged so bad by CBS that to this day it hasn't aired, and probably never will. Like I'm weeping...